Ann Barton, the daughter of a once-wealthy family, is forced to clerk at the cigar counter of a village hotel, where she meets James McDonald, a breezy, handsome salesman. Ann is adopted by an aristocratic aunt, who disapproves of James's manners and breaks up Ann's relationship with him. Ann soon revenges herself on her aunt by placing both her aunt and herself in compromising positions.
Jenkins
Ann Barton, the daughter of a once-wealthy family, is forced to clerk at the cigar counter of a village hotel, where she meets James McDonald, a breezy, handsome salesman. Ann is adopted by an aristocratic aunt, who disapproves of James's manners and breaks up Ann's relationship with him. Ann soon revenges herself on her aunt by placing both her aunt and herself in compromising positions.
1925-09-06
1
Angered by his son Dick's boastful ways, which in one incident lead him to lose a business deal, an automobile manufacturer challenges him to complete four difficult missions.
Cult director Charles Band brings you this "Last Tango in Paris" spoof with editing by acclaimed filmmaker John Carpenter.
Rooly, Pooly and Dooly were "picture sandwiches," but hardly shining lights, even in that capacity. Consequently they were "canned" by the management. A brilliant idea; one would play the wild man in the village square, a real live show of their own. Rooly and Pooly then basked in the society of fair country belles, but Dooly at length was rescued by Miss Smart, looking for excitement. She was not disappointed.
Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.
Fernande marries a man and schemes to get his wealth when his expected death occurs. But he dies before he can change his will. She next tries to kill the son who inherits, but he outfoxes her.
A reporter and a detective team up to solve the murder of a nightclub singer who had been involved in a divorce scandal.
Smith's chum is a very poor Baron. Smith and the Baron are invited to a ball, and the Baron, not having evening clothes of his own, "borrows" Smith's dress suit. He is having the time of his life when Smith arrives, thoroughly angry, and taking the Baron in a room takes the clothes away from him. The Baron is in a terrible predicament, dodging around from room to room, as people intrude upon his hiding places. He tries to hide his face with a handkerchief, and a lady catches a glimpse of him as he dives under a bed. She screams in terror, thinking he is a mad man, and then the poor Baron is chased all over the house. Someone telephones for the police and they assist in the capture and lead him away.
Stan and Ollie are salesmen attempting to sell a washing machine; they fail constantly after several near misses. One would-be sale has them carrying the machine up a large flight of steps, only to find out that a young lady wants them to post a letter for her. The boys later get into an argument knocking off each other's hats, which eventually involves scores of others. A police van eventually carts all those involved away except Stan and Ollie, who afterwards try to find their own headgear amongst the hundreds of others lying on the street.
Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This film is believed lost.
Peggy Raymond, a country girl, comes to New York with plans for a career in art and is taken by mistake to a Fifth Avenue address where she meets Dick Merwin, the scion of a wealthy family, whom she mistakes for her cousin. Later, in Brooklyn, she finds that her relatives have moved, and Mabel Hines takes her in and gets her a job. By necessity, Peg is forced to demonstrate fat-reducing rollers in a shop window, where she is unfavorably viewed by Mrs. Schuyler and her husband. She is admired by Sam Billings, a wealthy old bachelor, and becomes involved with Maddox, who affects an interest in her paintings. But through a series of reversals and complications, Peg is made to realize that Dick is the worthier man.
A Roscoe 'Fatty' Arbuckle & Mabel Normand comedy short. The film is considered lost.
A comedy short that revolves around a poker game, both above and underneath the table. This is considered to be a lost film.
Bertha Sloan loses her job as a sewing-machine girl and subsequently is employed as telephone girl with a lingerie manufacturing company. She soon falls in love with the assistant shipping clerk, Roy Davis, and is promoted to chief model for the firm, owing to the patronage of Morton, the wealthy and wicked manager. Bertha is about to take a position in Paris as designer when Morton lures her to his home.
Based -- loosely -- on Leo Tolstoy, this film starred feted stage star Nance O'Neil but is rather better remembered as Theda Bara's follow-up to the sensational A Fool There Was (1914).
After graduating from a convent school, Betty travels to New York to visit her relatives, the Hastings. She quickly catches the eye of Jim Denning, a wealthy neighbor who proposes to her, but Betty decides to experience city life before settling down and finds work as a salesclerk. When the floorwalker becomes too familiar, Betty quits and her showgirl friend Maizie Follette helps her get a job as a cabaret dancer, but Betty finds that’s a tough racket too and decides city life on the loose isn’t for her.
Tom, a young man in a small town, wants to marry his sweetheart Jane, but Jane's father won't allow it until Tom proves he can support her. Tom heads to New York City to make his fortune and prove to Jane's father that he has what it takes, but he meets and falls in love with Amy, a chorus girl who already has a wealthy suitor. Complications ensue.
To be a fond and devoted parent, and to be unable to play with the heaven of your heart is indeed a cruel decree. That was the case of Papa Binks, but he outwitted Mrs. Binks and the nurse in a very effective, yet unostentatious manner, while he and the baby had the time of their lives.
Dancer Florence Maddis marries Ross Van Beekman, son of an aristocratic New York family, and despite her friends’ doubts manages to fit into the family. Her scheming mother-in-law disapproves of her however colluding with Ned Ormsby, who wants Flo for himself, to make her appear faithless. When Ross suspects Flo of harboring Ormsby, he fires a pistol at her closet. Later when Ormsby is found shot in his house, Ross confesses, believing himself guilty. Sick at heart, Flo returns to the stage of the Winter Palace. Ross is freed, however, when Ormsby’s enemy, Maddox, confesses to the crime, and Flo is happily reconciled with Ross.
Figures Don't Lie is a showcase for the physical charms of lovely Esther Ralston, who in one scene proves the accuracy of the title by donning a fetching one-piece bathing suit. The main story concerns wise-guy insurance salesman Richard Arlen, who through a combination of hard work and sheer gall lands a job as sales manager. But he can't land heroine Ralston, who has remained cool to his charms ever since he tried to make a play for her on the street. A lost film.