In a world full of strangers and friends, there’s a story for everyone. Everyone has a secret. Everyone desires somebody. Everyone needs somebody. Everyone just needs… Somebody To Love…
In a world full of strangers and friends, there’s a story for everyone. Everyone has a secret. Everyone desires somebody. Everyone needs somebody. Everyone just needs… Somebody To Love…
2014-08-20
0
Set in the immediate summer after the events of the first movie, and deals with more of the guys' misadventures as they prepare for college.
A spouse discovers her better half's savage room style unsettling and she begins to think about whether he's undermining her, and when this makes her waver into the edge of mental issues, she is "spared" by her male specialist companions with whom she starts an undertaking.
A Filipino worker is on the death row for killing his employer. Because of a lady reporter who is bent on doing a full story about him, government officials are now trying to help him. But Fidel insisted that he killed his employer on purpose. Vega learned about his past- a boy-next-door type of person who grew up with a loving family. His profile doesn't fit the picture of a killer. Sister Lourdes, the Filipino nun who visits Fidel regularly wants to know the truth too.
An ambitious reporter and his cameraman attempt to get their big break by venturing into the mountains by themselves to get in touch with a group of rebels. But what they find leads them into a living nightmare, as the very limits of their humanity are tested.
The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.
Every night, Nana Lusing lies on her bed sleepless because she sees a dark figure looming in her room. Who is this shadow? Is this the devil? Her late husband? A manifestation of her anxieties? Or simply a figment of her imagination?
A woman is torn between trying to save her failing marriage or pursuing the possibility of a new love.
A strange but beautiful young woman washed ashore on an island becomes the desire of all men. Her presence causes jealousy, intrigue, and a series of deaths in the town.
A woman whose whole life is her art, but when she loses it she goes into a self-exile, only to be, hopefully, reinvigorated by a young boy daring to bring it all back.
It shows the lives and relationship issues among the modern generation of Chinoys and how it isn't as perfect as it seems.
The film splits itself between two timelines. In 2006, Ada is basing her thesis on a massacre that occurred twenty years prior in a village called Acacia. Her mother Cecilia was part of a fact-finding mission into a massacre, and Ada’s inquiries bring up her history as a member of the NPA. The other timeline traces the relationship of Ka Felix and Ka Jimmy, two rebels who fall in love, despite the movement’s laws against such a pairing.
Teresa (Rustica Carpio) has worked for the Bautista family since she was seventeen. She was the nanny of siblings Stella, Vince and Andre (Jackie Lou Blanco, Bobby Andrews and Ryan Agoncillo), and their mother. The three have all moved abroad in their adulthood, but all reunite back at home with the passing of their mother. With no one left to stay in the country, it is decided that all of their properties will be sold, including the house they grew up in. But they are faced with the problem of what to do with the elderly Teresa, who has no money saved, and little contact with her relatives.
A young woman works as a secretary for a high class escort service, and is drawn into the intrigues of a client and the man who has fallen in love with her.
Due to a delayed flight a group of German flight passengers have to wait in the hall of the airport of Manila. The crowd is quite mixed, ranging from an cultivated east German teacher couple up to sleazy sex tourists. As the waiting prolongs, more and more aggressions and long repressed behaviors shed their way to the surface.
It's the story of a young woman, whose husband, is arrested by the soldiers of a Japanese garrison, on the suspicion that he is a guerilla. Dizon pleads her case to the garrison's commander, who sympathizes and lets Yllana go; when the commander's wife dies and leaves their son motherless, Dizon, is hired to feed the baby from her own breast.
Orphan Carding befriends Army Captain Samuel Corazon, who’s stationed in his town to root out the remaining Huk guerrillas. At the dance hall, Corazon woos dancer Lauriana, and they soon move in together. The two become sort of surrogate parents for the orphan Carding, with Corazon teaching him the ways of men. But the soldier has a dark side, and Carding becomes witness to the violence occurring in their home, and a heinous act committed by the soldier on his common-law wife.
Isabel Reyes (Rhian Ramos) is an infamous soap opera villain in the country. Everyone simply loathes Isabel which makes her the most condemned personality in the world of television. But by some weird twist of fate, Isabel's life turns upside down when she encounters a near-death accident. The wicked antagonist experiences a sudden change of heart and being the top kontrabida of her soap opera, Isabel couldn't just deliver her heartlessness and cruelty in front of the camera. Her over-the-top villainous persona disappears and she finds herself powerless to kick and slap the lead star. Isabel's show hits a major ratings slump and the network advises her to take a break from work with hopes of reigniting her passion. To solve her dilemma, Isabel seeks the help of the biggest kontrabida icon in the country, no less than Ms. Bella Flores. She finds her on YouTube and says that for Isabel to get herself back, she needs to find the person who hurt her the most.
In a quiet, rural Filipino village, sibling rivalry continues through adulthood for two sisters and finally tears their family apart.
Mabuti accidentally finds a stash of money that could bring an end to her family’s financial problems: is the solution that simple or is it loaded with complications?
A Filpino family deals with hooded people who are involved in extra-judicial killings and other abuses in Philippine society.