Wagner & Me
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Impromptu(xx)
A journey to the origins of cinema, starting with its forgotten fathers: the pioneers who achieved moving images before 1895, the official year of the Lumière cinematograph. Through five studies by Frédéric Chopin, 'Impromptu' is also a tribute to the end of the 19th century, to its immortal muses, and to the fascination with movement itself.
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Packed with intricate melodies, harmonies, and instrumentation, Johannes Vogel conducts the Synchron Stage Orchestra to perform Mozart’s Symphony No. 41 in C Major K. 551 in this elegant live concert stream. Captured in Vienna’s state-of-the-art Synchron Stage recording facility, experience the thrills and swells of a 40-piece ensemble - 30 string, 5 woodwind, 4 brass, and 1 percussion - comprised of talented musicians from renowned Viennese orchestras. Mozart completed Symphony No. 41 in C Major on 10 August 1788 – the final of three masterpieces he wrote that summer. Labelled ‘Jupiter Symphony’ by music critics, Symphony No. 41 is an example of divine perfection, brimming with the beautiful complexity, emotion, and excitement that represents the possibilities of humankind.
Antonin Dvořák's 'Symphony No. 9 in E Minor'(en)
Packed with intricate melodies, harmonies, and instrumentation, Johannes Vogel conducts the Synchron Stage Orchestra to perform Antonin Dvořák's Symphony No. 9 in E Minor Op.95 (also known as ‘New World Symphony’) in this joyful live concert stream. Captured in Vienna’s state-of-the-art Synchron Stage recording facility, experience the thrills and swells of a 60-piece ensemble – 40 string, 9 woodwind, 9 brass, and 2 percussion – comprised of talented musicians from renowned Viennese orchestras. While serving as the director of the National Conservatory of Music of America, Antonín Dvořák composed New World Symphony (a title inspired by his travels in the United States) and debuted the masterpiece in New York City on 16 December 1893. The symphony has since become one of the most famous works in classical music, filled with hope and happiness as well as uplifting instrumentals that makes it a pleasure to listen to come rain or shine.
Johannes Brahms' 'Symphony No. 4 in E Minor'(en)
Packed with intricate melodies, harmonies, and instrumentation, Johannes Vogel conducts the Synchron Stage Orchestra to perform Brahms’ Symphony No. 4 in E Minor Op.98 in this enthralling live concert stream. Captured in Vienna’s state-of-the-art Synchron Stage recording facility, experience the thrills and swells of a 60-piece ensemble – 40 string, 9 woodwind, 9 brass, and 2 percussion – comprised of talented musicians from renowned Viennese orchestras. With origins that date back to 1884 in Mürzzuschlag and the Austro-Hungarian Empire, Symphony No. 4 was introduced to the public on 25 October 1885 in Meiningen, Germany. In this modern-day performance, Brahms' fourth and final symphony continues to pulse with positive energy and swirls with trance-like melodies that’ll please classical fans far and wide.
Ludwig van Beethoven's 'Symphony No. 9 in D Minor'(en)
Originally aired as part of Beethoven’s 250th anniversary celebration, Johannes Vogel conducts the Synchron Stage Orchestra to perform Gustav Mahler's Orchestration of Symphony No. 9 in D Minor Op. 125 in this dramatic live concert stream. Recorded at the historical Synchron Stage in Vienna, experience the thrills and swells of the Synchron Stage Orchestra - 48 string, 17 woodwind, 14 brass, 4 percussion - comprised of Austria’s finest instrumentalists, alongside a choir of 39 sopranos, altos, tenors, and basses. Composed between 1822 and 1824 in Vienna, Symphony No. 9 in D Minor was Beethoven’s final completed symphony. The use of solo singers and a chorus in the final movement was revolutionary, and the emotional journey from the doubt and struggle to the glorious vision of a world of love and tolerance is regarded as one of the greatest and most heartfelt pieces in classical music.
Okay for Sound(en)
This short was released in connection with the 20th anniversary of Warner Brothers' first exhibition of the Vitaphone sound-on-film process on 6 August 1926. The film highlights Thomas A. Edison and Alexander Graham Bell's efforts that contributed to sound movies and acknowledges the work of Lee De Forest. Brief excerpts from the August 1926 exhibition follow. Clips are then shown from a number of Warner Brothers features, four from the 1920s, the remainder from 1946/47.
The Art of Singing: Golden Voices of the Century(en)
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Bruckner: Symphony No. 6(en)
Anton Bruckner’s 6th Symphony was written between 1879 and 1881: a very happy time in his life. Unlike most of Bruckner’s symphonies, the 6th was not revised. Of all his works, this one seems to come from a single source of inspiration. Bruckner himself called it his “boldest” symphony – probably due to its extreme degree of motivic, rhythmic and harmonic originality. This live recording of the seldom-performed 6th Symphony is the next instalment of the acclaimed Bruckner cycle by the Staatskapelle Berlin and Daniel Barenboim. Anton Bruckner Symphony No. 6 in A major (original version) Daniel Barenboim, Conductor Staatskapelle Berlin Recorded live at the Philharmonie Berlin, 22 June 2010
Bruckner: Symphony No. 8(en)
“Clarity was one thing that made this performance a marvel. Another was the flexibility of Barenboim’s speeds…. The flexibility of Barenboim’s tempi meant that Bruckner’s charm – an often overlooked aspect of his genius – shone through, especially in the genial Trio.” (The Telegraph) Bruckner’s 8th is the last symphony completed by the Austrian composer. Many of his contemporaries regarded the symphony as “the pinnacle of 19th century music”. Even today, this monumental work fascinates listeners with its virtuoso orchestral technique, its immensity of sound, and its inexhaustible richness of detail. Symphony No. 8 in C minor (second version 1887-90, Robert Haas Edition) Daniel Barenboim, Conductor Staatskapelle Berlin Recorded live at the Philharmonie Berlin, 26 June 2010
Waldbühne 2009 | Russian Rhythms(de)
Every year, the Berliner Philharmoniker hold a kind of classical-music fête with a bright, cheerful concert to end the season. In 2009 about 22,000 people had come together at the Berlin Waldbühne to enjoy the traditional summer picnic concert. The theme of the evening was “Russian rhythms”, and star conductor Sir Simon Rattle, the Berliner Philharmoniker and Yefim Bronfman, one of the most famous pianists in the world today, presented a superb selection of Russian music. Repertoire Tchaikovsky: The Nutcracker, op. 71, Overture, The Christmas Tree, March, Pas de deux (Intrada) Rachmaninoff: Piano Concerto No.3 in D minor, op. 30 Stravinsky: Le Sacre du printemps Lincke: Berliner Luft
Waldbühne 2010 | An Evening with Renée Fleming(de)
Repertoire Modest Mussorgsky: Night on Bald Mountain; Antonín Dvořák: Song to the Moon from “Rusalka”, Op. 114; Aram Chatschaturjan: Adagio from “Spartacus”; Richard Strauss: Final Scene from “Capriccio”, Op. 85; Richard Wagner: Overture to “Rienzi, der Letzte der Tribunen”; E. W. Korngold: Mariettas Lied from “Die tote Stadt”; Richard Strauss: Zueignung, Op. 10 No. 1; Sir Edward Elgar: Salut d’amour; Giacomo Puccini: Donde lieta uscì from “La bohème”; Tu che di gel sei cinta from “Turandot”; Ruggero Leoncavallo: Musette svaria sulla bocca viva from “La bohème”; Mimì Pinson, la biondinetta from “La bohème”; Piotr Tchaikovsky: “Romeo and Juliet” (Fantasy Overture)
Waldbühne 2011: Fellini, Jazz & Co(de)
The Waldbühne in Berlin, one of the most appealing outdoor amphitheatres on the European continent, is the home of the Berliner Philharmoniker’s summer concerts. With audiences of more than 20,000, these are some of the most popular classical music concerts in the world. Riccardo Chailly is famous for having one of the broadest and most eclectic repertoires. Here, under his baton, the orchestra presents perennial favourites by Shostakovich, Rota and Respighi. Live recording from the Waldbühne, Berlin, 23 August 2011, directed by Kasten Henning, produced by Jan Bremme. TV Producer: Dorothea Diekmann, RBB. Repertoire Dmitry Shostakovich: Suite No. 2 for Jazz Orchestra (Suite for Variety Orchestra), Lady Macbeth of Mtsensk Suite – Allegretto; Nino Rota: ‘La Strada’ Ballet Suite; Ottorino Respighi: Fountains of Rome • Pines of Rome • Danza gueresca ‘Belkis’; Paul Lincke: Berliner Luft
Grigory Sokolov - Live at the Berlin Philharmonie - Schubert & Beethoven(en)
"Probably the best living pianist" headlined the Berliner Morgenpost's review of Grigory Sokolov's sold-out June 2013 recital at the Berlin Philharmonie. "The four Impromptus could no be interpreted more dramatically... The D 946 Pieces cried out with despair an longing for death." (from DVD cover)
Miguelito - Canto a Borinquen(en)
In 1973, eleven year old Miguelito was discovered singing in the San Juan airport by the legendary New York record producer Harvey Averne. Within the year, he went from the slums of Manuel A Perez, to recording an album with some of the finest salsa musicians of the time to finally performing with Eddie Palmieri at Madison Square Garden in front of 20,000 people. Throughout Latin America his songs ‘Payaso’ and ‘Canto a Borinquen’ had become cult hits. And then he simply disappeared...
Stevie Wonder: A Musical History(en)
Well-known fans celebrate Stevie Wonder and his music by selecting some of his best-loved songs. Wonder is one of the dominant figures in American music, a multi-faceted genius whose music has permeated popular culture, and he is not short of celebrity fans. His musical achievements are lauded in this anthology of his greatest hits. Contributors include actor Martin Freeman, singers Alexander O'Neal, James Morrison, Beverley Knight and Corinne Bailey Rae, New Order's Gillian Gilbert and Stephen Morris, DJs Ana Matronic, Trevor Nelson and Norman Jay, Heaven's 17's Glenn Gregory and Martyn Ware, journalist Sian Pattenden and presenter Emma Dabiri.
András Schiff plays Bach(en)
Surely Bach’s French Suites, which he composed during his years at Cöthen (1717–1723), are among the finest inducements to practise that any teacher has ever made to a pupil. In this case Bach wrote them for his young wife, Anna Magdalena. The over-riding impression left by these suites is one of endearing tunefulness. Clavier-Übung II is a later collection of didactic keyboard pieces. It comprises two greatly contrasted works: the Italian Concerto and the Overture in the French Style. These performances admirably demonstrate the thoughtful and persuasive approach that András Schiff adopts when performing Bach. Recorded live at the Bachfest 2010, Protestant Reformed Church of Leipzig, 11 June 2010 Repertoire J.S. Bach: French Suites Nos. 1–6, Overture in the French Style in B minor, Italian Concerto in F major, BWV 971
Tchaikovsky: Symphonies Nos. 4, 5 & 6 - Gergiev(en)
Valery Gergiev is widely recognised as the greatest modern interpreter of Tchaikovsky’s music and the Mariinsky holds a peerless reputation in the repertoire. Together they deliver definitive interpretations of Tchaikovsky’s most popular symphonies. These acclaimed performances were filmed at Salle Pleyel in Paris during January 2010, directed by Andy Sommer. The themes of fate and death pervade Tchaikovsky’s final symphonies. The composition of the Fourth Symphony coincided with the breakdown of Tchaikovsky’s marriage and a failed suicide attempt, yet he considered it to be his greatest. In contrast he believed his Fifth to be flawed and uninviting, yet today this heartfelt work is widely regarded as one of his finest. The subject of fate is further instilled in the Sixth Symphony, premiered shortly before Tchaikovsky’s death. It was posthumously entitled ‘Pathétique’ by his brother and is a deeply melancholic work, full of dynamic extremes and an inherent sense of finality.
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