Guranay

Out of State(en)

Out of State is the unlikely story of native Hawaiians men discovering their native culture as prisoners in the desert of Arizona, 3,000 miles, and across the ocean, from their island home.

Village Diary(zh)

Shattered(zh)

A microcosm of China past and present flows through Xu Tong’s intimate docu “Shattered,” in which the maverick indie filmmaker continues to refine his techniques and concerns shown in his previous “Wheat Harvest” and “Fortune Teller.”

Gifting It: A Burning Embrace of Gift Economy(en)

If you think Burning Man is all about naked dancers tripping on substances, think again. This debut documentary by Renea Roberts takes an intelligent and thoughtful look at how the promotion of a gift economy ethic influences a host of social elements. The focus is on community and the power of gifting.

The Hunters(en)

An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.

Children's Village(zh)

Zou Xueping continues to interview old people in her village, this time with the help of local children. They start collecting names and money to erect a memorial for the victims of the famine.

Satiated Village(zh)

It is the director's second documentary of "my village" series since she got involved with the "Folk Memory Project". She returned to her hometown to shoot footage, recording the realities she encountered in her search for memories. Her biggest question is: after experiencing the disaster of the tragic famine fifty years ago, the villagers now are not short of food, and are living a better life than before, but is the spirit of this village still starving?

Springtime in Wushan(zh)

Zhang Ming went back to his hometown Wushan to record the last images before it being changed forever by the upcoming Three Gorges Dam.

The Iron Ministry(zh)

Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.

Twenty Two(zh)

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

China Gate(zh)

"China Gate" tells the story of young Chinese fight to change their fate through studying. Right before dawn, students in Huining have already started their self-studying session; hard working youngsters have filled up the space of school ground. This is one of the most poverty-stricken Counties in Western China; here people's only hope is in education, as the way to change their social status. Therefore all their effort point towards the College Entrance Examination, the process is like going through a gate, those who pass can study at urban Universities, and have the chance to build a better life. During the same winter season in Beijing, a graduate student faces a big decision. Should he keep trying to survive in the big city or get back to his countryside home? The exhausted faces at the Beijing underground seem to be revealing the truth about their distance in between. The student comes to see the flag ceremony at Tiananmen Square, where the pulsing symbol of the nation lies.

China. The Arts – The People(de)

China marks the beginning of the extensive Asian theme in Ottinger’s filmography and is her first travelogue. Her observant eye is interested in anything from Sichuan opera and the Beijing Film Studio to the production of candy and sounds of bicycle bells.

Desert View(ar)

The film Desert View is dedicated to the study of building and living in the semi - built satellite city Madinaty, located in the desert east of Cairo. The movie was made during a four-week residency experiment, to which the filmmakers had invited the three-generation Barakat family from ashweyat (informal residential district) Bashtil as a sort of cinematic diary. The temporary residents of Madinaty, filmmaker and Barakat family, captured their observations and experiences of architecture and their use from their respective perspectives and cameras. Two external perspectives on the desert dreams of the Egyptian middle and upper classes.

Prime Farmland(en)

This documentary film follows farmers and activists fighting together to stop the Indiana Enterprise Center, a mega-sized industrial park planned west of South Bend, Indiana

Heidi in China(en)

In 1946, Heidi is entrusted to a Swiss family by her father. He will never come back for her. Today, François Yang questions his mother about her past. What follows is a journey to China, a quest to reconstruct memory. Through contact with her brothers and sister, Heidi measures the extent of the drama experienced by her family that remained in China, persecuted by the Communist Party.

Off the Grid: Life on the Mesa(en)

Twenty-Five miles from town, a million miles from mainstream society, a loose-knit community of eco-pioneers, teenage runaways, war veterans and drop-outs, live on the fringe and off the grid, struggling to survive with little food, less water and no electricity, as they cling to their unique vision of the American dream.

In the Wake of the Flood(en)

On the eve of her 70th birthday, Canadian writer Margaret Atwood set out on an international tour criss-crossing the British Isles and North America to celebrate the publication of her new dystopian novel, The Year of the Flood. Rather than mount a traditional tour to promote a book's publication, Atwood conceived and executed something far more ambitious and revelatory--a theatrical version of her novel. Along the way she reinvented what a book tour could (and maybe should) be. But Atwood wasn't selling books as much as advocating an idea: how humanity must respond to the consequences of an environmentally compromised planet before her work of speculative fiction transforms into prophesy.

The Adventures of Chico(en)

A Mexican boy without young neighbors to play with, befriends a diverse group of desert animals.

Spare My Bones, Coyote!(en)

For the last twelve years, Marisela and Ely, along with the volunteer group The Águilas del Desierto have roamed the US-Mexico desert. Their goal: to seek, find and return to their families the bodies of migrants who died while crossing on foot. This all-consuming calling takes a crushing toll on them, but how could they stop? Spare My Bones, Coyote! follows their work, dedication, and difficult lives they have chosen to live.

Umbrella(zh)

Workers, peasants, soldiers, students and merchants were five groups of Chinese society in the 1950s, after the so-called elimination of the exploited class. Borrowing this concept, the umbrella is taken as the clue to rediscover changes in various social classes after the economic reform, and to analyze the social problems in China. Workers making umbrellas, merchants selling umbrellas, students looking for jobs in the rain. Umbrella is used as a metaphor that can be seen everywhere. As the raindrop, what we see is sometimes clear, sometimes untraceable.