This narrative restraint appears perhaps most clearly in Wangechi Mutu’s video Cutting, in which the artist enters the frame and proceeds to rhythmically hack away at a log in an expansive desert landscape before finally laying down her machete and leaving the frame.
Self
This narrative restraint appears perhaps most clearly in Wangechi Mutu’s video Cutting, in which the artist enters the frame and proceeds to rhythmically hack away at a log in an expansive desert landscape before finally laying down her machete and leaving the frame.
2004-01-01
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"A film version of a videotape. In it my drawings are animated and colorized by using computers. Walter Wright and Richard Froeman were on the computers. John Godfrey helped with the video editing. I did the sound score. The original tape was done on 2" high-band color videotape, two computers, a Paik-Abe video-synthesizer, with studio chroma-keying and multi-generation video editing." A version of Computer Graphics #1, one of Emshwiller's very first video works.
In the summer of 2018, on the Serpentine in London's Hyde Park, world-renowned artist Christo created his first public work of art in the UK. Inspired by ancient Mesopotamian tombs, the Mastaba is constructed from 7,506 painted oil barrels and weighs six hundred tonnes. It is the latest work in a career spanning half a century and stretching across the world. His work to date have included surrounding 11 islands off the Florida coast with pink polypropylene and wrapping Berlin's Reichstag and the Pont Neuf in Paris. This programme charts the creation of the Mastaba - from the first barrels being put on the water to its final unveiling - and paints a portrait of Christo as he looks back on a life spent making provocative works of art with his wife and partner Jeanne-Claude.
An isolated filmmaker struggles to connect with others in the absence of cameras. When he becomes creatively stuck, the world around him begins to dissolve.
After Dan Brown's publishing phenomenon The Da Vinci Code was cleared of plagiarism charges, this documentary explores the climate which has permitted a fictional story to make such an effective challenge to conventional history that it has forced a counter-attack from the Church, the art world and academics. Has Brown cracked the most difficult code of all our 21st-century cultural DNA?
Curator Robert Storr takes us through the 2002 MoMA Gerhard Richter retrospective.
A South Korean art house film director is first invited to serve on the panel of a film festival, then to guest lecture at a film school.
Documentary following Olly Williams and Suzi Winstanley, two unique wildlife artists who simultaneously work on the same painting of exotic and endangered animals while on location in the wildest corners of the world. The film shows how they work and why what they do is so important.
A swimming study of paisley patterns traces this decorative motif from its origins in Persian weavings to appearances Irish quilting and American Counterculture. Extending on the stroboscopic tradition of anti-animation, this short material study fixates upon discarded materials to examine the decorative and its relationship to the cycles of industry and evolving modes of production. - Jodie Mack
A doctor allergic to the human touch finds his salvation in writings tattooed on the body of a dead poet.
A film about the work of the artist most famous for her monuments such as the Vietnam Memorial Wall and the Civil Rights Fountain Memorial.
A film documenting the soulful art, environments, and voices of self-taught artists on the back roads of the American South.
Iwasaki’s ink oscillates like an evil lava lamp that might actually be alive and its progression into more and more disturbing images create an impressive sense of dread in a film that is basically just some pencil drawings on a blank background. (Film School Rejects)
A visual artist and a musician create a series of works in which paintings and musical scores form cohesive pieces intended to be experienced together. The works interpret the excitement and monotony of life in the urban desert sprawl from the diverse perspectives of the native and the newcomer.
A boy in New York is taken in by a wealthy family after his mother is killed in a bombing at the Metropolitan Museum of Art. In a rush of panic, he steals 'The Goldfinch', a painting that eventually draws him into a world of crime.
With the five-part Cremaster Cycle of films, multi-award-winning artist Matthew Barney invented a densely layered and interconnected sculptural world that surreally combines sports, biology, sexuality, history, and mythology as it organically evolves. In this program, Barney, Guggenheim curator Nancy Spector, and others deconstruct the Cycle’s filming and subsequent translation into sculptural installations. The locations, characters, and symbols that organize the Cycle films; the Cycle installations as spatial content carriers and extensions of the performances; and objectification of the body and undifferentiated sexuality are addressed, as are the intricacies of costuming, makeup, and sculpting with Barney’s signature materials: plastic, metal, and Vaseline.
Martin Blaszko is considered one of the most important artists of geometric abstraction in Latin America. This documentary, which ends a trilogy, follows the setup of what ended up being his last art show, through only twenty sequences.
Kohata Anime Studio is a place full of dreams where animation is made. Baja was raised in this studio by the people who create animation. Floating in a pond outside are his friends the ducks. One night, when all the people are no longer at the studio, Baja takes a peek outside and finds that his duck friends are being attacked by a cat. Will Baja be able to save his friends? A wondrous night adventure begins.
M.C. Escher is among the most intriguing of artists. In 1956 he challenged the laws of perspective with his graphic Print Gallery and his uncompleted master-piece quickly became the most puzzling enigma of modern art. Fifty years later, can mathematician Hendrik Lenstra complete it? Should he?