La Fille mal gardée

Young Men(en)

Fields of France, during the First World War. A group of young soldiers, united by the indiscriminate brutality of battle, fights to maintain their humanity in an endless cycle of combat and death.

Song of the Swan(en)

A vivid dream exploration of Moira Shearer's heart and mind, just before and after she agreed to star in Powell and Pressburger's beloved cinema classic "The Red Shoes", a decision that would change her life forever. Celebrating the original film but also shining a light on the uncanny parallels between Moira Shearer and her tragic alter ego Victoria Page. Revealing a complex and defiant young woman who ultimately chose life over fame.

Большой балет: Пиковая дама/Пассакалья(ru)

Pique Dame (or "The Queen of Spades") inspired by Alexander Pushkin, set to a music by Tchaikovsky; Passacaglia (or "Passacaille") set to a music by Anton Webern: two Roland Petit masterpieces brought together on one memorable evening at the Bolshoi Theater of Moscow. Recorded live, 19th of May 2005.

Matthew Bourne's Sleeping Beauty: A Gothic Romance(en)

Matthew Bourne choreographs this version of Tchaikovsky's ballet performed at Sadler's Wells Theatre. Bourne sets the first part of the story in 1890, the year in which Tchaikovsky completed his version of Charles Perrault's classic fairy tale, with Beauty pricking herself on the poisoned rose in 1911 and awakening 100 years later in the contemporary world.

Dreams of Giverny(en)

Dreams of Giverny is a modern day ghost story told through the art of classical ballet and set in the gardens of Impressionist painter Claude Monet in Giverny, France. This short tells the tale of a young woman who upon reflection at the beauty of Monet’s water lily pond, slips into a daydream where she finds herself wearing pointe shoes and able to dance exquisitely. During this reverie she encounters a ghost like girl who guides her through the gardens, encouraging her to express her joy at the wonder of such a place through dance. By the end of their journey we are left to ponder whether this was in fact a dream or a magical ghostly encounter?

The Nutcracker(en)

The Nutcracker is Mikhail Baryshnikov's breathtaking and critcally acclaimed Emmy nominated production. The thisspectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both chowcased at the peak of the their careers, with members of the American Ballet Theatre.

The Coronation Concert(en)

Take That, Lionel Richie, Katy Perry, Andrea Bocelli, Sir Bryn Terfel, Freya Ridings and many more perform live from Windsor Castle in celebration of Their Majesties' coronation.

Bolshoi Ballet: La Sylphide(en)

On the day of his wedding, the young Scotsman James is awoken with a kiss from an ethereal winged creature, a Sylph. Entranced by her beauty, James risks everything to pursue an unattainable love… La Sylphide is not only the oldest of the classical ballets, but it also marks the start of dancing on pointe. The Bolshoi Theatre and Bolshoi Ballet in Cinema showcase Johan Kobborg’s production, which conveys the spirit of the ballet in this romantic tale. Anastasia Stashkevich appears as Sylph and Semyon Chudin as James.

Romeo and Juliet(en)

Ballet performance by The Royal Ballet, recorded at Covent Garden, London, United Kingdom, July 1984.

The Nutcracker & the Mouse King(en)

Going to see Nutcracker with the whole family has been a tradition in other countries for many years. Now it is a tradition in the Netherlands as well. It became apparent that the Netherlands had also adopted this tradition in 1996, when the Dutch National Ballet presented its own version of the famous fairytale ballet. It is a magical production that has won the hearts of more than 250,000 people to date. Choreographers Toer van Schayk and Wayne Eagling created a Nutcracker for the children and adults of today. It is more dynamic and exciting, and less sweet than usual. They also chose to give a Dutch twist to their interpretation of the story, with skaters on the canals and a living room that transforms into a snowy forest. Unlike the original story, the production by Eagling and Van Schayk (who also designed the delightful sets and costumes) does not take place on Christmas Eve in a German town, but during St. Nicholas celebrations in Amsterdam, around 1810.

Bizet: Carmen(en)

With the Australian Opera and Ballet Orchestra and conductor Brian Castles-Onion, a gritty set design, sumptuous bold costumes, stunning choreography, and the inestimable direction of Gale Edwards and Bizet's glorious opera is brought to life like never before in this second Handa Opera on Sydney Harbour.

The Robber Bridegroom(en)

In a small Southern town, a plantation owner is duped into thinking a thief is a kind stranger. To repay the stranger for stopping a robbery, the plantation owner invites him to his home to meet his daughter.

Tights Worship: Inside the Practices of The Rita(en)

The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).

Aria(en)

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.

Matthew Bourne's Swan Lake(en)

Matthew Bourne’s Swan Lake comes to cinemas with a fresh look for the 21st century and is ‘as bold and beautiful as ever’ (★★★★★ Telegraph). This thrilling, audacious and witty production is perhaps still best known for replacing the female corps-de-ballet with a menacing male ensemble, which shattered convention, turned tradition upside down and took the dance world by storm. Filmed Live at Sadler's Wells in January 2019.

Bolshoi Ballet: Coppélia(en)

Swanhilda notices her fiancee Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppélia is not what she seems and Swanhilda decides to teach Franz a lesson… The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancee with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.

The Butterflies of Love(en)

Two musical stars from the golden age of Hollywood get a second chance at rekindling their love in the modern world.

Giselle(en)

The peasant girl Giselle discovers the true identity of her lover Albrecht – and that he is promised to another. This is one of The Royal Ballet’s most loved and admired productions, faithful to the spirit of the 1841 original yet always fresh at each revival. This performance features former Bolshoi star and now Royal Ballet Principal Natalia Osipova in a breath-taking interpretation of the title role.

Le lac des cygnes au théâtre national de Chaillot(fr)

Giselle(en)

Giselle is the quintessential Romantic ballet. Its title role, one of the most technically demanding and emotionally challenging in the classical repertory, is here danced by Alina Cojocaru, partnered by Johan Kobborg as Count Albrecht. This tale of the transcendental power of love over death is evocatively portrayed through Peter Wright’s sensitive staging and John Macfarlane’s designs, which beautifully contrast the human and supernatural worlds – mastered from a High Definition recording and true surround sound. Conductor : Boris Gruzin Orchestra : The Orchestra of the Royal Opera House