The showman of 20th century choreography, Maurice Béjart, stages his distinctive rendering of the beloved Christmas ballet "The Nutcracker" using Tchaikovsky's entire score, supplemented with waltz and accordion music performed onstage by the renowned Yvette Horner. Béjart uses the original St. Petersburg tale as a launching point from which to evoke the recollections and feelings of his life's journey from childhood.
Bim
Elle
Petipa/Mephisto
Felix the Cat
Sugar Plum/Grand pas de deux
The showman of 20th century choreography, Maurice Béjart, stages his distinctive rendering of the beloved Christmas ballet "The Nutcracker" using Tchaikovsky's entire score, supplemented with waltz and accordion music performed onstage by the renowned Yvette Horner. Béjart uses the original St. Petersburg tale as a launching point from which to evoke the recollections and feelings of his life's journey from childhood.
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Giselle is the quintessential Romantic ballet. Its title role, one of the most technically demanding and emotionally challenging in the classical repertory, is here danced by Alina Cojocaru, partnered by Johan Kobborg as Count Albrecht. This tale of the transcendental power of love over death is evocatively portrayed through Peter Wrights sensitive staging and John Macfarlanes designs, which beautifully contrast the human and supernatural worlds mastered from a High Definition recording and true surround sound. Conductor : Boris Gruzin Orchestra : The Orchestra of the Royal Opera House
The Nutcracker is Mikhail Baryshnikov's breathtaking and critcally acclaimed Emmy nominated production. The thisspectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both chowcased at the peak of the their careers, with members of the American Ballet Theatre.
At Mr. Rad's Warehouse, the best hip-hop crews in Los Angeles compete for money and respect. But when a suburban crew crashes the party, stealing their dancers — and their moves — two warring friends have to pull together to represent the street.
The Royal Ballet presents the world premiere of Cathy Marston's first work for the Company on the Main Stage alongside a revival of Jerome Robbins’s timeless classic of pure dance. The Cellist is a one-act ballet about British cellist Jacqueline du Pré, from her discovery of the cello through her celebrity as one of the most extraordinary players of the instrument to her frustration and struggle with multiple sclerosis. Jerome Robbins's Dances at a Gathering is a fluid exercise in pure dance for five couples, set to piano music by Fryderyk Chopin.
To speak of that ballet is very difficult because the theme is so popular as a fairy tale, adapted by Perrault from German folklore and then recuperated from the same folklore by the Grimm brothers, and what's more turned into an unforgettable film by Walt Disney. Angelin Preljocaj was thus trying to break a mould in which that character and her story had been cast seemingly for ever. And it is a success. Because first the setting, the stage direction are very interesting and rich. Rich are the costumes. Rich are the main ideas of the setting like the enormous magic mirror coming down from the sky, or like the deep underground mine turned into a vertical surface on which the seven dwarfs are dancing like dragon-flies on their strings.
An aspiring DJ, from the South Bronx, and his best friend, a promoter, try to get into show business by exposing people to hip-hop music and culture.
The ballroom dancing the world recognizes today is competitive ballroom dance, sometimes known as dancesport. It is comprised of ten dances, which can all be danced in “closed ballroom” hold. The style danced in BURN THE FLOOR is called “international style” and has been danced in competition since 1920. International style ballroom dance consists of ten dances, split into five Latin American dances and five ballroom dances (standard). Each BURN THE FLOOR dancer has spent a lifetime training to compete against other dance couples. This show allows the dancers to demonstrate their love and passion for their art.
A small-town shoemaker with a knack for spinning yarns, Hans encounters happiness and heartbreak on his road to becoming a full-fledged writer.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
Young Cuban Rafael just buried his mother, and comes to Houston to meet his father John for the first time. The difficult part is that John doesn't know he is Rafael's father. John runs a dance studio, and everyone prepares for the World Open Dance championship in Las Vegas. It soon becomes clear Rafael is a very good dancer, and Ruby is the biggest hope for the studio at the championship.
The wicked fairy Carabosse is furious she wasn’t invited to Princess Aurora’s christening. She gives the baby a spindle, saying that one day the Princess will prick her finger on it and die. The Lilac Fairy makes her own christening gift a softening of Carabosse’s curse: Aurora will not die, but will fall into a deep sleep, which only a prince’s kiss will break. The masterful 19th-century choreography of Marius Petipa is combined with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. Recorded live as part of the Royal Opera House Live Cinema Season 2019/20 with encore screenings broadcast online during the #OurHousetoYourHouse programme.
When rebellious street dancer Andie lands at the elite Maryland School of the Arts, she finds herself fighting to fit in while also trying to hold onto her old life. When she joins forces with the schools hottest dancer, Chase, to form a crew of classmate outcasts to compete in Baltimore s underground dance battle The Streets.
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
Ryan and Kevin and their crew from Los Angeles are hired by U.S. Interpol to be matched up against the notorious Gambler Crew from South Korea, known to the b-boy world as the best of the best. Their mission is to gather information about Tony Kai, an "ex yakuza" member who controls the Asian underworld in the United States. Tony Kai is in South Korea planning a worldwide monopoly on drugs, sex, and gambling. Ryan and Kevin struggle as they go deeper into the Asian underworld. Ryan falls for a beautiful Korean girl named Esther who happens to be the sister of "Kicker", the leader of the mafia-run Gamblers crew. Their love is put to the test as the rivalry between the two crews escalate. As reality sets in, the crew from LA is no match against the world champion Gamblers crew in the Mach 1 competition. Ryan, Kevin and the crew go into hiding where they meet an underground b-boy legend...
Inspirational true story of Iranian dancer Afshin Ghaffarian, who risked his life for his dream to become a dancer despite a nationwide dancing ban.
This all-time ballet favourite, in which young Clara is swept into a fantasy adventure when one of her Christmas presents comes to life, is at its most enchanting in Peter Wright's glorious production.
During a Christmas Eve party and a young girl, Clara, being given a nutcracker doll by her godfather, Drosselmeyer. Later in the evening when Clara sleeps, she finds herself in the midst of the Nutcracker’s battle against the Mouse King and his army of mice. Coming to Clara’s aid, the Nutcracker is transformed into a Prince and journeys with her to an enchanted island where spectacular celebrations are held in their honor. Pre-recorded at the Mariinsky Theatre in St. Petersburg in December 2011, Wassili Vainonen’s version of the beloved holiday ballet is for the first time in 3-D in select theaters.
Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with an up and coming dancer, Nora.
After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.