The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.
The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.
2012-07-26
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A Marikina shoemaker's daughter coming to terms with her grief in the wake of her father's suicide.
Rizelle is a beautiful young woman who decides to work as a house helper during summer to earn extra money and to substitute her mother who is ill. together with her friend, she is assigned to serve Eric, the bratty son of a American businessman who just hates to be in the Philippines. In spite of his arrogant ways, the pretty servant falls in love with her master
Pia the only daughter of Zeny and Menandro found herself in the same predicament as her mother did years ago. During that time Zeny gave up her true love to marry a man who compromised her and whom her parents preferred. This time around Pia was engaged to Jonathan although she was in love with Gary. She had to make a choice. At the same time Zeny had to decide whether she would stay married to a man she had learned to hate or would she leave and save herself.
With his funeral parlor about to go out of business and his wife leaving him for good, Lance has become greatly exasperated. He vents all his anger and frustration to his only son, Lester. With no one to turn to, Lester finds comfort in the company of the corpses in the morgue.
Two small-time felons with disparate personas cross paths: One's a principled tough gay; the other is a scheming, street-smart teenager. Together, they get caught up in a string of petty exploits while managing to forge a stronger bond. Can they survive the ordeal?
A story about love, hope, giving, sharing, forgiving and three ducks.
A young woman takes a job as a personal maid for a rich young man. The pair do not get along, but soon due to their classmates' games of love, their relationship grows more complicated than before.
“Sisid” is the story of a videographer, played by Raymond Bagatsing, who was betrayed by women in the past and swears never to be betrayed again. He meets a nightclub performer played by de Rossi. The two have an affair, perhaps even fall in love, but Bagatsing hesitates to commit himself to her. De Rossi tells Bagatsing the story of one of her lovers, played by Rodel Velayo; Velayo was once chauffeur to the beautiful but spoiled daughter (again, de Rossi) of a wealthy fishpond operator. De Rossi is kidnapped, Velayo helps her escape; when she learns of his involvement in the plot, she leaves him. Velayo wanders about, until he meets de Rossi in the nightclub; he insists that nightclub de Rossi is really his long-lost de Rossi, and pursues her with fierce intensity. Bagatsing feels threatened by Velayo’s presence, even jealous, and the two struggle over the woman they both think they love.
The plot of the movie unfolds through the testimonials of three young sisters: Uring, Luray, and Elya, who recount the grisly sexual molestation they experienced from their adoptive father Timo. The title was taken from the sisters' work as stone tillers in a quarry where most residents earn their living. Apart from being an alcoholic and gambler, Timo is a sex pervert.
A young boy travels to Alaska to visit his estranged father at the same time as a young woman also travels to Alaska to find her estranged mother.
When a CCTV is installed in an apartment, it starts to record their activities and show the tenant's private lives. It tells the story of Loida who is a lady guard, Gloria whose marriage has recently been annulled, Frank who is a married man and actively engaging into gay dating sites and Janet & Edward who are the new tenants hoping to make a clean start in their marriage.
A group of male and female prostitutes make preparations for a big event happening at a shady club where audiences will come to watch them perform sexual acts on stage. As the big night looms, they begin to feel the consequences of their profession.
After taking up with a charming cab driver, a wild and hedonistic teenage girl returns home to succeed her mother as a prayer woman.
The story about a teenage boy, Antonio, whose emerging gay sexuality alienates him from his friends and family, until his libertine uncle, Jonbert, comes to live with him and his mother.
Ian Montes is a picture of success. Despite being a son of a shipping tycoon, Ian refused to just ride in his father's empire. He built his own real estate company and earned his first million at a very young age. He never looked back since then. Driven by his ambition to become better, if not as good as his father, Ian managed to make it on his own. But behind all the glory is a man yearning for love and recognition.
The Philippines, 1972. Mysterious things are happening in a remote barrio. Wails are heard from the forest, cows are hacked to death, a man is found bleeding to death at the crossroad and houses are burned. Ferdinand E. Marcos announces Proclamation No. 1081 putting the entire country under Martial Law.
Father Jeremiah Jerome Montes has been asked by his old friend Father Baby to help him run the parish of Parmbil. Father Jejemon, as he’s known, has a knack for connecting with the young people of the community. But as soon as he gets there, he only encounters resistance. Father Baby’s sister Violetta doesn’t seem too keen on Father Jejemon running things. Worse yet, the ruthless businessman who owns the town has his sights on demolishing the Church in order to make way for a golf course. But Father Jejemon soldiers on, helping people out and showing them a new way to do things.