Womb
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A fever dream of the faces of love. Six circles of love. A kind of death and rebirth experienced within each circle. Each song in the short film evokes a realm of what love can feel like to a human being, the metamorphosis through the experience of Love. Faced with the person that was at every metamorphosis, there is a certain death, and certain transformation. We watch her move without words towards salvation.
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HE(en)
HE, the third work in the ongoing collaboration between Rouzbeh Rashidi and actor James Devereaux, is a troubling and mysterious portrait of a suicidal man. Rashidi juxtaposes the lead character’s apparently revealing monologues with scenes and images that layer the film with ambiguity. Its deliberate, hypnotic pace and boldly experimental structure result in an unusual and challenging view of its unsettling subject.
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Visual haiku dealing with still and living life, ghosts and revealing light.
The Contact(az)
In search of housing, a student stumbles upon an advertisement for renting an apartment at a very reasonable fee—and promptly agrees with a woman who recently laid her son to rest, complying with all her conditions. The young man settles into the apartment and gradually becomes a witness to inexplicable mystical phenomena.
Mirror(en)
A teenager suffering from an identity crisis struggles to escape something that haunts her as she tries to find herself in this morally blurred and empty world.
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What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.
Closure of Catharsis(en)
A man (James Devereaux) sits on a park bench talking to the camera, trying to weave together a thought that won’t cohere while commenting on passers-by, his ‘guests’… Mysterious images intervene, overturning the serenity of the park-bench monologue. Rouzbeh Rashidi’s feature proves as engaging as it is elusive.
