In Syrien auf Montage(1971)

Súkeníctvo kedysi a dnes(sk)

DDR - die entsorgte Republik(de)

Drei Frauen(de)

What We Remember(de)

Nine very private encounters with different people of the post-war generation and their memories of childhood and youth. Among others, the guitarist and singer Peter "Caesar" Gläser and the actress Christine Harbort. Roland Steiner asked his contemporaries about - "What we remember ...". All interviewees are as old as the state they live in. Nine CVs from the GDR are described. They have different professions, from skilled worker and scientist, nurse and saleswoman, actress or rock musician, even a minstrel is included. They remember what shaped them: Family, school, birthdays and hot summers, the happy moments and their own failures.

Place of Belonging(en)

This video creates an awareness of the different forms of beauty found in cities. Explains that art, not luxury, is necessary and that nature enriches cities. Shots of San Francisco, Rome, and the Gold Rush town of Columbia, California. The film extols the modern outdoor shopping mall, enhanced by public art and parks, as an important aspect of civic architecture and design.

Als wir die Zukunft waren(de)

Seven directors remember their childhood and youth; to the 50s and 60s in the GDR. They appear to be curious, vulnerable children and teenagers who also want to be cool (even though the word doesn't exist for them yet). They live in well-adjusted or resistant families. Some only in half because their father left for the West. Depending on their family background, they want or should help build the new, better Germany.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The Lost City(en)

In the Aysén region dwell a population of 90000 isolated souls sharing the harsh landscapes of an area about the size of England. Here where beauty seems to be on first-name terms with fear and danger,in a place where the immensity of nature can never be dominated, the setting hesitates, along the expanses, between sparkling colours and the black and white of the snow and the water. The day-to-day images intermingle with a story of mythological aspect; that of the timeless quest for the Lost City of the Caesars, a city of gold built 500 years ago by the conquerors.

La fabbrica sospesa(it)

Blue-collar workers, executives, and other people at the Pirelli Bicocca plant talk about the upcoming shutdown of the factory. It's the end for a piece of history of Italian industry and also for a place of memory of workers' struggle: the movie documents the different reactions and scales of awareness determined by class belonging to the functions held in the factory by the interviewees.

...and the father stayed in the war. Encounter with Syrian orphans(de)

Director Junge was commissioned by the GDR in the country for the first time in the summer of 1970; his film In Syria auf Montage accompanies German engineers who train workers in the Homs textile factory. Shortly after filming ended, Hafez al-Assad put himself under the dictator. Twenty years later emerged ... the father stayed in the war over a youth club with Syrian orphans in Bad Saarow, whose fathers had died in the Lebanon war and accompanied them to Syria, where they were housed in separate, elite "schools of martyr children". Multi-faceted documents that oscillate between peaceful and tense, hopeful and unsettled.

The Crossing(en)

A first-hand account of the perilous journey made by a group of Syrian refugees. Traversing land and sea on an old fishing boat manned by smugglers, the nail-biting journey leads to Europe where the refugees disperse. Each must battle to stay sane and create an identity among the maze of regulations and refugee hostels. The Crossing shows us the lengths to which people go to find safety and forge their own destiny.

La historia es nuestra: Pascual, lucha obrera y cooperativismo(es)

History is Ours narrates the struggle of the workers of the Refrescos Pascual soft-drink company against its owner, Rafael Jiménez, the official trade unionism of the CTM and the labor authorities of the governments of José López Portillo and Miguel de la Madrid, between 1982 and 1985. It documents the workers' difficult struggle to take over the company, when justice, which had been elusive, finally proved them right, and opened the possibility that these brave, tenacious workers would become collective owners of the company. Today, these soft-drink fighters resist a system that hits Mexican companies in favor of the monopolistic transnationals. The film is an account of one of the most brilliant episodes of the contemporary Mexican labor movement, an example of unity and class consciousness, embodied by men and women who make their struggle a tribute to comrades Concepción Jacobo García and Alvaro Hernández García, tragically fallen at the beginning of this historic event.

Prémonition(ka)

Grand Littoral(fr)

Valérie Jouve is a weel-known photographer, and Grand Littoral is her first film. Out the outskirts of Marseille, in a landscape criss-crossed by motorways, railways and srubland paths, some figures that seem to be from her famous photos passby and bump into each other. They act as our guides in a tour without beginning or end. How do you look at a place without taking possession of it? How do you describe characters without confining them within a given plot? How do you make the transition from still shots to moving pictures? this brief, musical film leaves us asking these and other unresolved questions.

Schleimkeim – Otze und die DDR von unten(de)

A punk documentary about the life and death of the GDR punk Dieter "Otze" Ehrlich and his band Schleimkeim aus dem Schweinestall. With the fall of the Wall, Otze loses not only his enemy images, but also his life at the price of freedom.

Aan ons den arbeid(en)

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

The Sniper of Kobani(ku)

Haron is a Kurdish sniper operating within the Syrian town of Kobani. As he fights the IS occupation, he shares his hopes and fears for the future of his country.

American Factory(en)

In post-industrial Ohio, a Chinese billionaire opens a new factory in the husk of an abandoned General Motors plant, hiring two thousand blue-collar Americans. Early days of hope and optimism give way to setbacks as high-tech China clashes with working-class America.

Bischofferode. Das Treuhand Trauma(de)

In 1990, when Bischofferode entered the market economy, potash production in East Germany was in third place in the world's export ranking and in West Germany in fourth place. Bischofferöder Kalisalz is of a special quality and the plant therefore had loyal customers in Western Europe, especially in Scandinavia, even before the fall of the Wall. In the West, there is a major competitor - BASF subsidiary Kali und Salz AG from Kassel. The film reconstructs the mega-deal in one of the world's most important raw materials markets. The so-called potash merger was the biggest economic deal of German reunification, which has cost the taxpayer almost two billion euros to date. The Free State of Thuringia - the federal state with the best potash deposits in Germany - is still the big loser of the mega-deal today. Thuringia may be rich, but it loses almost all its potash mines, along with Bischofferode, and now has to spend millions of euros each year to rehabilitate and secure its mines.

Zielitz - Der Kampf ums Weiße Gold(de)