This short documentary profiles 27-year-old Scoggie Watson, a Cape Breton stalwart who clings to the things he cherishes most: the waters of Lake Bras d'Or, his hand-built sailboat, his freedom, and the friends who stayed in Cape Breton instead of leaving for the big cities.
Self
This short documentary profiles 27-year-old Scoggie Watson, a Cape Breton stalwart who clings to the things he cherishes most: the waters of Lake Bras d'Or, his hand-built sailboat, his freedom, and the friends who stayed in Cape Breton instead of leaving for the big cities.
1975-01-01
0
Big shot presenter Hugo mills (that's what he thinks anyway) embarks on a journey to uncover the dark underworld of amateur detectives and finds more than what he bargained for in this mockumentary short.
Tara was built by John Bergeron back in 2003 and 2004. John was trying to bootstrap the android industry just as I have been trying to do. She is a bit primitive but that is to be expected given the tiny budget available to John. In 2004 John made a music video of Tara singing. Some folks think its creepy, but I think its just a little spooky.
No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”
Short documentary showing the chain of production in Belgium.
Short documentary on the Antwerp Ford Motor Company plant.
Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.
Berlin queer community members mourn the substance abuse-related loss of their friends by sharing memories and rituals. Resembling glow-in-the-dark fungi, they radiate light together as a network of support and care.
A box of stunning family photos awakens grief and lost memories as they are viewed for the first time on camera.
GREECE: SECRETS OF THE PAST, directed by two-time Academy Award®-nominated filmmaker Greg MacGillivray, is the stirring story of how a Greek archeologist of the 21st century is uncovering the secret history of his ancient ancestors who forged a society that continues to astound the world today with its ideas, inventions and achievements. Set against the breathtaking, azure vistas of the Greek Isles, the film merges a contemporary archeological “detective story” with some of the most advanced and painstaking digital re-creations ever undertaken for an IMAX® theatre film, with scenes that restore such centuries-old spectacles as the original Parthenon and the volcanic eruption that buried Santorini in 1646 BC.
People dance during a performance of the Orchestra "The Afrokán". The film was banned, at the beginning of the Cuban revolution, for depicting an unwanted image of the Havana night.
Collected as part of the Fluxfilm Anthology (a multi-reel compendium of 37 short films assembled by Fluxus founder and central operator George Maciunas), One captures the lifespan of a single match recorded at 2,000 frames per second using a 16mm high-speed camera. The frame rate is then decelerated to the standard 24fps for presentation. The film emphasizes each gesture, sway and flare of flame as the small pinewood carrier ignites across the landscape of the filmstrip and screen, signalling the drama and poetics of this ”minor” event before the fire is extinguished. One also stands as an unassuming beacon, immortalizing on film the essence of some of Ono’s early concerns as an artist. At the slightest touch of fire, they burst into flame. Strike everywhere. Strike often.
A nostalgic-night trip through Mexico City. Through the heels of Gloria and Eden we will wander through those places that come to life when the sun goes down, where gender is blurred, colors vibrate, and souls shine under neon lights.
A short film documentary about the reconstruction of Lac-Mégantic following the 2013 railway tragedy.
Julien Temple's wartime documentary parody "Punk Can Take It" (1979) - a theatrically released promo for the UK Subs, complete with narration by BBC voice-over veteran John Snagge - paints a glorious picture of England in a punk rock "identity crisis". Punk morale was higher than ever before. Punks were fused together not by fear, but by a surging spirit of revenge, immortality, and the courage never to submit or yield. This proved that punk won't go away and that punks themselves are becoming younger and nastier everyday. They have no time for the precarious thrills of nostalgia nor for its trivial rules.
This is a film about 12-year-old girls, made by 12-year-old girls, for 12-year-old girls, or anyone that has been a 12-year-old girl, or will be a 12-year-old girl, or wishes they were a 12-year-old girl. This inquisitive cross between a documentary and a theatre piece was created by Tilda Cobham-Hervey and twelve 12-year-old girls, where real girls articulate what they hope for, what they remember and what it feels like to be twelve. Performing themselves in a filmed field guide, together these specimens investigate their own species.
Miguel Castañeda, a mexican scientist, tells the story of his stolen glory in his past as a migrant in the US, as well as all the obstacles he faces in his quest for justice upon his return to Mexico.