Missivas(2021)

Rush in Rio(en)

Legendary rock band Rush plays the Maracana Stadium in Rio de Janeiro, Brazil, on the final night of the band's 2002 Vapor Trails tour, in front of 40,000 fans.

O Retorno da Terra Tupinambá(pt)

When the Mountains Tremble(es)

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

Conversations with Turiansky(es)

Biographical portrait of the labor movement and left wing movement in Uruguay, "Conversations with Turiansky" combines two stories. The first portrays the son of immigrants, the engineer passionate about the mystery of electricity, the man in love, the movie buff. The other places the protagonist in his time: union struggles, the advance of authoritarianism, prison and the challenges of the present. In both are present the lucidity, commitment, discreet tenderness and humor of Wladimir Turiansky.

Adriana's Pact(es)

Lissette's favorite aunt Adriana, who lives in Australia, is arrested in 2007 while visiting her family in Chile and accused of having worked for dictator Pinochet's notorious secret police, the DINA, and of having participated in the commission of state crimes. When Adriana denies these accusations, Lissette begins to investigate her story in order to film a documentary about her.

Stories Our Cinema Did (Not) Tell(pt)

Filled with raunchy laughs, this documentary compiles outrageous scenes from sex-comedies that shaped Brazil's "pornochanchada" boom of the 1970s.

Você Também Pode Dar um Presunto Legal(pt)

Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.

Trabantem až na konec světa(cs)

Mario y los perros(es)

An account of the childhood and youth of the Peruvian writer Mario Vargas Llosa, Nobel Prize for Literature in 2010, and how the hard experiences he lived during these formative years led him to write and publish his first major work when he was only 26 years old.

Doces Relatos(pt)

The Pig and the Society(pt)

"The Pig and the Society," symbolizes the stark contrast between the excesses of wealth and the plight of those left behind. It invites viewers to reflect on their perceptions and prejudices, challenging them to see beyond the surface and understand the systemic issues perpetuating homelessness.

The Money Lenders(en)

Critical investigation of The World Bank and IMF. Too hot for PBS, but prime time TV everywhere else. Do the World Bank and IMF make the poor even poorer? Are the Bank and IMF democratic institutions? Why do people demonstrate against the Bank and IMF? For the first time, a documentary global investigation of major criticisms of the World Bank and the International Monetary Fund (IMF), two of the most powerful financial institutions in the world. Five country case studies are presented, each concentrating on a different aspect of critics' charges: 1. Bolivia: Debt, Drugs and Democracy 2. Ghana: The Model of Success 3. Brazil: Debt, Damage and Politics 4. Thailand: Dams and Dislocation 5. Philippines: The Debt Fighters. The charges, including those related to structural adjustment, are controversial and provocative. Some go to the heart of the power and policies of these institutions.

Brasilianische Protokolle(de)

In northeastern Brazil, day laborers and peasants flee from the arbitrariness of the big landowners to the big cities. The film team accompanies them on this journey full of misery and hopelessness.

Brasilianische Protokolle 2(de)

Documentary film about a slum community on the outskirts of Recife, a major city in northeastern Brazil. A portrait of life in extreme poverty and lawlessness: men without work, hopeless women, hungry and sick children.

The Bowmakers(en)

This documentary film explores the world of the bow and the extraordinary masters who make them. The bow is the Cinderella of the orchestra—the overworked and overshadowed ally to its more glamorous partners. Few people, even among lovers of classical music, think of the bow as an instrument in its own right, but players of stringed instruments see them differently. To musicians, the bow is as essential to expressing the soul of the music as the violin or cello. The film follows the journey of the “silent servant” of the music world—from the workshops of the virtuosos of the trade, to the birthplace of the bow in France, and to Brazil, home to the imperiled tree from which the world’s finest bows are made.

An Invisible Victim: The Eliza Samudio Case(pt)

A star goalkeeper threatens a woman who is pregnant with his child. Her pleas for help go unanswered in the shadow of his fame — then tragedy strikes.

Othelo The Great(pt)

A beautifully told story using archival footage to explore the life of Grande Otelo, a groundbreaking Black Brazilian actor. Overcoming poverty and racism, he built a stellar career, facing controversy yet using it to challenge prejudice.

Freedom of Inês Etienne Romeu(pt)

August 29, 1979, Talavera Bruce Penal Institute, Bangu, Rio de Janeiro. After serving eight years in prison, Inês Etienne Romeu, the only survivor of the "House of Death" in Petrópolis and the first political prisoner sentenced to life in prison in Brazil, left prison benefiting from Amnesty. Norma Bengell filmed this moment: from the prison door to her home with her family, Inês was welcomed by family, friends and members of the Brazilian Amnesty Committee, in what marked the first act of the historic denunciation that Inês would carry out against her tormentors and the Military Regime.

La parte por el todo(es)

Viva o Cinema! Uma História da Mostra de São Paulo(pt)

The series tells the story of the São Paulo International Film Festival, one of the most traditional cultural events in Latin America. For 48 years, the festival has showcased hundreds of films from all over the world, bringing vibrancy to the city. Filmmaker Marina Person provides an irreverent perspective, highlighting the exciting and unusual stories that have marked the festival’s journey of resistance. The series reveals the individuals who have embraced the challenge of organizing this significant cultural event in Brazil every year, despite often challenging conditions. We also delves into how the Mostra has grown to become one of the main festivals globally, shedding light on the changes in cinema, Brazil, and the world over the years.