
Cinemaghar
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The Life and Deaths of Christopher Lee(en)
Aristocratic Italian roots, a close family connection to James Bond novelist Ian Fleming, wartime experiences in the British and Finnish military, post-war Nazi-hunting adventures and a side career as a heavy metal rock singer. And one of the most iconic actors of all time.

The Long Road Through Balkan History(en)
Bosnian Croat writer Miljenko Jergović and Serbian writer Marko Vidojković replace one another by the steering wheel of Yugo, a symbol of their common past while driving on the Brotherhood and Unity Highway that stretched across five of six republics of Yugoslavia.

Satoshi Kon: The Illusionist(fr)
A subtle portrait of Japanese director Satoshi Kon by the specialist of Japanese cinema Pascal-Alex Vincent and a dive into a rich work. With interviews of the greatest Japanese, French and American directors inspired by his work.

George A. Romero's Resident Evil(en)
A documentary that brings to light the vision that director George A. Romero had for an adaptation of Resident Evil, using newly filmed interviews with those who were there, and unravels the secrets behind why it was never produced.

Bancoco(en)
A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.

A World Under Glass(en)
A married couple working together at a pinball museum explore the state of pinball and what it means to them.

Splatterfest Exhumed(en)
A documentary which covers Splatterfest ’90, the notorious all-night horror festival held at London’s legendary Scala Cinema.

Maurice(fr)
MAURICE reveals the famous #9 of the Montreal Canadiens like never before. Through never-before-seen archival footage shot over 35 years, this documentary offers exclusive access to the man behind the Rocket myth. Designed by Serge Giguère and Robert Tremblay, who died before completing this project, MAURICE paints an intimate and authentic portrait of Maurice Richard, well beyond his exploits on the ice rink. More than a hockey player, he embodies the perseverance and hope of a people, forever marking Quebec culture.

VHS Revolution(fr)
Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.

Movie Hoarders: From VHS to DVD and Beyond!(en)
Filmmakers and collectors lift the curtain on their manic media obsession that is not only a huge part of their lives, but the lifeblood of their existence!

306 Hollywood(en)
When two siblings undertake an archaeological excavation of their late grandmother’s house, they embark on a magical-realist journey from her home in New Jersey to ancient Rome, from fashion to physics, in search of what life remains in the objects we leave behind.

Little Big Men(en)
In 1982, Cody Webster and a small group of friends from Kirkland, Washington, sat anxiously in a dugout waiting to take the field for the championship game of the Little League World Series. Their focus was just about what you’d expect from any 12-year-old: hit the ball, throw strikes, cross your fingers and then maybe – maybe – you’ll win. Adults in the stands and watching from home saw a much broader field of play. The memories of American hostages and a crippling oil crisis were still fresh; the economic malaise of the late 1970s still lingered; and the new President was recovering from an assassination attempt even while confronting new threats from the Soviet Union. Meanwhile, back on that tiny baseball field in Williamsport, Pennsylvania, no American team had won a true international Little League World Series Championship in more than a decade. When the Kirkland players rushed from their dugout that day, they stepped onto a much bigger field than the one they saw.

Still Standing(en)
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At the Video Store(en)
Equal parts personal essay, intense rumination, and playful satire, this movie laments the death of the American Video Store while it searches for the missing human element in today's digital landscape.

I've Been Trying to Tell You(en)
Do you look back on the optimism of the 1997-2001 era as a lost golden age, or do you see it as a period of naïvety, delusion and folly? There’s a lot of nostalgia for the nineties at the moment, especially from people too young to remember it who see the decade as a simpler, pre-internet time. Modern nostalgia often draws on corporate American-90s mall culture, but what about British culture? With I’ve Been Trying To Tell You – made to accompany the Saint Etienne album of the same name – director Alasdair McLellan evokes the era through the fog of memory. The resulting film, shot in locations from Grangemouth to Portmeirion to Southampton, is both beautiful and enveloping.

Picture Abhi Baaki Hai...(en)
A memoir celebrating yesteryears of cinema and how silver screen has evolved over the years, this documentary is ode to cinema by the audience, for the audience.

Archive of Life(en)
This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.

¡Casa Bonita Mi Amor!(en)
Casa Bonita opened in 1974 in an unassuming strip mall. The massive "Disneyland of Mexican restaurants" is an Old West and Acapulco-inspired fever dream made famous by its indoor waterfall, cliff divers, and haunted caves, and was featured in a classic 2003 episode of South Park. When its creators, Trey Parker and Matt Stone, learn that Casa Bonita might close its doors for good, they attempt to preserve a crumbling piece of their childhood and Denver history.

The Cars We Drove into Capitalism(bg)
A cinematic, character-driven insight to what it meant to produce and to own a car in communist times: the Socialist propaganda dreams and the hard reality of living that dream. The freedom that these slow and clumsy vehicles were giving to their owners; the cars as an instrument in the Cold War battle; legends and homemade tune-ups as an attempt to stand at least a little bit off the crowd.