Tristany
2024-06-06
0
Audiovisual view for decisive days in a life of a lightly hearing person.
An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.
Follow Untitled.10 (Tyson Schultz & Levi Sternburg) as they prep for their 4th pop-up art gallery in Sioux Falls, SD.
A self-portrait seen through the lens of overwhelming shame that hits you hard... with boxing gloves. Learn how to embrace the constant struggle and turn it into a dance.
Oswaldo Guayasamín, one of the most renowned Latin American artists, with more than 600 portraits in his pictorial career, (among which are F. Mitterrand, Carolina de Mónaco, Juan Carlos I, Rigoberta Menchu) paints his self-portrait, while he tells us the foundations of his art.
Somewhere between a diary and a filmed letter made while Caroline Champetier was shooting Benoît Jacquot's film L'Intouchable in India.
If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.
15 seconds a day for 365 days. This is the basic premise of the "Year Feature" challenge taken on by filmmaker Scotty Leonard. But within this challenge, Scotty creates a visceral self-portrait, exploring what it takes to be an underground filmmaker, cat-owner, boyfriend, and low-level assistant in New Mexico's film industry in the year 2021. Get ready for psychedelic dreamscapes, caffeinated mania, eccentric soundtracks, Japanese-speaking cats, street art, and more as Scotty explores what routines and detours make his troubled existence so unique.
Commissioned by Harald Inhülsen for MasterclassFilm. A companion piece to Leandro Varela's Self Portrait, also part of the same commission.
An animated film compiled by David Ehrlich consisting of 27 animators from different countries all explaining themselves through their animation.
Commissioned by Harald Inhülsen for MasterclassFilm. A companion piece to Stefano Miraglia's Self-portrait, also part of the same commission.
"Mestre-espenya" is a self-portrait of Guillermo Amengual where he talks and thinks about his childhood and all the themes that have always been present in his life and films: death, family and innocence.
A group of hometown friends come together after the loss of a loved one.
Follows the construction of the Fergana Canal, which employed 170 thousand people, and Usman Yusupov was given a very specific task - in 45 days, a 270-kilometer-long canal should provide water to the cotton fields.
A 1960's pop band that has reached the pinnacle of international popularity must suddenly cope with the accidental death of one of its most popular members. In an attempt to maintain their fame, they chose to cover up the tragedy and replace their band mate with a look-alike/sound-alike, hoping that their millions of fans will never notice.