Experimental video in which the viewer is immersed in an abstracted world of rippling waves, vibrating foliage, and migrating populations. Organic textures continuously reshape each frame, conjuring up granular forms, nest-like structures, and undulating stars. The dissemination of pixelated light and sonic elements transports the viewer to a new dimension of space and time.
2015-01-01
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Mockumentary experimental film, which shows one day in the life of a young man. The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country. The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends. The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.
In an evicted apartment, a ghost-like presence remembers its luminous past and its progression towards its current state of decay. It yearns to be what it once was.
Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.
In A Radical Film, Canapa experimented with thin slices of black radish on unexposed film, a reference to film's roots. Further Radical is the same material taken to its logical extreme on an optical printer. An effective explosion of light goes right through the dark photochemical emulsion.
Stop-motion experimental short where two men communicate with one another, talk on the telephone, smoke cigarettes, and contort themselves. Produced 1987 and released in 1988 on the VHS compilation Fat of the Land, released via Factory Records video imprint IKON. "Here is the first tape of a new British cinema which should be seen by everyone who loves film. The official British cinema is truly dead, alive only in admens bought dreams. This is the way to go."- Derek Jarman
Avsesh was made in 1975 by Girish Kasaravalli when he was a student in FTII. The film was declared the Best Student Film of the year and also went on to win the National Award for Best Experimental Short Film.
moony and Joey Brodnax present WARNING HIGH CUBE - a film accompanying the release of moony’s debut album of the same name. After amassing an impressive collection of genre-spanning EPs scouring depths of emotion, pain, anger, relief, and hope, burgeoning Nashville-based indie alternative rocker Seth Findley (AKA moony) is at full form, ready to deliver his debut LP to the world. WARNING HIGH CUBE is a bold full-throttle whirlwind of a hero’s journey, serving as moony’s definitive allegory of his life so far, exploring swirling ideas of existentialism, nature, animals, spirituality, love, friendship, and the threads that hold humanity together. moony & Joey set out to create a unique audio/visual pairing for the album, unlike anything they’d seen or felt. The result is 50 uncanny, undefinable, and sometimes uncomfortable minutes. A new world ripe for the picking, WARNING HIGH CUBE and its accompanying film are here to save mankind.
“Rape is a precise political program: the skeleton of capitalism, it is the crude and direct representation of the exercise of power.” Virgine Despentes
7 shots documenting the deforestation of a local wildlife habitat.
An experimental short film exploring the interplay between sound and visual discomfort, recorded in a dance hall.
A brass band member's hate comment in a public toilet triggers a chain reaction of diverse social expressions.
Human hands can be both destructive and healing, Jeffrie Po suggests in his experimental film with spiritual outreach. He portrays a human being as a faun who roams the jungle dauntlessly, yet is destructive. The forest with vanishing cattle becomes a battlefield between dark powers and the power of salvation.
A tenant gets an unannounced visit from their landlord.