Ben Caldwell’s Medea, a collage piece made on an animation stand and edited entirely in the camera, combines live action and rapidly edited still images of Africans and African Americans which function like flashes of history that the unborn child will inherit. Caldwell invokes Amiri Baraka’s poem “Part of the Doctrine” in this experimental meditation on art history, Black imagery, identity and heritage.
The story of black and mixed race people in Nazi Germany who were sterilised, experimented upon, tortured and exterminated in the Nazi concentration camps. It also explores the history of German racism and examines the treatment of Black prisoners-of-war. The film uses interviews with survivors and their families as well as archival material to document the Black German Holocaust experience.
The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio mans moves to Brooklyn, New York, to throw an unprecedented block party.
"Who plays me, hears my voices”, shows a recent moment in the life of Gaston Lafourcade, a classical pianist and harpsichordist who, at the age of 83, enters a recording studio for the first time in his life to record a solo album and to join his daughter, Natalia Lafourcade, who during a recess period in her career, decides to embark on this adventure as a love letter to her father and as a way to enjoy what brings them together, beyond blood ties: their deep love for music.
The Indian Act, passed in Canada in 1876, made members of Aboriginal peoples second-class citizens, separated from the white population: nomadic for centuries, they were moved to reservations to control their behavior and resources; and thousands of their youngest members were separated from their families to be Christianized: a cultural genocide that still resonates in Canadian society today.
The history of warfare as it relates to global Black society, broken down into 7 chapters that examines the ways the system of racism wages warfare from a historical, psychological, sexual, biological, health, educational, and military perspective.
Jeffery Robinson's talk on the history of U.S. anti-Black racism, with archival footage and interviews.
Based on a true story, in which Richmond High School head basketball coach Ken Carter made headlines in 1999 for benching his undefeated team due to poor academic results.
The untold true story: The rise and fall of the greatest funk band ever, Parliament Funkadelic.
A documentary based on the book Umbanda no Brasil by the scholar Mata e Silva, who is interviewed by the director. The book studies the Brazilian religion known as spiritism, a syncretism of African beliefs and magical rites, Indian beliefs and images, and Catholic symbols.
An epic tale spanning forty years in the life of Celie, an African-American woman living in the South who survives incredible abuse and bigotry. After Celie's abusive father marries her off to the equally debasing 'Mister' Albert Johnson, things go from bad to worse, leaving Celie to find companionship anywhere she can. She perseveres, holding on to her dream of one day being reunited with her sister in Africa.
A documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current-day Watts neighborhood.
Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.
Boogie Man is a comprehensive look at political strategist, racist, and former Republican National Convention Committee chairman, Lee Atwater, who reinvigorated the Republican Party’s Southern Strategy to increase political support among white voters in the South by appealing to racism against African Americans. He mentored Karl Rove and George W. Bush and played a key role in the elections of Reagan and George H.W. Bush.
This High Definition, PBS miniseries uses letters, diaries, speeches, journalistic accounts, historical text and military records to document and acknowledge the sacrifices and accomplishments of African-American service men and women since the earliest days of the republic.
An examination of the life and legacy of Sly & The Family Stone – the groundbreaking band led by the charismatic Sly Stone – that captures the band's reign while shedding light on the burden that comes with success for Black artists in America.
Despite Blacks making up only 7% of Madison WI's population, they are leading in so many important areas from education to politics, and are launching so many multi-million dollar projects that people describe this period as a "Black Renaissance."
In THE COLOR OF FEAR, eight American men participated in emotionally charged discussions of racism. In this sequel, we hear and see more from those discussions, in which the men talk about about how racism has affected their lives in the United States. We also learn more about the relationships between them, and about their reactions during some of the most intense moments of that discussion.
James Brown changed the face of American music forever. Abandoned by his parents at an early age, James Brown was a self-made man who became one of the most influential artists of the 20th century, not just through his music, but also as a social activist. Charting his journey from rhythm and blues to funk, MR. DYNAMITE: THE RISE OF JAMES BROWN features rare and previously unseen footage, photographs and interviews, chronicling the musical ascension of “the hardest working man in show business,” from his first hit, “Please, Please, Please,” in 1956, to his iconic performances at the Apollo Theater, the T.A.M.I. Show, the Paris Olympia and more.
Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail.
Based on A Few Days Full of Trouble by Reverend Wheeler Parker, Jr. and Christopher Benson, the feature doc will explore two parallel tracks of the Till story. One set in motion by the last four years of an FBI investigation with details never before revealed, including significant new revelations of the case and its discoveries. The traumatic memory of Parker Jr., last surviving witness to the crime and Till’s cousin, drives that investigation. The second track is a deep immersion into the latest, proprietary findings, as high schoolers prepare for a reenactment of the murder trial of two of Till’s killers, Roy Bryant and J.W. Milam.