The Metropolitan Opera: Romeo et Juliette

Gianni Schicchi(it)

Alessandro Corbelli takes the title role in Annabel Arden's whirlwind production of Puccini's compact opera, in which the scheming Gianni Schicchi retrieves for himself the spoils of a disinherited family to pave the way for his daughter to marry her love.

Dennis Cleveland(en)

A 2002 live performance of Mikel Rouse's Dennis Cleveland, a multimedia opera set entirely on a television talk show in the late 20th century.

Fidelio - Beethoven - Opernhaus Zürich 2008(en)

Translucence, transparency – warmth’ are the qualities identified by Bernard Haitink as necessary for an ideal sound performance of Beethoven's only opera, and all are present in this fantastic recording of Katharina Thalbach's 2008 production for Opernhaus Zurich. Haitink conducts the Zurich Opera Orchestra in a magnificent performance in which Leonore Overture No. 3 provides an interlude between the two scenes of the second act, following a tradition started by Gustav Mahler. German soprano Melanie Diener, in the role of Leonore, leads a brilliant cast including Alfred Muff as Rocco, Roberto Saccà as Florestan, Sandra Trattnigg as Marzelline and Christoph Strehl as Jaquino. This High Definition recording with true surround sound marks the start of the exciting collaboration between Opus Arte and Opernhaus Zurich.

Rodelinda(it)

Claus Guth's exciting 2017 staging of Handel’s "Rodelinda" at Madrid’s Teatro Real, featuring Lucy Crowe and Bejun Mehta as Rodelinda and Bertarido, with conductor Ivor Bolton. After the successes of "Giulio Cesare" in 1723 and "Tamerlano" in 1724, Rodelinda completes the trilogy of Handel’s great opera seria masterpieces. The work was composed in 1725 using Nicola Francesco Haym’s libretto, a work inspired by Antonio Salvi’s earlier libretto which had been itself adapted from Pierre Corneille’s tragedy "Pertharite, roi des Lombards". Rodelinda thus brought one of the most glorious compositional periods in the Handel’s career to a close, about a decade after his arrival in the British capital. Mixing romantic storytelling and political intrigue, Handel produced one of his most beautiful scores, a true operatic tour de force.

The Forgiving(en)

Avi Brickman is a middle-aged man still broken from the tragic death of his eight-year-old daughter five years earlier. When he is suddenly fired from his job, a thin threaded lifeline to his shattered existence, he decides to kill himself in the very home where the accident occurred. However, when he arrives at the isolated house in the woods, he finds a woman and her young daughter taking shelter there. During one long night, in his confused state of mind, he is haunted by the ghosts of his past as he confronts his guilt and pain to a cathartic and unexpected conclusion.

The Narcissistic Fish(en)

A phone call during a busy shift in the restaurant kitchen of The Narcissistic Fish sparks a war between the owner Angus and his brother Kai. As they argue over their dead father, talented and underpaid chef Belle has a revelation of her own. Join Scottish Opera’s Emerging Artists (Charlie Drummond, Mark Nathan and Arthur Bruce) for a visceral exploration of the clash between class, gender and workplace pressure in 21st century Scotland, in this brand new digital opera with music by Samuel Bordoli, libretto by acclaimed Scottish writer Jenni Fagan and directed by in-house film-maker Antonia Bain.

Up! Up! To the sky(en)

The Same Circles(en)

On a romantic weekend away, Rory and Saff become victims of an unthinkable tragedy and their lives will never be the same. Rory's manic obsession fuels his desperate search for those responsible as he spirals deeper and deeper into madness.

Trust(xx)

We flirt with our bodies and faces. TRUST creates a playful variation of the classical initial contact of heterosexual Europeans. A creative man courts a woman with long hair. Would you do the same in this situation?

The Flood: Who Will Save Our Children?(en)

In rural Comfort, Texas, the strict protestant Horizon Bible church community holds its annual, pretty strictly supervised summer camp, with mandatory prayer sessions, for fraternizing teens from all over the States. The day before their departure, storm weather is announced, the busses even ride early to keep ahead, but the wind makes a river rise too fast: the busses are caught, everybody must run on foot. As TV reporters see from their helicopter, the rising water is too fast for one bus after choosing the wrong way, children and staff must climb in trees but can't cling on very long.

Prodaná nevěsta(cs)

Greed(en)

A lottery win of $5,000 forever changes the lives of a miner turned dentist and his wife.

Curse of the Golden Flower(zh)

During China's Tang dynasty the emperor has taken the princess of a neighboring province as his wife. She has borne him two sons and raised his eldest. Now his control over his dominion is complete, including the royal family itself.

Verdi: Falstaff - Teatro Real(it)

Free Party(fr)

Julien, 18, visits his half-brothers without warning. Max, 26, lives in an travelers' camp in the middle of the Cévennes forest. The two brothers had not seen each other for several years. Julien falls in love with Lise, an occasional mistress of Max with whom he makes some music. This chaotic affair upsets Julien and brings to the foreground the family conflicts that they have never addressed.

The Willow(en)

A young couple spends their day under a willow tree deciding whether or not to carve their names in it.

Love Me Forever(en)

A man who loves an aspiring opera singer is prepared to sacrifice everything to help her with her career, even though he knows she doesn't love him.

The Ride to the Abyss(fr)

‘La course à l’abîme’ is a depiction of the final ride into hell from ‘La Damnation de Faust’ (1846) by Hector Berlioz.

Otello(it)

Herbert von Karajan directed this film of Verdi’s Shakespearan masterpiece as well as conducting the Berlin Philharmonic. As the tragic Moor of Venice, arguably his greatest role, John Vickers (in the words of critic David Cairns) "commands both the notes and the moral grandeur of the part. … And he has the aura of greatness – greatness of heart, of bearing, of musical and dramatic conception". Mirella Freni is a heartbreakingly lovely and fragile Desdemona, while the fine English baritone Peter Glossop plays the villainous Jago.

Verdi: Attila(it)

First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of La Scala on December 7th. Following the inauguration of the 2015-2016 Season with Giovanna d’Arco and in anticipation of Macbeth, with Attila Musical Director Riccardo Chailly continues his study of Verdi’s early works, renewing a successful collaboration with creative director Davide Livermore that began with his acclaimed production of Donizetti’s Don Pasquale for La Scala. In this complex opera Verdi experiments with fresh perspectives, featuring spectacular historical settings, introspective angles and moral uncertainties. Attila demands of its performers not only passion and confidence, but also the ability to find subtle accents and psychological nuances.