Until the Stones Speak

Breathing Underwater(ko)

In Jeju Province, located off the southern coast of Korea, are the women of the sea, those who hold breath for life. These women still exist and they still dive the old way, without tanks. They go into the waters of 10- to 20-meter depth to harvest seaweed and shellfish to make a living. They make a living in the same sea, but each haenyeo’s sea of life is different. The community is divided into three tiers- Group A, B and C, based on skills and capabilities. One’s rank is determined by sum or breath. Sum, is pre-determined at birth. Therefore, sum is desired. However, the ocean is harsh. May you desire! But seek what is not yours, the ocean will devour you. Life, for these women of the sea, is about holding one’s breath, and containing and controlling one’s desire. The film is a six year record of the lives of the haenyeos in Udo, an islet in the province of Jeju, known to be the birthplace of haenyeo. It is a close look into the lives that stand on the boundary of life and death.

Vote Young Ones(ko)

Jam Docu GangJeong(ko)

Gangjeong Village, located at the southernmost part of Jeju Island's Seogwipo City, is in the true sense a 'breathtaking land of water.' In this film, eight directors independently yet collaboratively orchestrate a clever and humorous "mission" at this place where the groundwork for building a naval military base is in progress.

Burial Of This Order(da)

In an abandoned resort on the South Korean island of Jeju, a group of people perform a symbolic funeral ritual to end a world built on hierarchies, division and destruction.

없는 노래(ko)

Voices(ko)

In the turmoil of the Jeju 4.3 incident, Jeju Island witnessed the loss of an estimated 25,000 to 30,000 lives, with women constituting a significant yet often unrecognized proportion of the victims. This documentary illuminates the once-shrouded experiences of these women, led by a dedicated Jeju 4.3 researcher.

Lessons from Jeju(en)

Seven months pregnant and apprehensive of the effect motherhood would have on her career as a professional freediver, Kimi Werner took a trip to the island of Jeju in South Korea to meet her heroes, the haenyeo – a group of freediving and fishing women often regarded as Korea’s first working mother’s whose culture dates back centuries.

The Shooters(ko)

Their Own Ways(ko)

A Red Color Pencil(ko)

Wan-soon, a 9-year-old girl living on the island, managed to survive a massacre that took place 75 years ago. The lingering effects of this unresolved ordeal are emphasized, and the girl embarks on a journey to depict the vivid red fragments that remain in her memory, using a red colored pencil as her means of expression.

Daughter of the Sea(en)

Battling deep depression, Jaeyoun returns to her roots on the island of Marano, South Korea, to visit her family of female free fivers known as haenyeo. To her surprise, she finds a connection to nature and her ancestors that literally saves her life.

Hot Pink Dolphins(ko)

Jeju Prayer(ko)

Focusing on Mrs. Kang Sang-hee’s life, she lost her husband in the Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Island, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.

May•JEJU•Day(ko)

Immediately after liberation, an incident called 'Jeju Uprising' took place on Jeju Island, the Hawaii of Korea, under the control of the US military government. As a result, about one-tenth of the total population of the island at that time was sacrificed. The children who survived the massacre record the memories of that day in an animated film 70 years later.

Diving Women of Jeju-do(ko)

Jeju-do is the largest of Korean islands and lies between Korea and Japan. There, for hundreds of years, women dive without breathing apparatus, to the ocean floor and collect shellfish, octopus, and urchins that they sell. The divers are in their sixties and seventies and their daughters do not want to inherit their work, lifestyle, and health problems that go with diving. As a filmmaker I was privileged to meet many of these women and dive with them. Their stories of hardship and pride confirmed my desire to record this unique and ancient tradition.

Soup and Ideology(ko)

Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang, carving out the cruelty of history, and questioning the precarious existence of the nation-state.

Legend of the Waterflowers(ko)

Hyun Soonjik is the oldest living resident in Jeju Island. A natural diver with good skills, she became a high rank Haenyeo at an early age and has led an astonishing career of diving for eighty-seven years. Though she looks more comfortable when she is under water than when she is at home, she quit diving in October, 2020, and goes to sea every day, missing her old life as a diver. When she does, Chae Jiae who has been disciplined by Hyun, accompanies her and looks after her. Together they head for Deulmoolyeo, a place that only Hyun can find, to see the water flowers that bloom under water.

April Tragedy(ko)

The oral writer of the April 3 Uprising and a Rwandan who came to Korea to study face each other, have a conversation, and then go on a trip hand in hand. The two people, from different generations, nationalities, and occupations, have something in common: they are the daughters of massacre survivors.

The Last of the Sea Women(en)

On the shores of Jeju Island, a fierce group of South Korean divers fight to save their vanishing culture from looming threats.

Jeju Note(ko)

This is a record of people who face up to the big change.