Hot And Cold

Yotsuya Ghost Stories(ja)

Irohagana Yotsuya Kaidan(ja)

Shin Yotsuya Kaidan(ja)

Irohagana Yotsuya Kaidan(ja)

Yotsuya Kaidan(ja)

Oiwa Nagaya(ja)

Shin Yotsuya Ghost Story(ja)

Iemon(ja)

Maple Leaf Viewing(ja)

[…] A reel was shot of the Noh drama Momiji-gari (Maple Leaf Hunters, or Viewing Scarlet Maple Leaves), in which Danjuro played opposite Onoe Kikugoro V (1844-1903) as an ogress who has disguised herself as the Princess Sarashina. Filmed by Shibata Tsunekichi in the open air on a windy day in November 1899, Danjuro would allow only the one take, so that when his fan blew away in mid-performance the scene had to stay. The film re-emerged at the Kikikan theatre in 1907 where it was a great success and inspired a wave of fiction filmmaking based on traditional Japanese narratives. (cont. http://victorian-cinema.net/danjuro)

The Story of the Last Chrysanthemum(ja)

In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.

Sayonara(en)

Air Force Major Lloyd Gruver (Marlon Brando) is reassigned to a Japanese air base, and is confronted with US racial prejudice against the Japanese people. The issue is compounded because a number of the soldiers become romantically involved with Japanese women, in defiance of US military policy. Ordinarily an officer who is by-the-book, Gruver must take a position when a buddy of his, an enlisted man Joe Kelly (Red Buttons) falls in love with a Japanese woman Katsumi (Miyoshi Umeki) and marries her. Gruver risks his position by serving as best man at the wedding ceremony.

Two Portraits of MIYAGINO(ja)

In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.

Yotsuya Kaidan(ja)

Yotsuya Kaidan(ja)

Shin Yotsuya Kaidan(ja)

Yotsuya Kaidan Oiwâ(ja)

Tokaido Yotsuya Kaidan(ja)

Yotsuya Kaidan(ja)

Yotsuya Kaidan(ja)

Earliest japanese horror film.

Yotsuya Kaidan(ja)