Indwell Extinction of Hawks in Remoteness
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"Lysreisen" is an experimental art film, a visual ode to tunnel lights. Its ethereal beauty and abstract visuals create a poetic journey, exploring the transformative dance of light with a captivating and artistic touch.
Ascendent(en)
A women takes a journey that questions the boundaries of reality and what is an illusion.
Veined(en)
Andrew, a teacher, is attacked while leaving work in a failed mugging which results in him becoming critically injured. While he is bleeding out a Deity appears healing Andrew but this is at a cost.
Dam$els of Luxury(en)
Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.
At Land(en)
A dream-like narrative in which a woman (Deren), is washed up on a beach and goes on a strange journey, a quest for personal identity, encountering other people and other versions of herself.
Sunspots(en)
In SUNSPOTS, several 16mm shots of the sun are layered and superimposed, paired with a soundscape consisting of volcanos, fire, plastic and the audible solar sounds recorded by the Solar and Heliospheric Observatory (SOHO).
Topeng Bramacorah & Media Sosial(id)
HE(en)
HE, the third work in the ongoing collaboration between Rouzbeh Rashidi and actor James Devereaux, is a troubling and mysterious portrait of a suicidal man. Rashidi juxtaposes the lead character’s apparently revealing monologues with scenes and images that layer the film with ambiguity. Its deliberate, hypnotic pace and boldly experimental structure result in an unusual and challenging view of its unsettling subject.
To the day I die (songs of the sea)(en)
A fever dream of the faces of love. Six circles of love. A kind of death and rebirth experienced within each circle. Each song in the short film evokes a realm of what love can feel like to a human being, the metamorphosis through the experience of Love. Faced with the person that was at every metamorphosis, there is a certain death, and certain transformation. We watch her move without words towards salvation.
O Mel é Mais Doce Que o Sangue(pt)
Hades of Limbo(en)
A bleak, cryptic vision of life in contemporary Iran that eschews overt social commentary in favour of a very personal vision of stifled lives. Directed remotely by Rashidi from Ireland over Skype, the making of this unique film reflects the alienation it so compellingly portrays.
Jean Speck (1860-1933)(en)
Little is known of Jean Speck (1860-1933) beyond the fact that he opened Zurich’s first cinema. Rouzbeh Rashidi and Jann Clavadetscher consider the flittering black and white ghosts and shadows that he left in his wake in their phantasmagorical experimental feature film. This journey through a cinematic night probes the very essence of the cinematic image.
Witch's Cradle(en)
The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.
L'île aux robes(fr)
Visual haiku dealing with still and living life, ghosts and revealing light.
Persona non grata(xx)
Mysterious Object at Noon(th)
A camera crew travels through Thailand asking villagers to invent the next chapter of an ever-growing story. A TV-obsessed boxer, a group of schoolkids, a lonely rubber-tree tapper and feuding food vendors all add to a tale that includes witches, tigers, surprise doublings, and impossible reversals.
Womb(en)
in my darkest moment, fetal and weeping, the moon tells me a secret, a confidant As full and bright as I am, this light is not my own and a million light reflections pass over me, the source is bright and endless. She resuscitates the hopeless. Without her, we are lifeless satellites drifting.