Mining Review 15th Year No. 5

Westray(ab)

In this feature documentary, filmmaker Paul Cowan offers an innovative, moving account of the Westray coal mine disaster that killed 26 men in Nova Scotia on May 9, 1992. The film focuses on the lives of three widows and three miners lucky enough not to be underground that day when the methane and coal dust ignited. But their lives were torn apart by the events. Meet some of the working men, who felt they had no option but to stay on at Westray. And wives, who heard the rumours, saw their men sometimes bloodied from accidents and stood by them, hoping it would all turn out all right. This is a film about working people everywhere whose lives are often entrusted to companies that violate the most fundamental rules of safety and decency in the name of profit.

Mother Jones, America's Most Dangerous Woman(en)

Documentary overview of the life and causes of "Mother" Jones.

Eye of the Storm(en)

A documentary about Nain, a Labrador Inuit community located near the world's largest nickel and copper deposits. As commercial mining interests prepare to exploit the resources, local residents consider the potential environmental and cultural impact. Meanwhile longstanding Aboriginal land claims are unsettled.

Liyana(en)

A talented group of orphaned children in Swaziland create a fictional heroine and send her on a dangerous quest.

Senghenydd - Glamorgan, South Wales, portrait of a mining town(en)

Warwick company newsreel material of the Universal Colliery at Senghenydd on fire after an explosion on 14th October 1913, and footage of a funeral procession for some of the 439 mine workers who were killed, is followed by a collage of images of the town and its people as they are 50 years later. Wynford Vaughan Thomas, narrating his own commentary, wonders if "colour"- superficial re-decoration – can really make any difference to "the inner heart of Senghenydd". Shot on spare, blank pieces of film by James Clark. Assisted by local amateur photographer and former miner Bill Probert. Script written and narrated by Wynford Vaughan Thomas. 1964.

Mountain of Gold(ha)

Gold fever has gripped northern Niger. In search of the precious metal, and despite the risks, an army of researchers has invaded the sites of interest. While camps are set up and dismantled as rumours of new leads spread, Moussa and his companions are banking on the Ikazan vein.

Justice in the Coalfields(en)

This film demonstrates how labor law has crippled the collective bargaining power of unions and weighed the scales of justice against working people. The documentary follows the 1988 United Mine Workers strike against the Pittston Coal Company that followed the expiration of their contract and Pittston's termination of the medical benefits of 1,500 pensioners, widows, and disabled miners.

Hexenkinder(de)

The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.

Mechanisace dolů(cs)

Mladí nastupují směnu(cs)

Země se otvírá(cs)

Action 37(sk)

Uranium Drive-In(en)

A new uranium mill -- the first in the U.S. in 30 years -- would re-connect the economically devastated rural mining community of Naturita, Colorado, to its proud history supplying the material for the first atomic bomb. Some view it as a greener energy source freeing America from its dependence on foreign oil, while others worry about the severe health and environmental consequences of the last uranium boom.

The Miners' Strike and Me(en)

Documentary marking the 30th anniversary of the 1984 miners' strike, one of the bitterest industrial disputes in British history, with stories from both sides of the conflict.

La Catastrophe de Liévin(fr)

The Last Glacier(fr)

A docudrama on the closing of the town of Schefferville. When Raoul loses his job at the mine because the operations are ending, he's been settled there for ten years with Carmen and their son. They're now forced to leave the town, leaving behind the traces of an ephemeral prosperity.

Malartic(fr)

Ten years after an enormous open-pit gold mine began operations in Malartic, the hoped-for economic miracle is nothing more than a mirage. Filmmaker Nicolas Paquet explores the glaring contrast between the town’s decline and the wealth of the mining company, along with the mechanisms of an opaque decision-making system in which ordinary people have little say. Part anthropological study, part investigation into the corridors of power, Malartic addresses the fundamental issue of sustainable and fair land management.

Harlan County U.S.A.(en)

This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.

The Four Corners: A National Sacrifice Area?(en)

Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.

The Arlberg Railway(xx)

In 1906, the Arlberg Railway, which connects the Austrian cities of Innsbruck and Bludenz, is the only east-west mountain railway in Austria. This 340-second "ghost railroad ride" shows the view from the back of a train, though I'm not sure if it's heading east or west. This kind of film, in vogue at the time, is an intermediate form of short reality, which often showed a train engaging in a bend, and a feature documentary. Its editing is live, linear and temporal, and the cuts are very apparent. Indeed, the choices of where to place the cuts seem to have avoided the less populated stretches. There are plenty of buildings to see, even when the train is not at the station.