Self
Self
To mark his fiftieth birthday in 1988, London's Tate Gallery staged a major retrospective of his work. Melvyn Bragg joined David Hockney for an exclusive private view of the exhibition and they were filmed discussing pictures from all stages of Hockney's remarkable career.
Belgrade in the 1990s seen through the eyes of Goran Čavajda 'Čavke', the late drummer of Serbian rock band "Electric Orgasm". Under dictatorship of Slobodan Milošević, his city became one of the worst places to live in Europe, while the country suffered highest inflation rate in its history, accompanied by mass poverty and political isolation. Documentary follows Čavke walking through the Belgrade streets where total chaos and decline of moral values rule. He finds his only shelter underground, where his friends - musicians and artists - live and work invisibly.
In 1969, Akbar Padamsee, one of the pioneers of Modern Indian painting, made a visionary 16mm film called Events in a Cloud Chamber. This was one of the only Indian experimental films ever made. The print is now lost and no copies exist. Over 40 years later, filmmaker Ashim Ahluwalia worked with Padamsee, now 89 years old, to remake the film.
One of the most provocative and elusive figures in contemporary art finds himself the subject of Maura Axelrod's film. Catapulted to worldwide notoriety in 1999 by The Ninth Hour, a sculpture of Pope John Paul II toppled by a meteorite, Maurizio Cattelan's work has bordered on criminal activity (breaking into a gallery and stealing another artist's work) and regularly defies good taste - Him features Hitler in prayer and sold earlier this year for a whopping £12,000,000. Building his career on evasion, trickery and subversion, Cattelan is perhaps not the most reliable of interviewees, but ex-girlfriends, family members, collectors and dealers build a compelling and intimate portrait of an enigmatic figure. Bold, witty and playful as a Cattelan work itself, is this film really all it seems?
Growing up as a Deaf individual in Indonesia, Mufi was taught to speak instead of sign. As an adult, now she carves her music career to inspire others to express themselves through sign language.
Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
This is the legendary meeting between a young filmmaker and one of the masters of surrealism: the spanish painter Óscar Domínguez, born in La Laguna, Tenerife, in 1906, died in Paris in 1957. In the "Visite," the artist -admirer of Picasso, rebellious disciple of Breton- is presented in solitude, far from the tumult of the exhibitions and parisian circles. An austere approach, almost “povera”, with no audio, nor flashy camera movements, but rarely attractive. Why Resnais could not finish his movie? Hope one of our experts help us to solve the mystery.
An intimate journey through the formative years of David Lynch's life. From his idyllic upbringing in small town America to the dark streets of Philadelphia, we follow Lynch as he traces the events that have helped to shape one of cinema's most enigmatic directors.
The documentary, made by the students of RUFA documentary course, followed Alice Pasquini for many months, resuming her pictorial interventions, interviewing friends and family, collecting archival material and participating in meetings for the realization of the book. The flow of images is a sort of specific itinerary that Alice Pasquini takes when she decides to give form and substance to what her mind imagines.
The 1996 edition to the Playmate Review series which features sultry scenes from all 12 centerfolds of Playboy's stunning beauties.
The film reconstructs with care and tactile and optical sensuality the path and legacy of a unique figure of woman and artist: from the turn of the sixties with the "Looms", the "Sewn Canvas", the "Breads", the "Scriptures", the collective action carried out with the citizens of Ulassai in 1981 ("Tying to the mountain"), which anticipates relational art, one of the main artistic currents of the late twentieth century, by a decade. The repertoire materials and landscapes integrate the chorus of testimonies from friends, collaborators, artists, and critics with the same mysterious serenity of the artist's voice.
Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke.
México-raised and currently Chicago-based artist Sofía Fernández Díaz details her process of adorning found objects and handmade textiles with beads, dyes, and melted wax to imbue them with new meaning, and to give them patitas.
Profile of choreographer, composer and performer Meredith Monk, recorded on location in her home base, New York City. Monk discusses some ideas underlying her work: her attraction to the eloquence of the human voice, and the direct communication made possible by the abstract qualities of music; her emphasis on the poetic rather than the political; her belief in the power of images; her willingness to take risks. She describes her experiences in working in different media, such as audio recordings, films, and videos, and the challenge of weaving them together.
A documentary on the life of Jack Kirby, co-creator of Captain America, The Fantastic Four, Iron Man, Thor, The Avengers, The Hulk, The X-Men and the New Gods, among other classic comic book superheroes.
Photographer Imogen Cunningham presents her own work in this Academy Award-nominated documentary.
Take an inside look at Rick Perry’s strange and wonderful life as Creative Producer for Dimension 20.