Vibrations

NOAH(en)

An experimental "documentary" that depicts the life of 4 friends.

The Waltz of a Lonesome Pigeon(en)

An experimental fairy tale about life, death, and spreading your wings. After Cecilia witnesses a bird smashing into her window, she begins to notice her body transforming. Her skin starts to peel and little feathers start to grow out of her back. Will she fly away or end up like that poor little bird?

June(en)

A letter of love to my past self who discovered himself.

Lohengrin(en)

A short experimental film shot on Super 8, inspired by the music of Richard Wagner.

Dreaming Dogs(de)

A pack of strays – seven dogs and one woman live in the shadows of Moscow. Hidden from the totalitarian authorities, two species share their existence on the verge of disappearance. They are straying in constant restlessness through a savage landscape where the city is cracking. Shot from the animal’s point of view, patterns of mutual dependence and taming begin to blur.

An Asian Ghost Story(en)

A cinematic and conceptually inventive film that explores the haunting memories of Asia’s late 20th-century modernization through the large-scale export of wigs during the Cold War. Yet, in every wig resides a ghost from the imperial past.

A Lonely Day in Winter(es)

Written and Directed by Santiago Cantu, following a high school student and the loss of his brother.

Empty Memories of Broken Hearts(en)

An atmospheric look into loneliness and heartbreak, all through a highly experimental lens.

In Ictu Oculi(eu)

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

What's In a Number(en)

National insurance made amusing by the eccentric Richard Massingham.

In Repetito Religare(fr)

Le plantain(fr)

Jazz. Haiti. Plantains.

Ex Oblivione(en)

Based off the poem by H.P Lovecraft, it tells the tale of a dying man who slowly enters a strange dream world where he fades into oblivion.

Mother of Fog(ar)

In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)

Memoirs of a Strangler of Blondes(pt)

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

Spheres(en)

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

Protanopia(en)

After Luke's sister goes missing, he begins having dreams of a strange house. Unbeknownst to him, that house is owned by Alan Roscoe Jr., passed down to him after the recent death of his father. But something about this house isn't quite right, and Alan seems to tend to it in strange and disturbing ways.

l'A.M.—a misheard love story(en)

L'amour (love). La mort (death). Two French words that could confuse a foreigner, but never a native. Messenger V writes for a company that sends out both love letters and death sentences. After going into work one day, she finds out her assigned recipient is her lover.

Symbiotix(en)

An experimental piece displaying the acts of common addictions.

Cutting(en)

This narrative restraint appears perhaps most clearly in Wangechi Mutu’s video Cutting, in which the artist enters the frame and proceeds to rhythmically hack away at a log in an expansive desert landscape before finally laying down her machete and leaving the frame.