The Ring Cycle: Siegfried(1992)

Insane Fight Club(en)

A group of friends have created a brand new subculture that is taking over the streets of Glasgow. They've established their very own fight club, but this is no ordinary wrestling event - this is brutal, riotous chaos. Fights don't always stay inside the ring, people are bounced off the side of buses and thrown off balconies in pubs. They now plan the biggest show of their lives. The stakes are high, will it bring them the fame and recognition they need to survive?

Arika A.(en)

“Even in hell, I would still paint.” Dimitris Andrianopoulos paints relentlessly. However, he refuses to sell his artwork, he doesn’t exhibit and he signs his wife’s name. On his 79th birthday he agrees to open up the door to his painting and share his art and thoughts in a documentary film. Over a period of 12 months, the camera records the microcosm of his colors and his life. The film follows his wanderings in search of answers regarding the relationship between the artist and his work, the difficulty of parting with his works, the mystery of inspiration and the unfathomable influence of the unknown

Box(en)

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

Six Bridges to Cross(en)

Follow the evolution of a small time juvenile delinquent hood to a big time racketeer. Based on the famous 1950 Brinks Robbery in Boston that netted the crooks $2.5 million. The story delves into the psychology of the perpetrators, as well as the intricate mechanics of the hold-up.

Keppel Road: The Life and Music of the Bee Gees(en)

This documentary traces the lives of Gibb brothers and takes a look through their memories, creating some of the greatest hits in the world as the Bee Gees. Including interviews, archive footage, and new versions of classic songs - all recorded in the lead up to the release of their 'Still Waters' album in 1997.

I Love You Jet Li(en)

Taking us into what for Mark Augé is the ultimate non-place - an airport waiting lounge - Stacy Hardy and Jaco Bouwer provide still more proof of supermodernity's failure to do away with organic social life. Granted, the space we enter with them is not one of healthy connections between human beings encountering each other in a functional polis. Clearly, theirs is a world of radical disconnects. At the same time, however, it is a world in which people invent highly idiosyncratic lives for themselves - if there is one thing missing here it is precisely uniformity - and in which imaginaries go haywire. Indubitably, the Hardy/Bouwer airport lounge is a dystopian space and this space, it seems fair to say, functions as a synecdoche for a larger social condition. But dystopia here stands in radical opposition to uniformity and it is determined to break the mold of late capitalist habitus (Dominique Malaquais, SPARCK).

Top Gear: The Worst Car In the History of the World(en)

Jeremy Clarkson and James May travel to the North of England to name and shame some of the worst cars in history, from manufacturers who "should have known better".

Today(ru)

A visual composition of the world.

Matrix(en)

Abstract art film made for gallery exhibition.

The Chasing World(ja)

A teenager is transported to a parallel world where everyone who shares his family name is being hunted down by the dictatorial government.

Girl & Chocolate - Pretty Sweet(en)

This is an epic tale of two gangs, like The Jets and The Sharks. But Girl and Chocolate aren't even gangs. Some of them act tough and some of them act like babies. But they are even more unlike the Jets and The Sharks in that they aren't even battling each other for territory. They really don't know what the hell they are doing. They don't have a feud, most of them really like each other so that is another thing they don't have in common with the Jets and the Sharks. What they do have in common with The Jets and The Sharks is they love to dance. And when I say dance, I mean SKATE. And when I say SKATE, I mean really good. From the directors that brought you Mouse, Yeah Right and Fully Flared, another chapter in this tale with no plot, no ending but beautiful inner battles acted out on a little board with wheels.

Lamb(en)

Lamb, based on the novel by Bonnie Nadzam, traces the self-discovery of David Lamb in the weeks following the disintegration of his marriage and the death of his father. Hoping to regain some faith in his own goodness, he turns his attention to Tommie, an awkward and unpopular eleven-year-old girl. Lamb is convinced that he can help her avoid a destiny of apathy and emptiness, and takes Tommie for a road trip from Chicago to the Rockies, planning to initiate her into the beauty of the mountain wilderness. The journey shakes them in ways neither expects.

Jasper: Journey to the End of the World(de)

Between the icy South Pole and a colorful sea-port, plays the adventure of the penguin brothers Jasper and Junior, who, with the help of 9 year old Emma, retrieve the eggs of a threatened parrot species from the evil Dr. Block.

Dark Parasite(es)

After a Robbery at a jewelry story, a group of robbers takes refuge with a host in a shabby apartment building in the suburbs. But they don't know that in the basement hides an obscure alien creature with telepathic powers.

I Neraida Kai to Palikari(el)

Fourtounakis’ daughter, Katerinio, is forced to get engaged with a brutal Cretan, Skandalakis. But the return of Manousos Vrontakis from Athens and his flirtation with the girl leads to a great romance, without them knowing that they belong to families who are longstanding enemies.

Palestinian Women(fr)

From Jerusalem to Haifa, stopping by Acre, Bethlehem and Ramallah, we travel across Israel and the West Bank to meet with Palestinian women shaping the cultural landscape. They are artists, chefs, performers, entrepreneurs, designers... and they tell us about their life, culture and identity in a divided and much disputed territory. The documentary features how these young women reinvent today their political and cultural battles.

Catch Me If You Can: Behind the Camera(en)

A behind-the-scenes look at the making of Stephen Spielberg's "Catch Me If You Can."

Al Borde(es)

During a couple of days, different extreme situations lead the characters to discover that human relationships is what keep us on foot when we are about to fall: the love of a father towards his son choices, the unconditional love of a friend, the homefeeling of a neighbour who's almost part of the family. On the edge explores those extreme experiences that confront us with our prejudgments, exposing them and giving them a new meaning.

Over(nl)

"The love between Thomas and Emma is in decline. Thomas is gripped by the fear of losing her when Emma decides to go abroad for a few months. His inability to deal with this takes him to a dark place, far removed from reality until on the evening of her farewell party he threatens to screw up their relationship." (KeyFilm, 2012)

Manon Lescaut(it)

The story of the star crossed love between Manon Lescaut and Des Grieux.

Handel: Alcina(en)

Philippe Jaroussky as Ruggiero is in thrall to Patricia Petibon as the sorceress Alcina in Katie Mitchell’s virtuosic production of Handel’s opera from the 2015 Aix-en-Provence Festival, described by Bachtrack as “a night of a thousand delights”. Conducted by Andrea Marcon, this was, in the words of Opera News, “musically … a performance of the highest festival level”. The production of Alcina, by the British director Katie Mitchell, was welcomed by the Financial Times as “meticulously executed …, rich in detail, consummately polished”. As the New York Times wrote: “It involves a huge sorcery machine for turning people into animals (or whatever). And Ms. Mitchell works magic of her own onstage, constantly showing the enchantresses Alcina and Morgana alternating between glamorous public personas and their ‘real life’, older, private selves …There are also bits of simulated sex, mingling genders and suggesting, among other things, inventive new ways to hit high notes.”

Britten Death in Venice(en)

Britten's last opera, in two acts, presented by Teatro Real.

Gianni Schicchi(it)

When the rich and powerful Buoso Donati dies, his family's excitement about his estate is infinitely greater than their sorrow over his loss. They start searching for his will like a flock of hungry vultures. Apparently Donati has bequeathed everything to a monastery. There is absolutely no way they will allow this to happen. They search any means to seize the fortune. Rinuccia, the youngest scion of the family, suggests asking Gianni Schicchi, the father of her lover, for advice. They shudder at the mention of his name, but Gianni Schicchi is already on his way and proves to be a man with ideas.

The Metropolitan Opera: The Tempest(en)

Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last play, in Robert Lepage’s brilliantly inventive production. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion the course of events. Rising Met stars Isabel Leonard and Alek Shrader are the young lovers, Miranda and Ferdinand, Alan Oke sings the sinister Caliban, and Audrey Luna gives a memorable performance as the sprite Ariel.

The Metropolitan Opera: Cavalleria Rusticana & Pagliacci(it)

Director David McVicar’s new production brings opera’s favorite double bill to new life, setting the two operas in the same Sicilian setting, separated by two generations. Marcelo Álvarez takes on the rare feat of singing both leading tenor roles. In Cavalleria, he is Turiddu, the young man who abandons Santuzza (Eva-Maria Westbroek) in his pursuit of the married Lola (Ginger Costa-Jackson)—and ends up being killed in a duel with her husband, Alfio (George Gagnidze). In Pagliacci, Álvarez is Canio, the leader of a traveling vaudeville troupe. Patricia Racette sings Nedda, his unfaithful young wife, whose plans to run away with her lover are foiled by her spurned admirer Tonio (George Gagnidze)—with equally tragic consequences. Met Principal Conductor Fabio Luisi is on the podium.

Berg: Lulu(en)

Since its premiere on 2 June 1937 in Zurich, Alban Berg's second opera "Lulu" has the reputation of being surrounded by scandals. On the one hand, this is due to the dubious character of the subject, the man-eating femme fatale, which Berg had taken from Frank Wedekind's two Lulu tragedies – "The Earth Spirit" and "Pandora's Box" – and combined into one opera libretto. On the other hand, Berg's window had (for personal reasons) repeatedly refused to have the opera completed, which was unfinished when Berg died. This video is of the unfinished two-act torso of "Lulu."

The Phantom of the Opera(en)

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Macbeth(it)

This hard-edged postmodern production of Giuseppe Verdi's haunting masterpiece brings the story of Shakespeare's bloody tragedy to vivid life, characterized by spine-tingling atmospherics and a triumphant debut by American baritone Thomas Hampson in the title role. This Zurich Opera House production also features a mesmerizing turn by Paoletta Marrocu as the beautiful, power-hungry Lady Macbeth, while striking sets and costumes further enhance the duality of the main character whose rise and fall mirror the darkest impulses of man. Replete with supernatural mystery, sexual tension, and violent power plays, this timeless story remains gripping and chilling for today's audiences and boasts some of the most astonishing music of Verdi's legendary body of work.

Verdi Macbeth Chailly(it)

Claude D'Anna's film of Verdi's Macbeth is a gloomy affair, stressing the descent into madness of the principal villains. It's acted by the singers of the Decca recording of the opera (with two substitutions of actors standing in for singers) and the lip-synching is generally unobtrusive. The musical performance is superb, conducted by Riccardo Chailly with admirable fire, and sung by some of the leading lights of the opera stages of the 1980s. Shirley Verrett virtually owned the role of Lady Macbeth at the time, and she delivers a terrific performance, the voice equal to the role's wide register leaps and it's suffused with emotion, whether urging her husband on to murder or maddened by guilt in the Sleepwalking Scene. Leo Nucci's resonant Macbeth may lack the ultimate in vocal color and steadiness (his last notes of the great aria Pietà, rispetto, amore are wobbly) but he compensates with intensity in both singing and acting.

La Traviata(en)

A collaboration between award-winning American filmmaker Sofia Coppola and Italia haute couture king Valentino comes in the form of a revival of Giuseppe Verdi's classic opera, La Traviata. Captured live from the Teatro dell'Opera di Roma.

Verdi: La Traviata(ru)

Giuseppe Verdi based his famous opera on the novel “The Lady of the Camellias” by Alexandre Dumas. Robert Wilson’s production of Violetta Valéry’s tragic fate is his first work at the State Theater of Linz, Austria, one of the most modern operatic stages in Europe by architect Terry Pawson. After the run in Linz, the production was transferred to the Opera House in Perm, Russia, where the production was conducted by Teodor Currentzis. In 2017, the work received a “Golden Mask”, the most prestigious Russian theater award, in three categories (Teodor Currentzis, Best Conductor; Nadezhda Pavlova, Best Female Singer; Robert Wilson, Best Lighting Design).

Teatro alla Scala: Joan of Arc(it)

"Giovanna d'Arco; ossia, la pulzella d'Orléans" is an operatic dramma lirico with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The opera partly reflects the story of Joan of Arc and is based on a play by Friedrich von Schiller, although claimed by the librettist to be "an entirely original Italian drama." If the thought of Anna Netrebko strutting her stuff in a suit of armour and tin hat sets your factor tingling then this is a must. It's an inconsistent opera but has some quite wonderful music along the way. The rest of the cast is good and the production won't offend either. Get it for Ms Netrebko's incredible performance alone.

Eugene Onegin(ru)

A filmed version of Tchaikovsky's opera. Onegin visits a friend, his fiancee and her sister Tatiana, who believes Onegin is her fated love. She writes a note telling him so, but he rejects her. Years later he returns, finding her married, but now he's smitten with her.

Mozart: La clemenza di Tito(it)

How do we live together in an age of conflict? How do you heal a divided and angry people? In their 2017 production of Mozart’s La clemenza di Tito, Peter Sellars and Teodor Currentzis examine these questions through the story of a warrior-emperor who brings peace to his divided land and pardons his own would-be assassins. Written under a time crunch (legend has it that it was written in only 18 days, although it is likely an exaggeration) during the last year of Mozart’s life, the opera is based on a libretto written more than half a century earlier by Pietro Metastasio. It was commissioned for the coronation of Leopold II as King of Bohemia, and received its first public performance at the Estates Theatre in Prague on September 6, 1791.

Norma(en)

Gaul has been conquered by the Romans. Oroveso, the Arch-Druid longs to lead a Gallic rebellion against the colonial forces. He and all the others wait for the signal to be given by his daughter, the Druid High Priestess Norma. But Norma has fallen in love with the Roman Proconsul, Pollione, and given birth to two children. They have been brought up in secrecy by her confidante Clotilde. Norma still loves Pollione but he has fallen in love with a novice priestess, Adalgisa.

Veselé paničky windsorské(sk)

Adams: Doctor Atomic(en)

John Adams’s mesmerizing score, in the powerful production of Penny Woolcock, tells the story of one of the pivotal moments in human history—the creation of the atomic bomb. Conducted by Alan Gilbert in his Met debut, this gripping opera presents the human face of the scientists, military men, and others who were involved in the project, as they wrestled with the implications of their work. Baritone Gerald Finley gives a powerful star turn in the title role as the brilliant J. Robert Oppenheimer.

La Clemenza di Tito(it)

This is an effective staging, though the set looks medieval and the costumes are modern. It’s well paced, well played, well sung. Jonas Kaufmann is an ideal Tito. His voice is not only beautiful and flexible, it’s also ample, retaining warmth and sweetness when he sings out. The character of Tito is too good to be true, but Kaufmann makes him intense, noble, and beliveable. Vesselina Kasarova is riviting as Sesto. Her voice is gorgeous and multi-colored, her technique exquisite, her immersion in the role complete.

Prodaná nevěsta(cs)