"Far above information is gathered, collected, processed. From this vantage point, borders are data points, just more manipulations of the land below. Territories are clearly demarcated, and where there is unclarity, there is tension. Over time, the information is the landscape, there is little need for physicality - it is just digested and stored like everything else. The engine is ever hungry."
"Far above information is gathered, collected, processed. From this vantage point, borders are data points, just more manipulations of the land below. Territories are clearly demarcated, and where there is unclarity, there is tension. Over time, the information is the landscape, there is little need for physicality - it is just digested and stored like everything else. The engine is ever hungry."
2013-05-25
9.5
"Presenting, for the first time, a selection of the cathodic experimental works from the seminal Italo-American artist Aldo Tambellini; A selection of classic documents of one of the first pioneers of video art and audiovisual experimentation from New York east side scene of the '60s and '70s. Unreleased and classic works available for the first time." Works included: Black Video 1, Black Video 2, Black Spiral, Black Video Projections, 6673, Minus One, Clone, Interview at the Black Gate Theatre.
The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.
The story of Bari Lai Lai Lai follows Sita, a passionate writer who plans to create a vibrant music video. She enlists two models, Nikhil and Sanchita, to bring her vision to life. Nikhil, a strong and confident man, meets Sanchita, a beautiful and charming young woman, for the first time at Tower Bridge in London. From the very first moment, Nikhil is captivated by Sanchita's elegance, proving that first impressions truly last forever. As the music video unfolds, their chemistry grows naturally, and what begins as a professional collaboration blossoms into genuine love. The two fall for each other during the shoot and eventually start living together, their romance becoming a heartfelt part of the story behind the song. This music video combines the themes of love, destiny, and the magic of a first encounter against the iconic backdrop of London.
When twin girls are found dead in their family’s barn, reality star turned TV-reporter Meredith Phillips and her de-facto camera crew are dispatched to rural Wisconsin to investigate the gruesome deaths. In their relentless drive to break the story, the reporters become entangled in a deadly mystery and uncover the small town’s shocking secret. Edited together from the crew’s multiple cameras, the film documents their struggle to survive the most terrifying night of their lives and becomes the only evidence of a crime too horrific to imagine.
Franco de Peña's movie deals with three very different love stories, all taking place on the Avenida Libertador, the main avenue of Caracas.
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
Ozzy Taylor, a charismatic high school teen, discovers he can't control his intrusive thoughts of suicide, setting off a life-changing shift in his destiny.
A look at the life and work of Charlie Chaplin in his own words featuring an in-depth interview he gave to Life magazine in 1966.
BELFAST, MAINE is a film about ordinary experience in a beautiful old New England port city. It is a portrait of daily life with particular emphasis on the work and the cultural life of the community. Among the activities shown in the film are the work of lobstermen, tug-boat operators, factory workers, shop owners, city counselors, doctors, judges, policemen, teachers, social workers, nurses and ministers. Cultural activities include choir rehearsal, dance class, music lessons and theatre production.
The ostensibly calm and courteous Gerald Ballantyne lives in and embodies modern suburbia. But he is haunted by the memory of a recent car crash and hounded by his estranged wife and her demands for divorce. Slowly, a festering insanity takes over and unwilling to face the outside world he embarks on a lunatic experiment. Confining himself to his middle-class home, he eschews contact with others and survives entirely off 'food' which he can find in his house. Based on JG Ballard's The Enormous Space.
A couple moves to Patagonia escaping from the impositions of modern capitalist society. At first, the place, the people, the life seems to be what they are looking for. A new world away from everything. But soon they will discover that not everything is so magical or so simple, nor are they prepared to deal with that life. They will think about giving up. They will return to the city, but they do not fit there either: the place they left behind has already changed them. They will make a new attempt, a revealed truth, it will make everything stumble stronger than ever. But as they go through this, they will grow stronger to continue trying a new life.
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
A young man talks to his psychiatrist about strange visions he has been having in his dreams.
In a new tale of the epic of Harafish, an unjust bully controls the alley, whose brother was imprisoned unjustly after he fed the poor without his permission. While in prison, his wife is preparing for a revolution by the poor to demolish this corrupt regime and end the tyranny in the alley.
Don’t Stop! is an all-access, no-holds-barred look into the dynamic world of pop megastar Gloria Estefan, as she takes you “behind the scenes” on her most recent U.S. & European promotional tour for the already PLATINUM album release Gloria!.
Janma Janma is a Nepali film that delves into love, dreams, and the cycle of life. The story follows Amar and Praya, a couple deeply in love. Praya is haunted by recurring dreams of someone trying to kill her, which leave her anxious and fearful. Amar, along with her parents, reassures her that the dreams aren’t real and encourages her to move forward. Praya eventually finds a new beginning, embracing a fresh life. However, she discovers that her old friends didn’t get the same chance at renewal. She shares this realization with Amar, urging him to cherish love and life. The story concludes with Amar reflecting on her words, highlighting the fleeting yet profound beauty of existence. Janma Janma is directed by Sital Nepal and written by Yubraj Lama. It weaves an emotional narrative of second chances, dreams, and the power of love to overcome life’s uncertainties.
A proto-music video: three minutes of experimental animation set to the tune of Romeo Nelson's 'Head Rag Hop'.
Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
A surreal post-apocalyptic drama by Patrick Kennelly inspired by the clipping. album “Splendor & Misery”
Adachi's follow-up to Bowl using the figure of a woman suffering from an unusual sexual aliment has often been taken as a controversial allegory for the political stalemate of the Leftist student movement after their impressive wave of massive fiery protests failed to defeat the neo-imperialist Japan-US Security Treaty. The ritualistic solemnity of the charged sexual scenes contribute to the oneiric qualities of Closed Vagina which Adachi would later insist was an open work, not meant to deliver any kind of deliberate political message. - Harvard Film Archive
A bereaved epileptic ditches her pills and follows a mysterious woman to the outskirts of her town, where she slips back into the fearsome yet ecstatic throes of the seizure.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
An old man, cut off from his future and his past, brings a young taxi driver into his game. The two meet Karkalou, a crazy prostitute, whom the former once loved madly and the latter will soon love.
The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".
Short film produced by the BBC about JG Ballard's Crash. “The film was a product of the most experimental, darkest phase of Ballard’s career. It was an era of psychological blowback from the sudden, shocking death of his wife in 1964, an era that had produced the cut-up ‘condensed novels’ of Atrocity plus a series of strange collages and ‘advertisers’ announcements. After Freud’s exploration within the psyche it is now the outer world of reality which must be quantified and eroticised. Later there were further literary experiments, concrete poems and ‘impressionistic’ film reviews, and an aborted multimedia theatrical play based around car crashes. After that came an actual gallery exhibition of crashed cars, replete with strippers and the drunken destruction of the ‘exhibits’ by an enraged audience.” (from: http://aaaaaaaaaaaaaaaaaaaargh.blogspot.de/2013/01/short-film-adaptation-of-jg-ballards.html)
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.
A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
A reality show star leaves her family's TV show fame and unknowingly joins a supernatural cult.
The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...