A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
1997-05-07
6.475
A man assists his gravely ill wife to die and wants to face justice for this, but his brothers try everything to keep the family's name clean.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
The Making of Disneyland’s Indiana Jones Adventure introduced the world to the latest Disneyland attraction. The show was hosted by Michael Eisner and included Karen Allen and John Rhys-Davies. Celebrity appearances include George Lucas, Dan Aykroyd, Fran Drescher, and Jodie Sweetin. We also hear from the imaginers that work on Indy, including Tony Baxter.
Thiru, a hired killer, attacks a dreaded gangster with a sickle. However, he is forced to go underground after a man named Kathir witnesses his crime.
Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
Members of the crew recall the post-production process on the three 'Godfather' movies.
A curse borne of torture and isolation comes to life and terrorizes a group of scientists who travel to the Alcatraz Prison to investigate a series of unsolved murders. The very last film ever to be shot on The Rock, prepare to experience the terror yourself inside the prison's haunted and deadly walls!
When L.A.P.D. Lieutenant Rick Callahan is chosen to star in the reality show "Cops on the Beat" producers are disappointed by the routine life in the patrol car. Desperate to make an impression, Callahan pressures his partner to release two small time delinquents, Max and Bush, so that he can single-handedly re-capture them. But things get out of control when Callahan loses his grip on reality and will do anything to give the viewers what they want...
On 20th July 2010, Josh Ritter & the Royal City Band performed a two hour show at the Iveagh Gardens in Dublin spanning Josh's full catalogue. The Iveagh Gardens is a set of beautiful public gardens in Dublin, Ireland. This was the first time there had ever been a rock show there.
Alexandra Michaelson has spent two years on the city streets as a runaway, but she awakens after an accident with no memory of her recent past. Her family welcomes her back, but soon she's visited by a man who claims he's her boyfriend. While trying to rekindle her memory, he tells Alexandra that somewhere she has hidden $100,000 stolen from a dangerous drug dealer.
This, the first completed reel of work-in-progress, draws on autobiographical energies and images which reflect the first 20 years of my living. I have three definitions of the word Sincerity to sustain my working along these lines of thought with this autobiographical material: (1) Ezra Pound's marvelous mistranslation of a Chinese ideogram – Sincerity... the sun's lance coming to rest on the precise spot verbally...(of which I would change, for my purposes, the last word to visually), (2) Robert Creeley's trace-of-the-word for me on the back of a Buffalo restaurant menu Sym-keros... same-growth (Ceres) CREATE... of the same growth, and (3) Hollis Frampton's track-of-it to 'the greek', viz – 'a glazed pot (i. e. one which will hold water).' This film might best be seen, then, as a graph of light equivalent to autobiographical thought process.
An early Josh Becker short starting Bruce Campbell with appearances by Ted Raimi, Sam Raimi and Scott Spiegel.
The history of cinematic sound, told by legendary sound designers and visionary filmmakers.
The history of the peplum genre, known as sword-and-sandal cinema, set in Antiquity, from the silent film era to the present day.
The history of the infamous serial killer known as the ‘zodiac’ in the late 1960s. It takes you through his kill rampage and to the case that still to this day has not been cracked.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.
A detailed history of documentary filmmaking in the US and the UK from 1929 to 1945. The first part, Working for Change, focuses on 1929-1941 and the social movements of the times, The Great Depression, The New Deal, and the awakening of the Leftwing in the UK. The second part, The Strategy of Truth, focuses on 1933-1946 and explores the role of film as propaganda during World War II, and the different forms it took in the US, the UK, and Germany.
A silent succession of black-and-white photographs of the city of Montreal.
47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.
A 60th anniversary retrospective documentary on the influence and context of the 1962 film, To Kill a Mockingbird.
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
“The Talk” showcases the experiences of three LGBTQ+ youth learning about sex health under an inadequate Canadian sex-ed curriculum. Each subject opens up about their knowledge surrounding sexual health, gender identity, the not so honest information they were taught in their classrooms and its impact on their self-image.
Film director and screenwriter Seijun Suzuki (1923-2017), who in the sixties was the great innovator of Japanese cinema; and his collaborator, art director and screenwriter Takeo Kimura (1918-2010), recall how they made their great masterpieces about the Yakuza underworld for the Nikkatsu film company.
A moving account, in his own words, of the personal life and work of the brilliant Czech filmmaker Miloš Forman (1932-2018): his tragic childhood, his major contribution to the cultural movement known as the Czech New Wave, his exile in Paris, his troubled days in New York, his rise to stardom in Hollywood; a complete existence in the service of cinema.
Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.
After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.
Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.
Several behind the scenes aspects of the movie-making business, which results in the enjoyment the movie going public has in going to the theater, are presented. They include: the production of celluloid aka film stock, the materials used in the production of which include cotton and silver; construction crews who build sets including those to look like cities, towns and villages around the world; a visit with Jack Dawn who demonstrates the process of creating a makeup design; the screen testing process, where many an acting hopeful gets his/her start; the work of the candid camera man, the prying eyes behind the movie camera; a visit with Adrian, who designs the clothes worn by many of the stars on screen; and a visit with Herbert Stothart as he conducts his musical score for Conquest (1937). These behind the scenes looks provide the opportunity to get acquainted with the cavalcade of MGM stars and their productions that will grace the silver screen in the 1937/38 movie season.