Frederic Rzewski eats spaghetti at Carlone Via della Luce 55(1967)
The composer Frederic Rzewski ordered a film from Gerd Conradt for his piece “Selfportrait”. The film was supposed to be shown while he was playing his piece of music, he didn't want to be seen. The film shows Frederic Rzewski sitting down at the table in the Trattoria Carlone in the Trastevere district of Rome from a bird's eye view. He orders wine, salad and a portion of spaghetti. We watch as he eats, pays, gets up and walks out of the picture. All in one setting.
Movie: Frederic Rzewski eats spaghetti at Carlone Via della Luce 55
Top 1 Billed Cast
Himself
HomePage
Overview
The composer Frederic Rzewski ordered a film from Gerd Conradt for his piece “Selfportrait”. The film was supposed to be shown while he was playing his piece of music, he didn't want to be seen. The film shows Frederic Rzewski sitting down at the table in the Trattoria Carlone in the Trastevere district of Rome from a bird's eye view. He orders wine, salad and a portion of spaghetti. We watch as he eats, pays, gets up and walks out of the picture. All in one setting.
Release Date
1967-12-29
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
Keywords
Similar Movies
Casual Workers(en)
An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19
Beautifully Derelict(de)
A melancholic look at Mainz's Jubiläumsbrunnen, whose decayed charm is in a state of conflict with other buildings in Mainz.
Projections(en)
The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.
Caught(es)
In this innovative blend of documentary and fiction, Rosa and Paloma, two trans Latina sex workers in Queens, New York, fight transphobic violence, persecution from the police, and defend their cases of trafficking in an increasingly anti-migration political environment in the U.S.
A Stone Story(pt)
Journey to Somewhere(es)
A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)
Three Venus(es)
Love and admiration in 16mm. The fusion a beauty that exists throughout three generations; my three Venus.
Ghost: Rite Here Rite Now(en)
Whether you’re a devoted disciple looking to relive treasured memories of the GHOST live spectacle or among the curious uninitiated, RITE HERE RITE NOW will put you right there: putting your phones down and living in the moment—as a shadow of uncertainty looms—completely spellbound and in the thrall of this bombastic yet intimate cinematic portrait of GHOST.
Outtakes from Jo(en)
Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.
Sweep The Streets(en)
An avant-garde collection of vignettes of street sweepers across Liberty City throughout a day cycle. An ode to workers across the nation and the countless sweat drops across their foreheads.
Toward a Common Tenderness(ja)
Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.
Solitary Eyes(en)
An isolated filmmaker struggles to connect with others in the absence of cameras. When he becomes creatively stuck, the world around him begins to dissolve.
Las Preguntas que Perdimos(es)
All this Roughness(es)
An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
Histoire(s) du Cinéma 1a: All the (Hi)stories(fr)
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
Histoire(s) du Cinéma 2a: Only Cinema(fr)
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
Histoire(s) du Cinéma 2b: Deadly Beauty(fr)
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.