Slide-show of genuine postcard 'fronts' set to readings of their 'backs.'
1972-01-01
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At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
Three unlikely individuals attempt to escape the dark prison known as "The Void."
The voices of artist, poet, and archaeologist Estebán Valdés and Lares-born, self-identified indigenous countrywoman Pluma Bárbara carry us through the interior landscapes of Puerto Rico, sharing oral histories, ancestral knowledge, memories, and thoughts about how we create consciousness around our cultural identity. The film brings to the forefront histories about women who are bearers of great knowledge, innovation, and creation, along with moments of darkness that visually represent our gaps in knowledge due to racially and politically motivated erasure.
Pirouette, a dreamlike journey, a dissolving into a flowing human-animal-plant-machine consciousness, follows a sound artist who records horse sounds with her own body while a cellist on the street invades her imagination. This is the psychedelic conclusion of a trilogy about horse sounds: Passage - Piaffe - Pirouette.
An abstract film consists of static shots of a small house-like being demolished through temporal ellipsis.
A spritual inquisition lands in a village to inspect the dreams of a peasant and his renegade goose. Led by the zealous hums of a divine spectral apparatus, the visitation detects estranged frequencies, a 'spiritual reality' cloaked in the mundaneness of the peasent's home, leading to Cairo's City of the Dead.
In the midst of a prayer, a young woman struggles to keep her faith.
Knucklebones follows the course of hysterical outburst to instances of alienation and isolation. From a 1903 newspaper, "While fifteen hundred persons looked on in breathless excitement, an electric bolt sent the man-killing elephant staggering to the ground. With her own life, she paid for the lives of the three men she had killed." The film combines archival with Super8 and 16mm original footage and intertext in an experiential exploration of gender, sexuality and identity. Featuring Katherine Crockett, prior to becoming a Martha Graham Dance Company soloist. "A haunting evocation of the body under stress."-Kathy Geritz, Pacific Film Archive
In the smallest hour, a Crepuscus Tree beckons another unknowing wanderer.
A short experimental film shot on Super 8, inspired by the music of Richard Wagner.
"The once teeming Riverview Park was shut down in 1967 (with Tom Palazzolo on hand to document the bitter end). The Tattooed Lady of Riverview is a portrait of its final occupant, Jean Furella, the titular tattooed lady of Riverview's sideshow. Furella first tells how she used to work at the sideshow as a bearded lady but fell in love with a man who asked her to shave. Then gives her carnival barker's spiel one more time for the camera. Quick cuts between frenetic shots of Riverview Park, in use and full of life, and later images of its demolition-in-progress lend to the carnival atmosphere of this early Palazzolo film." —Tom Fritsche (Fandor)