Formosa(2025)

A Common Sequence(en)

An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.

VHS Revolution(fr)

Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.

The Song of the Years to Come(es)

On the island of La Gomera, children imagine stories while they examine archeological remains. An ethno-fictional journey in which past and present coalesce, creating resonances between the volcanic landscape and Silbo, the whistled language of the island.

Las Preguntas que Perdimos(es)

Vacuumin’ Around(hu)

A documentary about a person who cleans his room with a vacuum cleaner, filled with disasters and mishaps.

A Field of Sheep(en)

A field full of sheep is observed through the camera, preserving that moment in time forever.

Routine(hu)

An experimental half-documentary half-fiction about a young person’s routine of getting to sleep and waking up.

Tour de Cinema: The Eighties(en)

Dive full-force into the most electric, profound, action-packed, and emotionally resonant decade in the history of filmmaking with the fifth installment of the “Tour de Cinema” series.

Trials and Initiation(ko)

Here is an actor, one who has been asked to dwell in the perilous gap between text and image. In the voids where traces of the past have been erased by an unknown error, she begins to assemble her own script.

1,2,3... Barcelona!(xx)

Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.

GRITA PELO MEU NOME(pt)

Track_ing(ko)

A set of 500*500 pixel boxes analyzes a group of image data produced on a train—a train running between Korea and Kazakhstan. Mostly, the detection process appears to be random. However, despite the incoherency, the boxes can generate an output, a story that can make sense.

Quatre altitudes bosniaques(fr)

Quatre altitudes bosniaques is an exercise in topographic cinema shot in Bosnia-Herzegovina. The document draws on the geography of the city of Sarajevo, from which the filmmakers construct a visual ethnography fragmented into four levels of elevation.

In The Pines(id)

This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.

Dreamed to sea(es)

A monster that lives in the darkest part of the sea, a dreamlike representation of the journey towards the depths of something that one wants to avoid and that is finally faced.

Los días azules(ca)

Guisado on Sunset(en)

Missed connection regret at that one late-night spot—the kind you keep playing back in your head but not quite ever remembering right, until it starts to look like something else.

Horny Kid - A film essay(en)

The filmmaker's mother describes stories of his lustful youth over the phone, causing them to reflect on his current love life at the age of 30.

FASCISM(s): A Film in Six Parts(en)

Six sequences about Fascism and its segments throughout history.

The Princess and the Peacock(en)

Mona is a 22 year old trans girl from a small village in France. She puts needles attached to peacock feathers in her skin, under bright lights, late at night. She bleeds, half naked, in front of small crowds of people. Sometimes they faint whilst watching her. Why would she do this? How did she learn to do it? And why would someone want to watch?