Haemocyanin(2019)

El Cardenal(en)

In his study a cardinal is surrounded by bizarre props in an atmosphere of decay.

Moonwalker(en)

This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.

Yo creo que...(es)

Clash of the Titans(en)

To win the right to marry his love, the beautiful princess Andromeda, and fulfil his destiny, half-God-half-mortal Perseus must complete various tasks including taming Pegasus, capturing Medusa's head and battling the feared Kraken.

To Teach a Bird to Fly(fi)

This experimental nature documentary by Minna Rainio and Mark Roberts depicts climate change and the wave of extinction from the point of view of our near future. Actually, it depicts the age we live in now, or rather its fateful consequences.

This Cacophony Runs Over Me(en)

This cacophony runs over me, over everything I see, everything I want to see: it's me.

Carta a Boris(es)

Writing late becomes usual, we are always too late. Boris was my alter ego and I was his alter ego. Now that he is no longer here, I can be honest.

Anotaciones Sobre Claudia y Sergio I(es)

Chilean experimental film.

Above the Lake(xx)

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

Bowl, Garden, Theatre, Marble Game(en)

An animated short consisting of 4 segments: bowl, garden, theatre, marble game. Preserved by the Academy Film Archive in partnership with Harvard Film Archive in 2015.

Cels(en)

A showcase for the MCAD Animation Workshop 1972 where each student was given one of a series of cells to animate whatever they pleased.

Whitney Commercial(en)

Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.

A Movie Made of(es)

In Vigo, Spain, during Christmas, Ángel, a Spanish filmmaker, walks through the crowded streets while thinking about a possible movie made of…

Dropout(en)

Italian immigrant kidnaps a wealthy British woman, and they fall in love.

Penguins of Madagascar(en)

Skipper, Kowalski, Rico and Private join forces with undercover organization The North Wind to stop the villainous Dr. Octavius Brine from destroying the world as we know it.

Rakka(en)

A story of broken humanity following the invasion of a technologically superior alien species. Bleak, harrowing, and unrelenting, the humans must find enough courage to go on fighting.

Blood Orgy of the Leather Girls(en)

A gang of women wreak havoc in the city, killing various men who have treated women poorly. And sometimes they do it just for fun.

Popeye(en)

Popeye is a super-strong, spinach-scarfing sailor man who's searching for his father. During a storm that wrecks his ship, Popeye washes ashore and winds up rooming at the Oyl household, where he meets Olive. Before he can win her heart, he must first contend with Olive's fiancé, Bluto.

An Ode to Solitude(en)

Exploring the duality between friendship and loneliness, this intimate narrative short tells the story of David, a bright young boy struggling with a broken home life, as he tries to reconnect with his childhood best friends as they search for something to do in their small suburban town.

The Loom(en)

A multiple-superimposition hand-painted visual symphony of animal life of earth. THE LOOM might be compared to musical quartet-form (as there are almost always four superimposed pictures); but the complexity of texture, multiplicity of tone, and the variety of interrelated rhythm, suggest symphonic dimensions. The film is very inspired by George Melies: the animals exist (in Jane's enclosure) as on a stage, their interrelationships edited to the disciplines of dance, so therefore one might say this hardly represents "animal life on earth"; but I would argue that this work at least epitomizes theatrical Nature, magical Creature, and is the outside limit, to date, of my art in that respect. (The balance-of-light was so perfectly realized in making the neg. of this print that I wish to credit Western Cine Lab's "timer" Louise Fujiki as creative collaborator in the accomplishment of this work.)