Bruckner: Symphony No. 7(2014)

Johann Sebastian Bach -The Well Tempered Clavier Book II Sir Andras Schiff(de)

In 2018, the Thomanerchor and the Gewandhausorchester Leipzig performed in the Thomaskirche Leibzig under the direction of Gotthold Schwarz together with an internationally renowned ensemble of soloists.

Charles Ives: A Good Dissonance Like a Man(en)

A thoroughly researched biopic of Charles Ives, America's greatest and most innovative composer (and insurance executive), who combined strikingly futuristic experimentalism with gentle nostalgia. Includes narration taken directly from Ives's own writings, and reminiscence from those who knew him.

House of Ricordi(it)

The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.

Abbado Conducts Mahler No. 1 & Prokofiev Piano Concerto No. 3(de)

Třetí koncert na kurtech(cs)

Toscanini: The Television Concerts, Vol. 9: Beethoven: Symphony No. 5/Respighi: The Pines of Rome(en)

The historic Toscanini television concerts with the NBC Symphony Orchestra. Broadcast #9 was of a concert on March 22, 1952, at Carnegie Hall, featuring Beethoven's 5th Symphony and Respighi's Pines of Rome. (Concerts #8 and #9 were released on "Vol. 5" in the DVD series.)

The Beat That My Heart Skipped(fr)

A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.

Four Minutes(de)

Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.

Who plays me, hears my voices(es)

"Who plays me, hears my voices”, shows a recent moment in the life of Gaston Lafourcade, a classical pianist and harpsichordist who, at the age of 83, enters a recording studio for the first time in his life to record a solo album and to join his daughter, Natalia Lafourcade, who during a recess period in her career, decides to embark on this adventure as a love letter to her father and as a way to enjoy what brings them together, beyond blood ties: their deep love for music.

Vilém Veverka a Ensemble Opera Diversa(cs)

Renowned Czech oboist in the Janáček Philharmonic Orchestra Ostrava chamber music series. Vilém Veverka, one of the most respected Czech oboists, performs as a soloist with major orchestras and has performed a number of demanding compositions from the second half of the 20th century in European premieres. This time, he will present important works by Czech composers to the audience together with the string orchestra Ensemble Opera Diversa. The highlights of the concert are compositions by Gideon Klein and Pavel Haas, who belong to the so-called Terezín composers. Pavel Haas' Suite for Oboe and Piano, Op. 17, was composed in the autumn of 1939 under the shadow of occupation, and its arrangement for oboe and string orchestra by composer Ondřej Kyas is a reference to the unfinished nature of Haas' composition.

Giovanna D'Arco(en)

With more than 50 years of experience as film director, Peter Greenaway (Nightwatching, Eisenstein in Guanajuato) combines the worlds of film and opera at the Verdi Festival in Parma, demonstrating what magic those two can do together with an all new approach to Giuseppe Verdi's Giovanna d'Arco, staged and edited by himself and his wife, Saskia Boddeke. The opera's libretto is based on Friedrich Schiller's 'The Maid of Orleans'. It tells the story of the French national hero Jeanne d'Arc, who defends her country against the English troops during the Hundred Years' War. Constantly torn between her humble roots, her love for King Charles VII and her heavenly task to fight for France, she gains eternal glory by giving her life in the final, victorious battle against England.

What Difference Does It Make?(en)

A documentary that explores the challenges that a life in music can bring.

Samuel Barber: Absolute Beauty(en)

Known for his mournful "Adagio for Strings," Samuel Barber was never quite fashionable. This acclaimed film is a probing exploration of his music and melancholia. Performance, oral history, musicology, and biography combine to explore the life and music of one of America’s greatest composers. Features Thomas Hampson, Leonard Slatkin, Marin Alsop and many more of the world's leading experts on Barber's music, with tributes from composers Leonard Bernstein, Aaron Copland, Virgil Thomson and William Schuman. The film was broadcast on PBS, and screened at nine film festivals internationally, with three best-of awards. It was named a Recording of the Year 2017 by MusicWeb International.

Lindsey Stirling: Brave Enough(en)

Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.

Symphony n. 9 by Ludwig van Beethoven in St. Mark’s Square(it)

Juraj Valčuha conducts Beethoven's Symphony 9th.

Allegro non troppo(it)

The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).

Deception(en)

After marrying her long lost love, a pianist finds the relationship threatened by a wealthy composer who is besotted with her.

Waldbühne 2010 | An Evening with Renée Fleming(de)

Repertoire Modest Mussorgsky: Night on Bald Mountain; Antonín Dvořák: Song to the Moon from “Rusalka”, Op. 114; Aram Chatschaturjan: Adagio from “Spartacus”; Richard Strauss: Final Scene from “Capriccio”, Op. 85; Richard Wagner: Overture to “Rienzi, der Letzte der Tribunen”; E. W. Korngold: Mariettas Lied from “Die tote Stadt”; Richard Strauss: Zueignung, Op. 10 No. 1; Sir Edward Elgar: Salut d’amour; Giacomo Puccini: Donde lieta uscì from “La bohème”; Tu che di gel sei cinta from “Turandot”; Ruggero Leoncavallo: Musette svaria sulla bocca viva from “La bohème”; Mimì Pinson, la biondinetta from “La bohème”; Piotr Tchaikovsky: “Romeo and Juliet” (Fantasy Overture)

Eroica(en)

British filmmaker Simon Cellan Jones directs the BBC drama Eroica, starring Ian Hart as Ludwig van Beethoven. Shot on digital video, this TV film depicts the first performance of Beethoven's Third Symphony, June 9th, 1804, in Vienna, Austria. Prince Lobkowitz (Jack Davenport) has invited friends to listen to Beethoven conduct his new symphony for the first time. Among the aristocratic attendees are Count Dietrichstein (Tim Pigott-Smith), Countess Brunsvik (Claire Skinner), and composer Josef Haydn (Frank Finlay). The actual musical score is performed by the Orchestre Revolutionaire et Romantique, under the direction of John Eliot Gardiner.

John Adams: The Gospel According to the Other Mary(en)

Sir Simon Rattle, the Berliner Philharmoniker and the Rundfunkchor Berlin give an impeccable performance of the powerful biblical oratorio “The Gospel According to the Other Mary” by John Adams, one of the most renowned contemporary composers. The sophisticated score with a libretto by acclaimed theatre director Peter Sellars comes to life thanks to the Berliner Philharmoniker, whose intimate knowledge of Adams’s music stems from the composer himself: He attended the orchestra’s rehearsals. In the role of the Evangelist, Bubeck, Cummings and Medley lead through the narrative. A stunning highlight is Lazarus’s aria, sung by tenor Peter Hoare. But at the heart of the piece are Mary Magdalene and her sister Martha during the last days before Jesus’s death, impressively performed by mezzo-sopranos Kelley O’Connor and Tamara Mumford.