Talipandas
Manila Madness is a performance film-screen dance presentation that runs down the life of the urban streets of Manila in the Philippines, through a ritualistic performance of a young masked woman seeming endless passage to find the ultimate destination of life and death.
0
The destination is the journey itself.
Where's the girl? Can you hold her for me? I need her now.
History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.
An artist holds a pen on paper and slowly starts drawing the line. The line gradually increases its pace, leading to curves, reversions, curveballs, and inconsistencies. As the artist nearly finishes, the artist lifts the pen to show the entire drawing. The artist slowly returns to drawing and continues the following chapters of life.
The mental unraveling of Rowen, a religious leader faced with questions of identity and meaning as a prophesied revelation approaches.
An experimental and short compilation of rhythmic documents about the devolving state of entertainment and reactionaries in it's entirety. From the parodic controls between the obscure artifacts of media-consumed culture, to the real world consequences of how film discussion shapes the political and mental state in a society.
A love story recounted not by them, but by their belongings and surroundings.
A woman goes to a cold and inhospitable abandoned cove to try to summon the spirit of her only son, who passed away during the war.
A chronicle of the lives of a couple and the gradual dissolution of their relationship.
A short film on the obsessive nature of love. How far can we take our attachment and devotion to our loved ones?
Pigpen has a snore. Bailey has a lot of nerve. And Curt Garrish has a gun.
A couple, Vlad and Sophy, navigate their relationship as well as their own struggles with mental health in the context of a highly connected, politically uncertain modern world while on a trip to a remote Canadian island in this avant-garde feature film. PREFACE TO A HISTORY, created with a tiny crew of four people, represents an experiment in using minimalist tools to create an overwhelming aesthetic experience in service of a simple, but specifically contemporary, story about two people attempting to navigate a fraying relationship amid all the anxieties and external pressures of modern adulthood in a technologically-interconnected and politically unstable era.
Jessica, a young carer, and her mum, who is deeply paranoid and who sees and hears unexplained things have a strong and loving relationship. But the misfit relationship they have brings many challenges they struggle to overcome. The mum's deterioration in her mental health causes her to be sectioned, leaving Jessica lost in her life.
Emily has a doctor's appointment. Sorta. Kinda. Not really.
Reconstruction tells about a certain night in 1982, reconstructed in 2020 by the people who lived it through together. The film combines dance, drama and documentary, but most of all is a story of a friendship of a boy and a girl, and how jolly situations can turn sour and how, even though close, friends do not share same experiences – and that can have an effect on their friendship.
Cecilia dances inside a forest. She moves in front of a film crew who direct her movements.