Ripple

Siren(en)

Two ambulance paramedics put their lives on the line when a routine call becomes a deadly race against time.

Phantoms, Inc.(en)

This Crime Does Not Pay entry focuses on fake spiritualists. A mother is worried about her son, who is missing in action. Over time, she gives a con man all of the family savings to find reassurance that her son is all right. When she can no longer pay, events take a tragic turn.

Paris, Texas(en)

A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.

La Jetée(fr)

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Breakdowns of 1938(en)

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Antoine and Colette(fr)

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Small Step(fr)

Antoine, a young introverted boy, dreams of going into space. While accompanying his mother to the hair salon, he slips under an old hooded hair dryer and suddenly finds himself transported into a spaceship.

Anu(hi)

When a recent widow moves to New Zealand from India, she's forced to confront her grief by completing an ordinary ritual in an extraordinary circumstance: quarantine.

TRAJECTOIRE(fr)

Coming Out(fr)

Vincent rehearses with his boyfriend the difficult announcement he will make to his father.

Little River Run(en)

Two teenagers search for escape and solitude in inner-city London. But even as they find their moment of tranquillity, it’s impossible to escape society’s preconceptions.

Axolotl(es)

Through a choral diversity of testimonies, the documentary explores the myth of the axolotl, transporting us from the story of a chinampero whose lifestyle reflects the environmental decay of Mexico City, to the efforts of a group of scientists racing against the consequences of the extinction of our symbols and ecological heritage.

The Angela Murray Gibson Experience(en)

In the 1920s, Angela Murray Gibson chose an unusual location to embark on a career in silent filmmaking: her tiny hometown of Casselton, North Dakota. She had previously helped Mary Pickford as an advisor and assistant director on The Pride of the Clan (1917), which Mary Pickford produced and starred in. She opened North Dakota's first movie studio, and she had the audacity to be a woman in an industry dominated by men.

A Girl, She Is 100%(ja)

A man ran into a woman on a street. She was not attractive, but was a perfect girl for him. After missing the chance to talk to her, he contemplates on how he should have approached her.

Pulsar(en)

The Apostle(en)

After his happy life spins out of control, a preacher from Texas changes his name, goes to Louisiana and starts preaching on the radio.

How Am I Driving(en)

An expressionless man drives along a sterile freeway. Unaware of his concrete and steel surroundings he is consumed by the surface of his world. But is he so consumed that he is unable to see what’s underneath?

A Father's Worst Nightmare(en)

A middle aged couple, Jane and John are concerned about their 17 year old daughter, when she decides to attend a party with boyfriend Chad, whom they don't approve of.