Tempo Trem

Hamfat Asar(en)

"The strangeness of this film is laced with carefully moulded apocalypses as the filmmaker explores a vision of life beyond death – the Elysian fields of Homer, Dante’s Purgatorio, de Chirico’s stitched plain. A moving single picture. Evolving the structure or script for the film involved a process of controlled hallucination, whereby I sat quietly without moving, looking at the background until the pieces began to move without my inventing things for them to do. I found that, given the chance, they really did have important business to attend to, and my job was to furnish them with the power of motion. I never deviated from this plan." —Canyon Cinema

Altair(en)

One of Klahr's masterpieces, Altair is an 8 minute collage color -noir culled from late-40s pages of Cosmopolitan, which induces a sense of claustrophobia and dread through its use of Stravinsky's The Firebird.

So Absent-Minded(ru)

Based on a poem by Samuil Marshak about an incredibly absent-minded man from Leningrad.

Edge of Alchemy(en)

Edge of Alchemy is the third film in a trilogy examining the psychological terrain of women's inner worlds. In this handmade film, assembled from over 6,000 collages, the actors Mary Pickford and Janet Gaynor are lifted from their early silent features and cast into a surreal epic with an unending of the Frankenstein story and contemporary undercurrents of hive collapse.

Spheres(en)

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

One Thousand and One Trifles(pl)

A collection of mechanical-biological hybrids from the artist's workshop and a variety of rules written on different boards, gathered in order to secure projects and for entertainment.

A Colorful Lie(pl)

The protagonist dreams of a better life, and his dreams take the form of colorful magazines.

Purple Dictatorship(pt)

Yeda, the green-faced woman, sells homemade bread to support the house where she lives with her sick husband. Through the context of green-faced people, we know the reality of those who live on the fringes of a purple-faced society.

Desatando o nós(pt)

I Seek Your Help to Bury a Man(pt)

Empire of Brazil, 1870. A queer indigenous body slowly dies on the cross while a transgender gypsy woman is banned by her people. A half-breed soldier stands in the middle of the way. A child and an old woman cross their stories like destined lines on the palm of a hand.

The First Temptation of Christ(pt)

Jesus, who's hitting the big 3-0, brings a surprise guest to meet the family. A Christmas special so wrong it must be from comedians Porta dos Fundos.

The Garden(hu)

A nostalgia trip in the enigmatic labyrinth of the passed childhood.

A Sentença(pt)

Fine Feathers(en)

Two duelling birds get the urge to change their plumage. A blue jay wants to be decked out in the green of cedar, and a loon dons the burnished red of oak leaves, but neither bird foresees the consequences of vanity.

Inácio Garapa, Um Matuto Sonhador 2 - O Retorno(pt)

The Poem(zh)

An ancient was looking for the plum blossom in the snow storm during the trip.

Norsk Folksang(en)

Emerging from the sea onto land an axolotl swims through complex terrain parallel to a man searching for an encounter with God.

Alexander the Grape(en)

ALEXANDER THE GRAPE, an unfinished cut-paper animated short from Jim Henson from 1965, relates the fable of a young grape with big ambitions who learns that it is better to accept yourself than to try to be something you are not. The short was reconstructed from film and audio elements; images from Jim’s storyboard fill in missing segments of the animation.

The Extinct Suite(en)

An animated film made from approximately 1700 laser printed photo(collage)s, manipulated by hand.

You're Not Real Pretty but You're Mine...(en)

"Mouris’s film, YOU’RE NOT REAL PRETTY BUT YOU’RE MINE…, built upon the strongest elements of QUICK DREAM, and added a pop music soundtrack. Mouris says, “I shot another 100 foot roll on classmate Jerry Strawbridge’s home animation stand, and edited that into the best sequences from QUICK DREAM. The whole film was a tongue-in-cheek series of odd couples/couplings, which the title suggested. The FRANK FILM photo collage animation evolved here.” - Yale