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Is It A Plaisir
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Is It A Plaisir(en)

2025-03-20

'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp territory, crossed by the tension between desire and imposition. Through symbolic, sound and visual saturation, the film acts from pleasure (plaisir), revealing a liberation that emerges in the midst of excess, where intensity and lightness, dark and light, intertwine, collide and converge.

Orka
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Orka(en)

1997-01-01

STEINA: “My background is in music. For me, it is the sound that leads me into the image. Every image has its own sound and in it I attempt to capture something flowing and living. I apply the same principle to art as to playing the violin: with the same attitude of continuous practice, the same concept of composition.

data-verse 3
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data-verse 3(en)

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data-verse is a data-driven audio-visual trilogy by artist and composer Ryoji Ikeda which marks a two-decade culmination in the artist’s research. The trilogy addresses the layered dimensions of our world, from the microscopic, to the human, to the macroscopic. Through Ikeda’s process, massive scientific data sets have been transcribed, converted, transformed, de/re/meta-constructed and orchestrated to visualise and sonify the different dimensions that co-exist in our world between the visible and the invisible. Each variation immerses visitors in the vast data universe in which we live, capturing hidden facets of nature and the vast scientific knowledge underpinning our existence. This large-scale data-driven trilogy is generated by extremely precise computer programming and features a minimalist electronic soundtrack, harmonised with Hollywood-standard, high-definition, 4K DCI video projections of scientific data onto a large screen.

data-verse 2
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data-verse 2(en)

2019-10-19

data-verse is a data-driven audio-visual trilogy by artist and composer Ryoji Ikeda which marks a two-decade culmination in the artist’s research. The trilogy addresses the layered dimensions of our world, from the microscopic, to the human, to the macroscopic. Through Ikeda’s process, massive scientific data sets have been transcribed, converted, transformed, de/re/meta-constructed and orchestrated to visualise and sonify the different dimensions that co-exist in our world between the visible and the invisible. Each variation immerses visitors in the vast data universe in which we live, capturing hidden facets of nature and the vast scientific knowledge underpinning our existence. This large-scale data-driven trilogy is generated by extremely precise computer programming and features a minimalist electronic soundtrack, harmonised with Hollywood-standard, high-definition, 4K DCI video projections of scientific data onto a large screen.

Kakofonia Hirukoitza
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Kakofonia Hirukoitza(eu)

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Someone wanders through a house while fleeing from a mysterious presence. Their body dissolves on-screen, and their mind is invaded by a strident gray noise.

Kill Your TV: Jim Moir’s Weird World of Video Art
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Kill Your TV: Jim Moir’s Weird World of Video Art(en)

2019-11-24

Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.

Ki or Breathing
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Ki or Breathing(ja)

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'Ki or Breathing' is a spare concoction assembled from slow motion shots of nature and set to a score by the much-acclaimed Tohru Takemitsu.

Enigma: Nazo
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Enigma: Nazo(ja)

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Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

Frammenti di una Festa Furiosa
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Frammenti di una Festa Furiosa(it)

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Furio’s Furious Fragments & Friends - Furio Jesi (1941 Turin -1980 Genoa), enfant prodige moving between a plethora of disciplines – egyptology, history of religions, German philology, literary criticism - passed away prematurely, not without leaving bright fragments which throw light on mechanisms beneath many socio-cultural practices, for instance regarding cultural belonging, the functions of myth in modern society. He saw kind of “mythological machines” at work underneath our cultural production of meanings, historically determined, departing from a void, something that is still in culture but as residue, a missing link to an alleged authentic experience nowadays compromised up to the point to became just rhetoric, a byword, which is in no way neutral, but a tool, a macchina, for maintaining the status quo and serving the power apparatus. As in the case of holidays, celebrations and festivals.

Viva video, video viva
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Viva video, video viva(cs)

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Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pixelated image and raster errors. But for Czech artists who first explored the possibilities offered by video art in the late 1980s, this medium represented a path towards freedom. Through a portrait of her grandfather Radek Pilař, one of the pioneers of Czech video art, the director explores her own legacy of imperative creative fascination. Her film’s main story, i.e., the process of reconstructing the 1989 exhibition Video Day, contrasts this enchantment with life in the final days of the totalitarian regime, which different sharply with the adventures of those who decided to emigrate – whom the filmmaker also visits in order to discover forgotten works, get to know their creators, and re-establish broken ties.

La Suture
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La Suture(en)

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An attic, a giant sewing needle and an anti-gravity fairy tale of sibling rivalry. Three sisters fight over who gets the biggest phallus in this post-feminist animation-infused playground by media artist Michelle Handelman. If Hans Christian Anderson got a sex change, surfed the porn sites, and hung with the freaky girls, his stories would look like this.

Amazons
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Amazons(en)

1992-01-01

A fiction science monologue about artificial fertilization and its consequences, delivered by four characters interacting with the text.

FOREIGN AFFAIRS
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FOREIGN AFFAIRS(en)

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Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

A Bunch of Questions With No Answers
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A Bunch of Questions With No Answers(en)

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Mimaroğlu Remix Project
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Mimaroğlu Remix Project(en)

2025-02-22

A collection of 8mm film reels from İlhan Mimaroğlu’s archive—once tucked away in whisky boxes—has found new life through art. Curated by director Serdar Kökçeoğlu and producer Dilek Aydın, the project brings together visual artists and musicians to reimagine these long-lost images. Over thirty artists transformed the footage into fifteen distinct audiovisual pieces, blending experimental soundscapes with contemporary video art. The project concludes with a special highlight: the first-ever screening of Mimaroğlu’s silent short film about a street jazz festival, accompanied by Erdem Helvacıoğlu’s dark jazz score.

The Phantom Harp
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The Phantom Harp(en)

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Super 8mm, 21 min., b&w, music by Jefre Cantu-Ledesma.

Ego In
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Ego In(en)

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Video art body horror short film.

140 Characters
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140 Characters(en)

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"We are powerfully imprisoned by the terms in which we have been conducted to think.” - R. Buckminster Fuller

Screensong
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Screensong(fr)

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I’m Scared But I’ve Been Here Before
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I’m Scared But I’ve Been Here Before(en)

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A short film adaptation of the titular poem by Melissa Lozada-Oliva.