Handel: Alcina

Car Men(xx)

Car Men is a collaboration between the renowned choreographer Jíri Kylían and filmmaker Boris Paval Conen. Based on the opera 'CARMEN' by Georges Bizet they shot a hilarious and poetic short film in the destroyed landscape of a Czech brown coal mine. The actors in this film are older dancers from Kylían's troupe (around 50 years old) and the main prop is a 'TATRA 87', a famous car from 1937.

Puccini: Manon Lescaut(it)

All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.

Cosi Fan Tutte(it)

Officers Ferrando and Guglielmo are certain that their lovers Dorabella and Fiordiligi are faithful to them, but the cynical Don Alfonso challenges them to a bet that the women will be unfaithful given the chance. The officers thus pretend to go off to war, and return in disguise as Albanian strangers, to woo Dorabella and Fiordiligi incognito. The ladies are initially frosty, but soon warm to their new suitors, spurred on by their maid Despina. Performed at the La Scala Theatre in Milan.

Mozart: Così Fan Tutte (Zurich Opera House)(it)

A production of Mozart's opera recorded live at Zurich Opera House in 2000. Cecilia Bartoli leads an all-star cast including Roberto Saccà, Liliana Nikiteanu, and Agnes Baltsa. The conductor is Nikolaus Harnoncourt. Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle "The School for Lovers", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. With Liliana Nikiteanu attractively contrasted with Bartoli, and thoroughly convincing performances by Roberto Sacca (Ferrando) and Oliver Widmer (Guilelmo), this Così has a freshness and flow which, coupled with the timeless romantic themes, feels very contemporary.

The Phantom of the Opera(en)

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Così fan tutte(it)

Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.

Amadeus(en)

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

Ludwig van Beethoven: Fidelio(en)

Two years prior to the opening scene, the nobleman Florestan has exposed or attempted to expose certain crimes of the nobleman Pizarro. In revenge, Pizarro has secretly imprisoned Florestan in the prison over which Pizarro is governor. The jailer of the prison, Rocco, has a daughter, Marzelline, and a servant (or assistant), Jaquino. Florestan’s wife, Leonore, came to Rocco’s door dressed as a boy seeking employment, and Rocco hired her. On orders, Rocco has been giving Florestan diminishing rations until he is nearly starved to death. Place: A Spanish state prison, a few miles from Seville; Time: Late 18th century.

Strauss: Elektra(en)

It's hard to imagine confirmed Straussians not wanting this starry Metropolitan Opera performance of Elektra. Strauss and his librettist, Hugo von Hofmannstahl, transformed Sophocles' take on Homer's tale into a harrowing opera noir. Elektra lives for one reason, to kill her mother, Klytämnestra, and her stepfather, Aegisth, the murderers of her father, Agamemnon. In contrast to Elektra's vengeful obsession, her sister Chrysothemis desires to get on with life. When their long-missing brother, Orestes, returns to do the deed, Elektra celebrates with a dance of death and, her sole purpose in life fulfilled, dies. Strauss joined the hermetic plot to music of the utmost opulence, violent and yearning by turns, evoking the cardinal principles of Greek tragedy - pity and terror.

Cosi Fan Tutte(en)

An excellent performance of this delightful opera. The principals are superb, especially the sisters. Bruscantini as Don Alfonso is past his prime, but he knows and understands the role inside out, so one does not even notice his vocal limitations. Araiza is in top form as Ferrando, and Morris makes virile Guglielmo. The only disappointment is Battle as Despina. Unlike her partners, she does not have feel for the Mozart ensemble, and her vocal mannerisms are totally unbecoming. How the producers allowed that to happen is a mystery. Muti's conducting is terrific, much better than on his La Scala video, where he is uninvolved.

La Traviata(en)

La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]

Mascagni: Cavalleria Rusticana(it)

Pietro Mascagni's opera recorded in 2009. Conductor Stefano Ranzani leads the orchestra and chorus of the Zurich Opera House, with performances by Argentinian tenor Jose Cura and soprano Pauletta Marrocu.

Verdi Otello(en)

Desdemona in Verdi's Otello was a career role for soprano Renata Tebaldi, from her first operatic performance outside of Italy to her final appearance on the opera stage. Between those landmarks she performed the role nearly 100 times all over the world and made studio audio recordings that became reference recordings for the role. This 1962 production with the Deutsche Oper Berlin and Giuseppe Patane was planned as a media event from the outset and blessedly captures a consummate artist in a signature role at the peak of her gifts.

Deidamia(en)

Here is a rare and exceptional example in which the director and costume designer amuse themselves with `silly' costumes, but it actually works. I usually loath the stupid concept of 'clever' producers' of dressing opera singers in an motley set of `modern' and bizarre costumes (mostly tasteless) to help the `stupid' spectators to understand the universality of the opera across time and place. However, in this particular production I enjoyed every moment of it. All my reservations withstanding, I found that the costumes have actually helped highlight the `buffa' aspects of this supposedly `siria' opera. This work may not be among Handel's greatest masterpieces, but the way it is presented and sung here makes it a thorough pleasure for the senses.

Mefistofele(en)

The director, Roland Schwab, has created his version of Hell. The set is like a high iron walled hanger and the stage is continually occupied with people who look like fugitives from Mad Max and who interact with Mefistofele. The orchestra and choir are wonderful. Rene Pape gives a nuanced interpretation with a certain amount of sardonic humour under the evil. His singing and acting are first rate, as is that of Kristine Opolais and Joseph Calleja.

Tosca(en)

This live version of Puccini s superbly dramatic opera was recorded in Rome in the exact locations and at the precise times of day as Puccini had written into his score. The action opens in Rome's beautiful 16th-century church of Sant Andrea della Valle, where Cavaradossi (Plácido Domingo) is innocently painting, moves to the Farnese Palace where Tosca (Catherine Malfitano) dramatically stabs the lustful Scarpia (Ruggero Raimondi), and finally to the battlements of the Castle Sant Angelo at dawn the following day where Cavaradossi is cruelly killed, and Tosca takes her own life.

Aida - Arena di Verona(it)

The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.

Saariaho: L'Amour de Loin(fr)

This is the 2004 version of Kaija Saariaho's opera performed by the Finnish National Opera and conducted by Esa-Pekka Salonen.

Bastien a Bastienka(cs)

First Opera Film Festival(en)

An anthology of four abbreviated operas: "William Tell" by Rossini, "The Marriage of Figaro" by Mozart, "Don Pasquale" by Donizetti, and "Carmen" by Bizet. Filmed in Italy with major opera stars, and accompanied by English narration.

Idomeneo(it)

Opera royalty Luciano Pavarotti brings dignity and power to the title role in this 1982 production. During a squall at sea, Idomeneo -- the king of Crete -- swears to Neptune that if the monarch survives, he'll sacrifice the first person he encounters onshore. Tragically, that person ends up being his son, Idamante (Frederica Von Stade). Maestro James Levine masterfully conducts the orchestra and chorus of the Metropolitan Opera. A musical production that was designed for the "Live From the Met" series, this program was produced by Jean-Pierre Ponnelle.

WWE Backlash 2009(en)

Backlash (2009) was a PPV that took place on April 26, 2009, at the Dunkin' Donuts Center in Providence, Rhode Island. The 11th and final event under the Backlash banner, it featured talent from all three WWE brands: Raw, SmackDown, and ECW. The event's card featured seven matches. The main event consisted of a Last Man Standing match for the World Heavyweight Championship, in which Edge competed against John Cena. The other main match scheduled on the event's card was a Six-Man Tag Team match for the WWE Championship between Triple H (champion), Batista and Shane McMahon, and The Legacy (Randy Orton, Cody Rhodes and Ted DiBiase). Other matches included an "I Quit" match between Jeff and Matt Hardy and three singles matches: Christian versus Jack Swagger for the ECW Championship, followed by CM Punk versus Kane, and Chris Jericho versus Ricky Steamboat.

Fascination: Unauthorized Story of Marilyn Monroe(en)

Marilyn Monroe is one of the most famous and adored icons of the 20th century. Like no other Hollywood star, she won the hearts of millions around the world. It's been said that: "Monroe played the best game with the worst hand." Her journey to stardom stemmed from a childhood of poverty, neglect, and loneliness. 'Fascination' tells the remarkable story of Marilyn's life. From birth to her premature death she endured criticism, insecurities, drug dependence, numerous miscarriages, and three broken marriages. Despite all her demons, her unprecedented beauty, talent and quick wit amazed all that came before her.

Sunset Dreams in Thailand(en)

Enjoy a beautiful sunset from Sai Kaew Beach in Thailand as you listen to relaxing music and the gentle sounds of waves rolling into shore.

Not Found - Forbidden Videos Removed from the Net - Best Selection by Staff Part 5(ja)

Spooky Scary horror 5

A Patriotic Man(fi)

Every nation gets the heroes it deserves. A man with a special blood type is used as a device for human doping athletes skiing national team.

Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo(fr)

The Lebanese Mission(fr)

In Lebanon, industrialist Hennequin, director of a French oil company, entrusts engineers Jean Domèvre, a Frenchman, and Mokhrir, a Lebanese, with the prospecting of an isolated region granted to him by Countess Athelstane Orloff. Their search remains fruitless until Mokhir reports the discovery of a uranium deposit, but disappears before Jean can identify the location. He goes to the Countess for help in finding Mokhir and surprises her when, due to financial difficulties, she is negotiating her concession with the Englishman Hobson, director of a rival company. Attracted by Jean, the Countess nevertheless gives him her preference and they set off together in search of Mokhir.

Herman Finkers: EHBO Is Mijn Lust En Mijn Leven(nl)

First aid is my passion and my life. One traffic light turns red, another turns green: there's always something to do in Almelo. One of Herman Finkers' most famous quotes. Herman Finkers has been writing and performing theater programs since 1979. His programs are difficult to describe. He was probably best described in the Utrechts Nieuwsblad: 'master of the double punchline,' 'witty excess that does no harm,' 'sublime nonsense.' EHBO is my passion and my life is Herman Finkers' fourth program, recorded in the Leidse Schouwburg.

Schatten der Erinnerung(de)

Geologist Lena receives the news that her father Gottfried, who abandoned her eight years ago, is terminally ill. With a heavy heart, she travels back to her home village in the mountains with her young daughter. A journey into a difficult past, as Lena is not only confronted with Gottfried's rejection, but also with her former great love Anton, whom she has never been able to forget and who is now married to the enterprising and scheming Magda. But this is not the only problem: Lena discovers that her village is threatened by a landslide as a result of massive environmental destruction.

Angel and Devil(ar)

"Shawkat" and "Samira" a couple has a daughter at the age of 5 years, living together in a happy.One day thieves seeking to steal their money and jewelry inside the Treasury, and while trying to open the Treasury the child "Sawsan" saw them,so the thieves took her as a hostage,the boss El-Shahat (Zaki Rostom) decides to demand a ransom from her parents about 110 thousand pounds."Sawsan" lives with two of the gang who are Ezzat (Rushdi Abaza) and Ghairia (Nagwa Fouad), who live in the city of Alexandria, and in spite of their being part of the gang but they Sympathize with the girl.

Besos y Fracasos(es)

Krzysztof Krawczyk – całe moje życie(pl)

Documentary story about the career of Krzysztof Krawczyk, one of the most popular pop music performers on the Polish scene. The artist has many hits to his credit. The film uses unique archival footage.

Jing du qiu xia(zh)

Fer chaud(fr)

Purged from its details, the image thus obtained offers a vision of this sculpture reduced to moving lights.

El hijo del pistolero(es)

A gun for hire's son decides to follow in his father's footsteps but must fight to earn his mother's love once more.