Dieter Roth. Solo Scenes. 1997-98

Top 1 Billed Cast

Dieter Roth
Dieter Roth

Himself

Loading Trailer Videos...
  • HomePage

    Dieter Roth. Solo Scenes. 1997-98

  • Overview

    These 131 video monitors stacked in a grid present simultaneous, continuous footage of the German artist during the last year of his life. In this filmed diary-project that Dieter Roth executed while convalescing in Reykjavik and Basel, we see him not only working in his studio but also while he sleeps, bathes, and uses the bathroom. It is nearly impossible to pay attention to only one video without becoming distracted by an unexpected sound or movement coming from one of the many other screens. Each monitor broadcasts a different point in the artist's daily routine, while the gridlike arrangement of monitors reinforces a sense of order and chronology.

  • Release Date

    1998-01-01

  • Average

    0

  • Rating:

    0.0 starts
  • Tagline

  • Genres

  • Languages:

  • Keywords

Similar Movies

light is the first bodily form
0%

light is the first bodily form(en)

2007-06-22

Light is the first bodily form pays homage to the philosopher of light, Robert Grosseteste. The title is intended to be somewhat tongue-in-cheek since this video was made entirely in the dark, using only a circuit bent Webcam. No additional computer effects were added to the video. The music is the song “Rain Serenade” by Natural Snow Buildings.

All Star Video
65%

All Star Video(ja)

1985-01-21

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

Untitled (Pink Dot)
75%

Untitled (Pink Dot)(ja)

2007-01-01

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.

Cumulonimbus
0%

Cumulonimbus(en)

1970-01-01

A 1970 projection of what may come when pollution over powers nature.

Video Wall Installation of John Cage’s 4’33″
0%

Video Wall Installation of John Cage’s 4’33″(en)

2013-02-08

In February 2013, the New World Symphony presented Making the Right Choices: A John Cage Centennial Celebration, a spectacular three-day festival dedicated to the music and ideas of John Cage. As part of the festival, NWS hosted a new video installation entitled NWS: 4’33″, created by New York-based composer, director, performer and recording artist Mikel Rouse; which consisted of video performances contributed by Cage fans via a special YouTube site set up by Rouse. The public was invited to record and submit their own video, and visit the installation during the festival to see their work in the SunTrust Pavilion at the New World Center. These videos will be included in an online Archive of the event, a lasting tribute to this defining and seminal artist.

Serious Games 2 – Three Dead
0%

Serious Games 2 – Three Dead(en)

2010-01-01

An exploration of how the U.S. military employs video game technology to train troops for war. Three Dead depicts a military exercise within a mock Iraqi town built on the outskirts of Twentynine Palms, California, blurring the line between computer simulation and reality.

Serious Games 3 – Immersion
0%

Serious Games 3 – Immersion(en)

2010-01-01

An exploration of how the U.S. military employs video game technology to train troops for war. In Immersion, Farocki presents footage of a role-playing exercise in which military psychologists demonstrate how to use the PTSD program on their colleagues, who describe traumatic wartime experiences. On a second channel, their descriptions play out as virtual renderings.

Serious Games 4 – A Sun With No Shadow
0%

Serious Games 4 – A Sun With No Shadow(en)

2010-01-01

An exploration of how the U.S. military employs video game technology to train troops for war. In A Sun With No Shadow, Farocki calls attention to the subtle differences between the simulations for combat training and PTSD. With the former, the sun can be programmed to cast shadows in the virtual combat zones, while the latter, less expensive technology does not offer this feature.

Magnicidios Poe
20%

Magnicidios Poe(es)

2017-01-01

The sarcastic account of the assassination of five Spanish politicians between 1870 and 1973 is mixed with the narration of five short stories by Edgar Allan Poe illustrated by five skillful pencil artists. A documentary, a video essay, a collage, a provocative experiment where various pop culture figures and icons perform unexpected cameos. The macabre joke of a jester. Never more.

The Big Wheel
0%

The Big Wheel(en)

1980-01-01

During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."

Sayonara Super 8
0%

Sayonara Super 8(en)

2006-01-01

Pia Yona Massie's Sayonara Super 8 uses personal archival footage to ask questions about the fragile nature of memory, human relationships and the foibles of the medium itself.

MyAlbum : A Rough-Demo Video
0%

MyAlbum : A Rough-Demo Video(en)

2015-01-30

‘My Album’ is a record of all the events in Leckey's life during the twentieth century that he feels were significant. It is a memoir from 1954 until 1999.

Shades of Destructors
0%

Shades of Destructors(en)

2005-01-01

Experimental film.

Nova the Film
0%

Nova the Film(en)

2011-03-18

An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.

The Enclave
0%

The Enclave(en)

2013-06-11

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

Concrete Vache
0%

Concrete Vache(en)

2010-01-01

Made for Milton Keynes Gallery's 10th anniversary using images from its archive and language from its press releases and catalogues.

Nam June Paik: Moon Is the Oldest TV
68%

Nam June Paik: Moon Is the Oldest TV(en)

2023-03-24

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today's world.

I Can't Get Away
0%

I Can't Get Away(en)

2024-03-01

I Can’t Get Away is a three-channel black-and-white silent video. The video depicts 4 sequences: a figure perpetuating walking away; a figure bounded to an immobile tree; a figure running away from another figure, and vice versa. The performances of stages within the grieving process, different modes and processes to grapple with loss and the sensibilities that comes with mourning impermanence.

Untitled #29.95
0%

Untitled #29.95(en)

1999-01-01

Originally produced anonymously and distributed by RTMark, Untitled #29.95 tells the story of the commercial art establishment's attempt to turn video art into a precious commodified object through the release of limited editions during the nineties.

Music in the Afternoon
0%

Music in the Afternoon(en)

2002-01-01

Fellow violinist and artist Tony Conrad, in collaboration with software engineer Tom Demeyer, made for Steina the instrument seen in this title. Conrad and the Vasulkas all taught at the University at Buffalo in the Media Study Department from 1976 to 1979.