The first film adaption of Edgar Alan Poe's novel.
1914-07-31
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From Richard Gale, mad maker of CRITICIZED, comes a film that will never have you looking at cutlery the same way again. Set-up as an epic-length trailer for an upcoming release, HORRIBLY SLOW... depicts a man's endless pursuit by what has got to be one of the most determined and patient murderers the screen has ever seen.
A young woman, Margaret Dauncey, is caught between the forces of a charlatan magician, Oliver Haddo, whom she is unable to resist, and the love of a handsome surgeon, Arthur Burdon, who has saved her from being a helpless cripple by performing a delicate operation on her spine.
A stranger called Allan goes to the House of Usher. He is the sole friend of Roderick Usher, who lives in the eerie house with his sick wife Madeleine. When she dies, Roderick does not accept her death, and in the dark night, Madeleine returns.
Thwarted by his despotic uncle from continuing his love affair, a young man's thoughts turn dark as he dwells on ways to deal with his uncle. Becoming convinced that murder is merely a natural part of life, he kills his uncle and hides the body. However, the man's conscience awakens; paranoia sets in and nightmarish visions begin to haunt him.
A romantic rivalry among members of a secret society becomes even more tense when one of the men is assigned to carry out an assassination.
A demon, a reaper, and the ghost of a prostitute read gothic short stories and act them out.
A renegade police captain sets out to catch a sadistic mob boss. Preserved by the Academy Film Archive in 2016.
Five friends, all affected in some way by a mercury poisoning incident are partying when a freak accident put them on a collision course with an entity that is in no mood to forgive their misgivings.
After returning home to his long-estranged mother upon a request from her deathbed, a man raised by his parents in an orphanage has to confront the childhood memories that have long haunted him.
A masked criminal who dresses like a giant bat terrorizes the guests at an old house rented by a mystery writer.
A general store clerk and aspiring detective investigates a mysterious disappearance that took place quite close to an empty insane asylum.
On the lam, criminal Alonzo hides in the circus as The Armless Wonder – a performer who uses his feet to hurl knives. Alonzo keeps the arms he really has concealed to hide his identity. Meanwhile, ringmaster's daughter Nanon has a phobia of being touched by men, but is romantically pursued by not only Alonzo but the strongman Malabar. Alonzo's desperation to remain with Nanon will only end in tragedy.
Three sideshow performers form a conspiracy known as "The Unholy Three" - a ventriloquist, midget, and strongman working together to commit a series of robberies.
A magician seeks vengeance upon the man who paralyzed him and the illegitimate daughter he sired with the magician's wife.
Chaney plays two roles: mad scientist Arthur Lamb and Lamb's "experiment", known only as the Ape Man. This hideous creature was the result of Lamb's attempts to transplant animal glands into human beings. A lost film.
Blizzard, deranged from a childhood operation in which both his legs were needlessly amputated after an accident, becomes a vicious criminal, and eventually mob leader of the San Francisco underworld.
Gerald Stanley (John Gilbert) is an English gentleman who is engaged to Beatrice Joyce (Alma Frances). But Stanley's personality changes whenever he drinks, and his brother (who also loves Beatrice) uses this to his advantage.
A man awakes to find himself trapped in a dirty, confined crawlspace. He barely has enough room to move. He also has no memory of why he's there, or why he's bleeding from a stomach wound. Apparently drugged, he occasionally 'zones out' of his surroundings as he tries to edge towards his way to freedom. But the more he explores, the more pain he has to endure, and the more frightening his predicament becomes.
Overwhelmed by grief following the death of his wife, Donnelly shares a train carriage home with a troubled young man identified only as the 'Kid'. As the Kid becomes more agitated and foul-mouthed, the journey takes on a violent and dangerous hue – for the bereaved Donnelly and for other hapless passengers on the train. Academy Award Winner: Best Live Action Short Film – 2005