A Red Color Pencil

Until the Stones Speak(ko)

There are five grandmothers, four of whom went to Jeonju Prison due to the Jeju 4.3. All of them were young people around the age of 20 at the time of the incident in 1948. The outline of the incident is formed when hearing the experiences of those who were sent to prison without trial particularly as women. The audience feels indescribable emotions by the fact that they have lived on despite what they had gone through, things that are just too much for a human being to bear.

The Shooters(ko)

April Tragedy(ko)

The oral writer of the April 3 Uprising and a Rwandan who came to Korea to study face each other, have a conversation, and then go on a trip hand in hand. The two people, from different generations, nationalities, and occupations, have something in common: they are the daughters of massacre survivors.

Soup and Ideology(ko)

Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang, carving out the cruelty of history, and questioning the precarious existence of the nation-state.

Voices(ko)

In the turmoil of the Jeju 4.3 incident, Jeju Island witnessed the loss of an estimated 25,000 to 30,000 lives, with women constituting a significant yet often unrecognized proportion of the victims. This documentary illuminates the once-shrouded experiences of these women, led by a dedicated Jeju 4.3 researcher.

The Red Filter is Withdrawn.(ko)

If you look into the entrance of one of the huge caves on the Korean island of Jeju, it looks like a camera lens. If you walk into the cave, it looks like a screen, a rectangle showing clouds and white light, just like a film. Director Kim Minjung delves into the bloody history of Jeju, where tens of thousands were killed in a massacre in 1948. The camera follows the traces in the landscape, sometimes transformed by a strident, distance-creating red light, accompanied by a commentary by avant-garde filmmaker Hollis Frampton. Film as a means to address history and its taboos.

May•JEJU•Day(ko)

Immediately after liberation, an incident called 'Jeju Uprising' took place on Jeju Island, the Hawaii of Korea, under the control of the US military government. As a result, about one-tenth of the total population of the island at that time was sacrificed. The children who survived the massacre record the memories of that day in an animated film 70 years later.

없는 노래(ko)

Haewon(ko)

According to a survey by the U.S. military government in 1946, 78% of the South Korean people wanted socialism and only 14% capitalism. By appointing the pro-Japanese collaborators and the rightists, Rhee Syngman, who had not received the people's support, massacred those groups and civilians that were political stumbling blocks. In dealing with the Jeju 4.3 uprising in 1947 and the Yeosun incident in 1948 and The Korean War having broken out, massive civilian massacre became regularized.

Jeju Prayer(ko)

Focusing on Mrs. Kang Sang-hee’s life, she lost her husband in the Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Island, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.

Jiseul(ko)

The populace of a South Korean island rebels against police brutality. The protesters are labeled as communists, and the army is dispatched.

내 이름은(ko)

Time That Has Never Ended(ko)

On October 15, 2003, in a quiet autumn day at a high-rise apartment. Hwang Ga leisurely waters the plants on the balcony. At the same time, Hyung-min, a man in his sixties, lives in an old house on the outskirts of the city. As the local news on TV announces the confirmation of the "Jeju 4·3 Incident Truth Report," the two elderly men reminisce about their similar yet distinctly different pasts. The first independent film from Jeju Island.

Code Haneke(fr)

Features interviews with two-time Palme d'Or winner Michael Haneke and his key collaborators, alongside excerpts from his films.

Caring for History(en)

A BAFTA award winning documentary investigating the work undertaken by the Ancient Monuments Division of the Department of the Environment in preserving the fabric of structures from Neolithic to Georgian.

Principles for Dealing with the Changing World Order(en)

A study of the major empires—including the Dutch, the British, and the American—putting into perspective the “Big Cycle” that has driven the successes and failures of all the world’s major countries throughout history. Revealing the timeless and universal forces behind these shifts and using them to look into the future, offering practical principles for positioning oneself for what’s ahead.

Dance for All(en)

Sexy Killers(id)

An Indonesian documentary about the destructive impact of coal mining.

40 Years of Star Trek(en)

The Space Channel celebrates the 40th anniversary of the original STAR TREK. Produced by Mark Askwith, hosted by Jonathan Llyr and featuring interviews with George Takei, Nichelle Nichols, William Shatner, Peter David, Michael Okuda, Denise Okuda, F. Murray Abraham, Lawrence Montaigne, Leonard Nimoy, Garrett Wang, France Nuyen, Michael Reeve, George Clayton Johnson, Denise Crosby, Marc Scott Zicree, Garfield Reeves-Stevens, D.C. Fontana, Scott Bakula, Jolene Blalock, DeForest Kelley, LeVar Burton, Dr. Mae Jemison, Rob Salem, Walter Koenig, J.G. Hertzler, Dean Devlin, Harlan Ellison, Richard Arnold, Jeffrey Combs, Rick Berman, Bjo Trimble, Jim Lee, Alice Cooper, and Robert Picardo.

The Indomitable Teddy Roosevelt(en)

Theodore Roosevelt was America's 26th president and a larger-than-life legend whose incredible story must be seen to be believed. Narrated by George C. Scott, this documentary weaves extremely rare archival footage with meticulous recreations alongside the music of John Philip Sousa in a dynamic panorama of the great events of Teddy Roosevelt in the early years of the 20th century.