Narrator (voice)
A documentary about Nain, a Labrador Inuit community located near the world's largest nickel and copper deposits. As commercial mining interests prepare to exploit the resources, local residents consider the potential environmental and cultural impact. Meanwhile longstanding Aboriginal land claims are unsettled.
0.0In a farmhouse on Cape Breton Island where Shawn Peter Dwyer, age 10, lives with his mother and nine brothers and sisters, children's pockets are usually empty and their lives well filled.
6.7'The Devil's Miner' tells the story of 14-year-old Basilio who worships the devil for protection while working in a Bolivian silver mine to support his family.
0.0This feature documentary takes a look at how the Halifax/Dartmouth community in Nova Scotia was stimulated by a week-long session held by a panel of specialists from different fields who met with members of this urban community to consider the future of the area and the responsibility of the citizens and government in planning the future.
0.0Warwick company newsreel material of the Universal Colliery at Senghenydd on fire after an explosion on 14th October 1913, and footage of a funeral procession for some of the 439 mine workers who were killed, is followed by a collage of images of the town and its people as they are 50 years later. Wynford Vaughan Thomas, narrating his own commentary, wonders if "colour"- superficial re-decoration – can really make any difference to "the inner heart of Senghenydd". Shot on spare, blank pieces of film by James Clark. Assisted by local amateur photographer and former miner Bill Probert. Script written and narrated by Wynford Vaughan Thomas. 1964.
0.0Documentary marking the 30th anniversary of the 1984 miners' strike, one of the bitterest industrial disputes in British history, with stories from both sides of the conflict.
8.0Ten years after an enormous open-pit gold mine began operations in Malartic, the hoped-for economic miracle is nothing more than a mirage. Filmmaker Nicolas Paquet explores the glaring contrast between the town’s decline and the wealth of the mining company, along with the mechanisms of an opaque decision-making system in which ordinary people have little say. Part anthropological study, part investigation into the corridors of power, Malartic addresses the fundamental issue of sustainable and fair land management.
7.3Portrait of Andy Goldsworthy, an artist whose specialty is ephemeral sculptures made from elements of nature.
0.0Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.
0.0The mining industry, which always had been “sponsor” and “financier” of the soccer clubs in the Ruhr valley during the post-war period, doesn’t exist anymore nowadays in that form. Many of the once glorious clubs which dominated German soccer until the 1970s faded into obscurity without financial backers. The documentary “Im Westen ging die Sonne auf" ("The sun had risen in the west“) shows the history of the “Revierfußball” from after the second World War until the decline of the mining industry and recalls legendary players and forgotten clubs. The film shows especially how deeply rooted the sport was back then in the entire lifestyle of the Ruhr area - in private life as well as in society - and how structural change also left clearly visible marks in sports. With pictures from back then, interviews with contemporary witnesses, and footage of original locations nowadays, a contemporary document of German post-war history, by taking the example of soccer, has been created.
7.5This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
