Karajan - Bruckner - Symphonies No. 8 & 9
Self
Karajan - Bruckner - Symphonies No. 8 & 9
2007-01-01
10
A collection of short parodies of the Mobile Suit Gundam saga. Episode 1 pokes fun at key events that occurred during the One Year War. In episode 2, Amuro, Kamille and Judau fight over who runs the better pension when Char comes in to crash their party. Episode 3 is the SD Olympics, an array of athletic events pitting man with mobile suit.
Delphine, a disillusioned humanities teacher, makes an agreement with her students : they leave her in peace, as they get A+ grades. But these excellent results turn into a nightmare when the class is qualified for the Latin World Championships, in Naples.
A documentary dealing with the life of Ahmadreza Ahmadi, an Iranian Poet.
The story begins in Albania where the heroine, Helen, suffers the abuse of her father, a former member of the Albanian Communist Militia. Troubling and extreme events in her life soon cause Helen to flee her homeland for Florence, Italy where she meets up with her friend Sylvia who works as a maid for a wealthy family. She soon learns that her boyfriend in Albania has been arrested for killing her cruel father. Though at first desperate to return home to help, Helen soon forgets her boyfriend's plight as she is seduced into a wicked life of vice and perversion by the wealthy family with whom she is staying. Helen finds herself spinning out of control in a frenzied cinematic vortex of sex, beer and manipulation. Helen does eventually return home to Albania, but only to discover there, her own erotic destiny.
The Imjin War reaches its seventh year in December of 1598. Admiral Yi Sun-shin learns that the Wa invaders in Joseon are preparing for a swift withdrawal following the deathbed orders of their leader Toyotomi Hideyoshi. Determined to destroy the enemy once and for all, Admiral Yi leads an allied fleet of Joseon and Ming ships to mount a blockade and annihilate the Wa army. However, once Ming commander Chen Lin is bribed into lifting the blockade, Wa lord Shimazu Yoshihiro and his Satsuma army sail to the Wa army's rescue at Noryang Strait.
A story about attaining a higher knowledge through the practice of "not giving a fuck". The film combines varying levels of documentary and fiction in a story that was constantly evolving and changing radically up to the final day of editing. This is a truly personal project that is created out of a desire to improve humanity's quality of life and give us all new hope.
In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.
John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.
Gabrielle has just joined a prestigious news program. With no formal training, she must prove herself and find her place among an experienced team of special correspondents. In the heat of the action, she will learn the language and the code of these reporters, who are always passionate, often funny, and sometimes scarred by life and their profession. And then there’s Vincent, the program’s editor-in-chief, who she can’t help challenging...
Historical drama based on the eponymous novel by Leo Tolstoy. Junker Olenin, a representative of St.Petersburg's golden youth, is traveling from St.Petersburg to the Caucasus in search of romance. His regiment is stationed in the Cossack village. Here he falls in love with the beautiful Maryana and is ready to marry her, but she loves the Cossack Lukashka and is not going to exchange him for the master...
The bond between cousins is tested when one wins a fortune with the other's money at Atlantic City.
Barbara Hammer’s Audience is a fascinating deep cut from the director’s prodigious filmography. Relatively raw in its design, this 16mm diary of audience reactions at retrospectives of Hammer’s work in San Francisco, London, Toronto, and Montreal in the early 1980s bears none of the distinctive visual flourishes and essayistic form one usually finds in her filmmaking. Today, Audience serves as an invaluable historical archive, providing quick but complex portraits of lesbian scenes in different cities and countries: the San Francisco women are bold and raucous, treating Hammer like a celebrity; the London crowd more reserved and tentative; the Canadians politely critical after initial hesitation. It also functions as a testament to the power of Hammer herself as a figure of lesbian culture, showing how fully she engages audiences to incite new forms of discourse about representation.
One of the few uplifting music stories during the early phases of the pandemic, this documentary explains how the Flaming Lips Space Bubble Shows happen and show highlights from the performances.
The film follows a life of a homeless, but very well read, Marxist who is coping with Che's death and wishes to live a life of revolutions and workers' uprisings. He is a hypochondriac, bitter at the world, and blaming his old capitalist boss for his life's misery.
20 years after the events of Transmorphers, a newer, more advanced species of alien robot descends on a rebuilt Earth, threatening once again to destroy the planet.
Contents Boulez: Initiale /Boulez Ensemble (chamber ensemble) Schubert: Der Hirt auf dem Felsen, D965 (Von Chezy / Muller) Anna Prohaska (soprano), Jörg Widmann (clarinet), Daniel Barenboim (piano) Mozart: Piano Quartet No. 2 in E flat major, K493 Daniel Barenboim (piano), Michael Barenboim (violin), Yulia Deyneka (viola), Kian Soltani(cello) Berg: Chamber Concerto for Piano and Violin with 13 Wind Instruments Michael Barenboim (violin), Karim Said (piano), Boulez Ensemble
After marrying her long lost love, a pianist finds the relationship threatened by a wealthy composer who is besotted with her.
This short film is made for the "Chopin-Pletnev" disc which marked Mikhail Pletnev's debut as a pianist on Deutsche Grammophon. In the film, we witness Mr. Pletnev's journey, starting from him on his way to studio, through his performance of Chopin's Etude Op. 25 No. 7 in C sharp minor "The Cello" and the process afterwards. One is struck repeatedly by Pletnev's crystalline arpeggiations, the velocity of his passage work, his singing tone, his rhythmic suppleness, and, above all, the grandeur of his sound.
The evocative music of Claude Debussy has been described as the foundation of modern music. But how did the composer come to develop his unique style? On this video, maestro Francois-Xavier Roth and the London Symphony Orchestra present the UK premiere of a previously lost work by the young Debussy, alongside some of his earliest inspirations. Debussy's newly discovered Premiére Suite gives a rare insight into the mind of a young composer on the cusp of innovation. It's a work filled with Romantic and Eastern influences and glimpses of the unexpected harmonies that came to define Debussy's work. Paired alongside the composer's role models - from Wagner's powerful intertwining motifs, the abundant Spanish influences in Lalo's rarely-heard Cello Concerto performed here by Edgar Moreau, and Massenet's majestic Le Cid - Francois-Xavier Roth gives a fresh perspective on the much-loved composer.
As part of the 2019 Aix-en-Provence Opera Festival, filmmaker Christophe Honoré delivers an innovative staging of Giacomo Puccini's famous drama. His cleverly staged "opera within the opera" is a melancholy homage to the fascinating figure of the diva, who thrives on art and love and upsets the laws of time and death.
The 1987 Glyndebourne production of Ravel's L'enfant et les sortilèges, designed by Maurice Sendak and directed by Frank Corsaro.
The wait is over! After two long years, Maestro André Rieu is performing again in his hometown of Maastricht! We are proud to present André's brand new summer concert - Happy Days are Here Again!
Set against the backdrop of a 1960s jungle seaport in tropical Australia and the rich concert halls of wintry Vienna, talented eighteen year old pianist Paul Crabbe moves to an exotic outpost of far Northern Australia. There, he is forced to study under the only piano teacher his father can find – the eccentric, enigmatic Herr Keller, a Viennese refugee with a shadowed past. Living above a dilapidated hotel in the dripping heat of this seaport, Keller is known to the locals as 'Maestro', a broken, elegant drunkard. But who is he? Does he come from a lineage of great European pianists, or is he a fraud?
Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.
Experience what Zell Music Director Riccardo Muti calls “the work of a divine architect” in this special encore presentation of Beethoven’s Ninth Symphony. Recorded live September 18, 2014, at Orchestra Hall during one of the opening programs of the Chicago Symphony Orchestra’s 2014/15 season, this performance features Muti leading the Orchestra and Chorus and distinguished soloists in one of history’s most powerful and inspiring artistic works. A masterpiece whose staggering influence can be seen across classical music, it concludes with the famous Ode to Joy, which calls for understanding, peace and universal goodwill. The Chicago Symphony Orchestra is grateful to an anonymous donor for generously underwriting the recording of this concert in 2014.
Avant-garde composer John Cage is famous for his experimental pieces and "chance music" but temporarily branched into video in 1992 with this art film about meaningless activity. The work is composed of two segments that are supposed to be played simultaneously: "One 11" contains the artistic statement, and "103" is a 17-part orchestral piece. Also included is a revealing documentary about Cage and director Henning Lohner.
A doctor with a talent for playing the piano finds artistic inspiration in hospital patients and composes her last melody.
Utterly astounding, iridescent sand animation from Aleksandra Korejwo based around Bizet's Carmen.
Beethoven spent three years composing the Eroica, an intimate journal of his emotional crises and his dramatic emergence as an original master. Michael Tilson Thomas and the musicians of the San Francisco Symphony help you make sense of this voyage into life as it really is.
"Who plays me, hears my voices”, shows a recent moment in the life of Gaston Lafourcade, a classical pianist and harpsichordist who, at the age of 83, enters a recording studio for the first time in his life to record a solo album and to join his daughter, Natalia Lafourcade, who during a recess period in her career, decides to embark on this adventure as a love letter to her father and as a way to enjoy what brings them together, beyond blood ties: their deep love for music.
The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).
With more than 50 years of experience as film director, Peter Greenaway (Nightwatching, Eisenstein in Guanajuato) combines the worlds of film and opera at the Verdi Festival in Parma, demonstrating what magic those two can do together with an all new approach to Giuseppe Verdi's Giovanna d'Arco, staged and edited by himself and his wife, Saskia Boddeke. The opera's libretto is based on Friedrich Schiller's 'The Maid of Orleans'. It tells the story of the French national hero Jeanne d'Arc, who defends her country against the English troops during the Hundred Years' War. Constantly torn between her humble roots, her love for King Charles VII and her heavenly task to fight for France, she gains eternal glory by giving her life in the final, victorious battle against England.
Known for his mournful "Adagio for Strings," Samuel Barber was never quite fashionable. This acclaimed film is a probing exploration of his music and melancholia. Performance, oral history, musicology, and biography combine to explore the life and music of one of America’s greatest composers. Features Thomas Hampson, Leonard Slatkin, Marin Alsop and many more of the world's leading experts on Barber's music, with tributes from composers Leonard Bernstein, Aaron Copland, Virgil Thomson and William Schuman. The film was broadcast on PBS, and screened at nine film festivals internationally, with three best-of awards. It was named a Recording of the Year 2017 by MusicWeb International.