This film begins with a Nepalese person named Minu who sings “Tears of Mokpo”. He came to Korea for a living in this 20s and made the band “Stop Crackdown” known for expressing the lives of migrant laborers through song. But being an illegal alien, he is deported after 18 years.
This film begins with a Nepalese person named Minu who sings “Tears of Mokpo”. He came to Korea for a living in this 20s and made the band “Stop Crackdown” known for expressing the lives of migrant laborers through song. But being an illegal alien, he is deported after 18 years.
2020-05-27
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Over the course of a decade Brooks, Alberta, transformed from a socially conservative, primarily white town to one of the most diverse places in Canada as immigrants and refugees flocked to find jobs at the Lakeside Packers slaughterhouse. This film is a portrait of those people working together and adapting to change through the first-ever strike at Lakeside.
Parents and children are reunited after 13 years apart. This is the starting point of the film, which follows the process of affective reconstruction of director Marcos Yoshi's family, crossed by the flow of migrations between Brazil and Japan, known as the dekassegui phenomenon. The story of a family of Japanese descent torn between the need to make a living and the desire to stay together.
A Nepali mountaineer risks everything on a record-breaking Mount Everest climb to secure a brighter future for her daughters.
Reserved by Citroën for immigrant workers, the Aulnay-sous-Bois factory experienced its first strike in 1982. Thirty years later, it's the turn of a new generation to join the fight. Worthy heirs of their parents, the workers revive a forgotten memory and offer a unique perspective on the history of contemporary France. Matteo Severi's film mirrors these two social struggles, led by workers from immigrant backgrounds.
Ali in Wonderland unveils the condition of immigrant workers in Paris in the 1970s. It is a cry of anger against exploitation and racism, uncompromisingly raising the role of the French state, the media, capitalism, and colonization in this system of domination that crushes those who suffer it. In this experimental essay on the condition of Algerian migrants in Giscard's France in the mid-1970s, every aesthetic choice has a precise and legible political motivation and gives body and voice to a figure completely absent from the experimental cinema of the time: that of the immigrant worker. Abouda is one of the children of immigrants seen in the film, and not a simple activist serving a cause, which is why the emotion of her experimental gesture, which she throws in the viewer's face, springs from a ferocity inscribed in her body, from an insatiable anger that inhabits her gaze.
This short documentary chronicles the culture and arts of Cambodian Americans and the Lowell, MA community through the eyes of Sokhary Chau, the first Cambodian American Mayor in the United States. Chau immigrated to the U.S. at seven years old to escape the Khmer Rouge genocide. Through this unique story that showcases the best of Lowell—immigrant success, assimilation, history, and the development of the arts—we see a man born into a war-torn country who comes to America to be a first-in-the-nation leader.
A social justice organization based in Oakland-Asian Immigrant Women Advocates-focused on building the collective leadership of limited-English speaking immigrants, and empowered women and youth to become powerful agents of social change.
On a Summer afternoon, Pedro packs the last few boxes before having to leave his apartment in New York. 12 years ago, Pedro and Ana had arrived in America from Portugal, in search of a dream. Now, Ana's voice describes, from the other side of the ocean, that same country to which they are returning. As the rooms are emptied, Pedro bids farewell to one life, welcoming another. But the dream that brought him will remain forever in the city that never sleeps, awaiting his return.
For decades, migrant workers have worked the fields of Immokalee, harvesting tomatoes, peppers, eggplants, oranges and other produce that is then shipped across the United States of America. Many of the workers are undocumented, and attempting to keep their jobs even as federal migration crackdowns hover over the town. The Fields of Immokalee film follows the daily lives of tomato workers, from the 5:00am trips to the parking lot in hopes of finding day labor, to work sessions in the scorching mid-day heat, to child detention centers for migrant youth that have been separated from their families. Via these vignettes, the film offers insight into the most volatile political issue of our time.
Ningwasum follows two time travellers Miksam and Mingsoma, played by Subin Limbu and Shanta Nepali respectively, in the Himalayas weaving indigenous folk stories, culture, climate change and science fiction.
This feature length documentary tells the story of three Latino wine makers in California's Napa Valley. From their humble beginnings as immigrant laborers working the grape harvests in California, to their now formidable positions as wine makers and wine consultants, they are witnesses to the new era of the American dream. Journey from their homes in Mexico, to immigrants working the fields of Napa, to success in the highly competitive industry of wine making. It is not just the story of immigrants or wine makers, it is a story of the pursuit of a dream.
Work. Eat. Sleep. And back to work. For a long time skippers in the North East of Scotland could not find locals to work on their fishing vessels. That was until Filipino fishermen started coming to town for work. Both nationalities strive to shorten the distance between two very different worlds.
A Latinx immigrant mother makes waves with a historic campaign to end the sharing of the Philadelphia police database with ICE.
The Italian children who grew up in Switzerland between 1950 and 1970 were considered illegal. The law allowed guest workers to work, but not to raise their children here. Many seasonal workers defied the legislation because they wanted to keep their family together. Their children, who now live well integrated in Switzerland, look back on the difficult time of their childhood.
The Three Cousins is a comedy-drama by René Vautier released in 1970 about the living conditions of three Algerian immigrant cousins looking for work in Paris. Housed in a narrow construction shed, the coal stove will cause them to suffocate. The Three Cousins won the Best Human Rights Film Award in Strasbourg in 1970.
When a mysterious corpse is found in a river, a distressed police officer delves into a string of grisly murders as danger quickly approaches.
When Dolores, an undocumented immigrant who lives alone, discovers $3 million in cash, her life takes a sudden and unexpected turn.
In the middle of the Algerian war, Elise, from Bordeaux, “goes” to Paris to join her brother to earn her living in an automobile factory. There she meets Arezki, an Algerian nationalist activist with whom she falls in love. A chronicle of working life at the time and which highlights the extent of police repression against Algerians.
The story of four young people, ShinAe Ahn who is transgender, and three others, pan-sexual, gay, and lesbian respectively, who are fed up with the oppressive and authoritarian conservative government and its influence on the country. ShinAe Ahn decides to run for the office of prime minister, with the help of her friends and supporters. She meets a lot of caring people, and also a lot of haters. The current Prime Minister is not at all tolerant of the LGBTQIA+ community and is trying his hardest to stop any party that does not follow the orders of the conservative government from running without any logical reason to do so. That creates a political divide within the country, as politicians will attack anyone who is and/or who acts differently, or who stands up for people/themselves who they personally don't like. This story however is being told after the fact, a few years after the election, when ShinAe won as prime minister.
A construction worker on a construction site in the Paris suburbs, Mehdi takes the bus to return home after work. Wishing to get off while the vehicle is stationary in a traffic jam, the driver refuses: while restarting, the bus hits the car in front of it. The bus driver attacks Mehdi whom he holds responsible for the incident, claiming that it is forbidden to “talk to the stagehand”. Mehdi is implicated in court and his lawyer tries to draw attention to the living conditions of immigrant workers.