Inspired by the works of Jonas Mekas, Chantal Akerman and Angela Schanelec, Ive made what is my longest film diary so far. One that spans my two week vacation out to the New England region of North America. What i have here is another cerebral experience into a world that is so closely far away.
Inspired by the works of Jonas Mekas, Chantal Akerman and Angela Schanelec, Ive made what is my longest film diary so far. One that spans my two week vacation out to the New England region of North America. What i have here is another cerebral experience into a world that is so closely far away.
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i was So Closely Far Away from Home...
Steve Martin and Bonnie Hunt return as heads of the Baker family who, while on vacation, find themselves in competition with a rival family of eight children.
The Griswolds win a vacation to Europe on a game show, and so pack their bags for the continent. They do their best to catch the flavor of Europe, but they just don't know how to be be good tourists. Besides, they have trouble taking holidays in countries where they CAN speak the language.
Clark Griswold is on a quest to take his family to the Walley World theme park for a vacation, but things don't go exactly as planned.
Gail and Tom Hartman are struggling to stay together and decide to take a white-water rafting holiday adventure in Montana for their son Roarke's 10th birthday, only to meet up with a pair of mysterious men whose desperation grows, turning their vacation into a nightmare.
Self-centered and status-conscious, ten year old Ryann Hale journeys to Montana to visit her down-to-earth grandpa, Bill Hale. Ryann bonds with a wolf-dog, Buck, and schemes to save him from a cruel dogsledder.
Filmmaker Jonas Mekas films 160 underground film people over four decades.
On the planet Gandahar where peace reigns and poverty is unknown, this utopian lifestyle is upset by reports of people at the outlying frontiers being turned to stone. Sylvain is sent to investigate this mysterious threat.
A young wizard accidentally conjures a spell that puts her family in jeopardy.
Antoinette, a school teacher, is looking forward to her long planned summer holidays with her secret lover Vladimir, the father of one of her pupils. When learning that Vladimir cannot come because his wife organized a surprise trekking holiday in the Cévennes National Park with their daughter and a donkey to carry their load, Antoinette decides to follow their track, by herself, with Patrick, a protective donkey.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
“After So Long // बरसों बाद” is a visual poetry set in Mumbai (India) and voiced by Simha and their parents to symbolise their connection with each other; a walkabout through time and memories. Directed by Varsha Panikar, the film takes inspiration from vintage-home-movie culture to create a contemplative and nostalgic vignette of an artist’s spiritual journey out of the darkness and into the light.
On January 1st, 1999, Caveh Zahedi started a one-year video diary. The idea was to shoot one minute each day. This is the result.
This remarkable compilation follows an exchange of video letters that took place between Shuji Terayama and Shuntaro Tanikawa in the months immediately preceding Terayama's death. It can be thought of as a home video produced by two preeminent poets and inter-laid with highly abstract philosophizing, slightly aberrant behavior and occasionally flamboyant visuals.
A family goes on a cruise but not all is what it seems. The next day they wake up with no memories of last night, which gets them in a LOT of trouble!
Made over six years in the hotels of six different countries, Hotel Diaries charts the 'War on Terror' era of Bush and Blair through a seven-part series of video recordings that relate personal experiences to the ongoing conflicts in Afghanistan, Iraq and Israel/Palestine. In these works, which play upon chance and coincidence, hotel rooms are employed as 'found' film sets, where architecture, furnishing and decoration become the means by which the filmmaker’s small adventures are linked to major world events.
An epic portrait of the New York avant-garde art scene of the 60s.
A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.
When Blinker is helping his dad as lifesaver at the sea in Ostend, they discover dumped chemicals by Blix Industries.
Jonas Mekas adjusts to a life in exile in New York in his autobiographical film, shot between 1949 and 1963.
For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.