Shadowlands is an animated short film about darkness that won't let go. About the constant fear that something terrible might happen. It describes a journey into the inner world and psyche of a young person in distress, a world far from "normal".
Shadowlands is an animated short film about darkness that won't let go. About the constant fear that something terrible might happen. It describes a journey into the inner world and psyche of a young person in distress, a world far from "normal".
2016-01-30
0
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.
Started as a class project in what was likely the first filmmaking course ever taught at Harvard, Marathon documents the running of the 1964 Boston Marathon.
A documentary that explores the potential dangers of toxic chemicals in consumer products and the recent spike in unexplained health phenomena.
Spies of Mississippi tells the story of a secret spy agency formed by the state of Mississippi to preserve segregation and maintain white supremacy. The anti-civil rights organization was hidden in plain sight in an unassuming office in the Mississippi State Capitol. Funded with taxpayer dollars and granted extraordinary latitude to carry out its mission, the Commission evolved from a propaganda machine into a full blown spy operation. How do we know this is true? The Commission itself tells us in more than 146,000 pages of files preserved by the State. This wealth of first person primary historical material guides us through one of the most fascinating and yet little known stories of America's quest for Civil Rights.
Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
Johannes is 11 years old and dreams of a rope blocking his and his friend's way when they are on their way home from school. When he grabs the rope, he realizes that it is "something dangerous going on". A huge spider pops up and chases the kids, who are eventually saved by a heroic old woman.
Ruby Franke's rise as a "momfluencer" with millions of followers hid a nightmare; when her son fled and alerted a neighbor about the abuse, police raided her home, rescuing her children.
The carefree forest animals imagine spring will last forever. However, winter comes and the animals soon realize that their lives are in danger. What they need is a hero; what they need is Crow: The Legend.
Wedding rituals grounded on non-verbal social agreements represent the perception of society in general. Wedding dress is a symbolic part of these rituals. The process that a wedding dress has went through can be considered as an embodiment of the formation of women identity in society. Like most of the women, wedding dressmakers also dream of being a princess once they wear their wedding dress. On the other hand, dressmakers are certainly aware of the fact that they promote the already existing image of women in society because of their job. While they also recognise the truth is way different.
One train journey between two stations: the first one and the last one. In a second class compartment, a traveler meets all kinds of people with all kinds of fates but fails to find a friend. As alone as at the beginning of the journey, he takes his suitcase, gets off the train, and disappears in the night.
'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.
Ben is worried. Overwhelmed by the world's encroaching crises, he travels from Brandenburg to London to Kansas to the Yucatan peninsula and many places in between, to find out how to cope with social and ecological collapse.
Daniel Johnston stars in this psychedelic short film about an aging musician coming to terms with the dreams of yesteryear.