Serious Games 2 – Three Dead
HomePage
Overview
An exploration of how the U.S. military employs video game technology to train troops for war. Three Dead depicts a military exercise within a mock Iraqi town built on the outskirts of Twentynine Palms, California, blurring the line between computer simulation and reality.
Release Date
2010-01-01
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
العربيةEnglishKeywords
Similar Movies
Rivers and Tides(en)
Portrait of Andy Goldsworthy, an artist whose specialty is ephemeral sculptures made from elements of nature.
Serious Games 4 – A Sun With No Shadow(en)
An exploration of how the U.S. military employs video game technology to train troops for war. In A Sun With No Shadow, Farocki calls attention to the subtle differences between the simulations for combat training and PTSD. With the former, the sun can be programmed to cast shadows in the virtual combat zones, while the latter, less expensive technology does not offer this feature.
The Flood(en)
The decision to move to Holland doesn't sound like a wise idea. Why move to a country that could be flooded at any moment? For the last 25 years, the political climate has shifted. The public debate on migration has become harsher, more heated, and polarized. What would have been considered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanizing words and metaphors. One of these is ‘water’. In reality, water is not an immediate threat to the average Dutch person; but it is a huge threat to the thousands trying to reach the Netherlands. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. To them, water really is deadly.
The Enclave(en)
Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.
Serious Games 3 – Immersion(en)
An exploration of how the U.S. military employs video game technology to train troops for war. In Immersion, Farocki presents footage of a role-playing exercise in which military psychologists demonstrate how to use the PTSD program on their colleagues, who describe traumatic wartime experiences. On a second channel, their descriptions play out as virtual renderings.
We Build the Country - The Country Builds Us!(sr)
Three-channel video (black and white and color, three-channel sound) commissioned by the Museum of Modern Art, New York, for the entrance to exhibition "Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980".
Serious Games 1 – "Watson Is Down"(en)
An exploration of how the U.S. military employs video game technology to train troops for war. Filmed at the United States Marine Corps Air Ground Combat Center, Watson is Down pairs footage of soldiers at computers engaging in combat-simulation training with scenes from the video games.
Velvet Bayou(en)
A short film essay on Blue Velvet (1986) and The Man Who Fell to Earth (1976). The fact that Blue Velvet was almost shot in black and white is explored in comparison with the original scenes, as the choices of different directors (within a ten-year interval) when choosing Roy Orbison's music for their films.
Dieter Roth. Solo Scenes. 1997-98(de)
These 131 video monitors stacked in a grid present simultaneous, continuous footage of the German artist during the last year of his life. In this filmed diary-project that Dieter Roth executed while convalescing in Reykjavik and Basel, we see him not only working in his studio but also while he sleeps, bathes, and uses the bathroom. It is nearly impossible to pay attention to only one video without becoming distracted by an unexpected sound or movement coming from one of the many other screens. Each monitor broadcasts a different point in the artist's daily routine, while the gridlike arrangement of monitors reinforces a sense of order and chronology.
James Ensor in Oostende, ca. 1920(nl)
In 2000, which was ‘Ensor Year’, the installation artist Guillaume Bijl made a short fictitious found-footage film entitled ‘James Ensor in Oostende ca. 1920’, which shows the painter at this resort with his friends. We see them having a drink, strolling in the arcades of the Thermae Palace and sitting on the beach. Bijl’s meticulous choice of locations, belle époque dress (including bathing costumes) and his cinematographically perfect imitation of the rather jerky black & white images, as well as the patina and the perfectly imitated scratches on the film emulsion, all resulted in a perfect replica: an apparently forgotten roll of film from the days of silent film. Bijl himself classifies this faultless slice of life, one of his rare excursions into film and video, under ‘cultural tourism’, one of the elements of his work in which he popularizes cultural history subjects and reduces them to clichés for the general public.
Cremaster 3(xx)
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...
Recommendations Movies
2000 Meters to Andriivka(en)
Amid the failing counteroffensive, a journalist follows a Ukrainian platoon on their mission to traverse one mile of heavily fortified forest and liberate a strategic village from Russian occupation. But the farther they advance through their destroyed homeland, the more they realize that this war may never end.
Why We Fight: Prelude to War(en)
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
Father Soldier Son(en)
When Sgt. First Class Brian Eisch is critically wounded in Afghanistan, it sets him and his sons on a journey of love, loss, redemption and legacy.
Korengal(en)
Korengal picks up where Restrepo left off; the same men, the same valley, the same commanders, but a very different look at the experience of war.
For Sama(en)
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
The War on Democracy(en)
Set both in Latin America and the United States, the film explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. Pilger says that the film "...tells a universal story... analysing and revealing, through vivid testimony, the story of great power behind its venerable myths. It allows us to understand the true nature of the so-called "war on terror". According to Pilger, the film’s message is that the greed and power of empire is not invincible and that people power is always the "seed beneath the snow".
They Shall Not Grow Old(en)
A documentary about World War I with never-before-seen footage to commemorate the centennial of Armistice Day, and the end of the war.
Let There Be Light(en)
The final entry in a trilogy of films produced for the U.S. government by John Huston. Some returning combat veterans suffer scars that are more psychological than physical. This film follows patients and staff during their treatment. It deals with what would now be called PTSD, but at the time was categorised as psychoneurosis or shell-shock. Government officials deemed this 1946 film counterproductive to postwar efforts; it was not shown publicly until 1981.
Nazi Concentration Camps(en)
Produced and presented as evidence at the Nuremberg war crimes trial of Hermann Göring and twenty other Nazi leaders, this film consists primarily of dead and surviving prisoners and of facilities used to kill and torture during the World War II.
Jarhead: Law of Return(en)
Major Ronan Jackson, an accomplished fighter pilot for the Israel Defense Forces and son of a U.S. Senator, is shot down while flying through Syrian airspace. After miraculously surviving the crash, Jackson is taken captive by a group of Hezbollah militiamen. A squad of elite soldiers, led by Gunnery Sergeant Dave Torres, risk their own lives in the hopes of saving an ally they've never met.
Sahara(en)
After the fall of Tobruk in June 1942, U.S. Army sergeant Joe Gunn leads his tank into the Sahara desert, in order to evade advancing Rommel's forces and reach Allied lines. Along the way he picks up few Allied soldiers, but soon they are running out of water. They find water at the ancient well, but the well is a goal of an entire German battalion. Despite the impossible odds, Sergeant Gunn decides to defend the well.
The Codes of War(en)
War stories about family, ethics and honor include the true story of two U.S. Marines who in a span of six seconds, must stand their ground to stop a suicide truck bomb, a Navy Corpsman who attempts to hold on to his humanity, and a WW2 soldier who gets separated from his squad and is forced to re-evaluate his code.
Trinity and Beyond: The Atomic Bomb Movie(en)
"Trinity and Beyond" is an unsettling yet visually fascinating documentary presenting the history of nuclear weapons development and testing between 1945-1963. Narrated by William Shatner and featuring an original score performed by the Moscow Symphony Orchestra, this award-winning documentary reveals previously unreleased and classified government footage from several countries.
Naqoyqatsi(en)
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
We Live in Public(en)
In 1999, Internet entrepreneur Josh Harris recruits dozens of young men and women who agree to live in underground apartments for weeks at a time while their every movement is broadcast online. Soon, Harris and his girlfriend embark on their own subterranean adventure, with cameras streaming live footage of their meals, arguments, bedroom activities, and bathroom habits. This documentary explores the role of technology in our lives, as it charts the fragile nature of dot-com economy.
The Age of Stupid(en)
Pete Postlethwaite stars as a man living alone in the devastated future world of 2055, looking at old footage from 2008 and asking: why didn’t we stop climate change when we had the chance?
Boudica(en)
Inspired by events in A.D. 60, Boudica follows the eponymous Celtic warrior who rules the Iceni people alongside her husband Prasutagus. When he dies at the hands of Roman soldiers, Boudica’s kingdom is left without a male heir and the Romans seize her land and property. Driven to the edge of madness and determined to avenge her husband’s death, Boudica rallies the various tribes from the region and wages an epic war against the mighty Roman empire.
Hornblower: The Examination for Lieutenant(en)
Acting Lieutenant Hornblower attempts to study for his promotion examination, but becomes distracted by the serious supply problems that face his crew.
20 Days in Mariupol(en)
As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities.
The Battle of Midway(en)
The Japanese attack on Midway in June 1942, filmed as it happened. Preserved by the Academy Film Archive, in partnership with Twentieth Century Fox Film Corporation, in 2006.