Destins: Général De Bollardière(1975)

Death Squads: The French School(fr)

After the Battle of Algiers, France and its army exported, as true experts, anti-subversive methods to Latin America and the United States in the 1960s. After more than a year of investigation in Argentina , in Chile, Brazil, the United States and France, the director collected, sometimes under the cover of a hidden camera, recorded conversations, the exclusive testimonies of the main protagonists. From General Aussaresses to former Minister of the Armed Forces Pierre Messmer, including General Reynaldo Bignone (head of the military junta in Argentina from 1982 to 1984), General Albano Harguindéguy, General Manuel Contreras, and Generals John Johns and Carl Bernard, this investigation gives us a hidden reality of the country of Human Rights.

Bizli: Origin(bn)

Bizli has possessed supernatural power by birth. Her father wants to hide it, but an evil scientist wants to use her to implement a cold fusion electricity generation project.

Monsters(zh)

Jia Ying, a sales manager of real estate, is mean and indifferent, still remains single. She has never expected something like this would have happened to her. After her customers were gone, Jia found that she has left her personal phone at the model room. As she just stepped into the elevator, a horrid thundering comes, and the next thing she knew, she was waked from the dark, trapped among the destroyed elevator, and all she got was a cracked work phone, a lighter and a handbag. Jia managed to recover the phone and called for help, while the signal was fitful, and she cannot even remember her bes-tie or relative's number. The destroyed elevator fell again, iron stabbed into her thigh and caused badly bleeding. Jia kept trying on dialing, without the expectation to find a hidden conspiracy, as well as a bloody monster lurked deep in the dark.

The Frozen North(en)

For more than 30 years a man by the name of Dick Proenneke lived alone in the Alaskan Bush. His only neighbors were the wolves and grizzly bears and his only transportation was his canoe and a good set of legs. Through the years, Dick kept written journals of daily life at Twin Lakes but would also document much of his adventure on film with his 16 mms Bolex camera. The Frozen North is Dick's own filmed account of his life alone in this "One Man's Wilderness", produced from original footage not included in "Alone in the Wilderness" or "Alaska Silence & Solitude".

Rats Corner(ru)

Klim, illegally convicted of karate training, returns home after five years in prison. Finds shelter with a caring uncle Pasha. But the desire to find the one who sent him on a “five-year vacation”, and even killed a friend, makes Klim stir up the “rat corner” of corrupt cops and local bandits. But the truth is treacherously bitter.

The Last Suspect(he)

Danny Breznitz, late 40s, a detective in the Tel Aviv Police, is hospitalized following a near-fatal car accident. His relationship with his sexy mistress, Eva, early 30s, is falling apart, and his obsession with her is pushing Eva even further away. Living in the same apartment with Ruthie, his wife, are the only remains of their childless marriage. Following convalescence, Breznitz is handed an insignificant case by his hostile superior which he considers beneath him. But when an unknown body is found in the woods, and nobody cares, Dani finds a cause he can believe in. He makes a tour-de-force of Israel's "low- life" – an Arab intellectual who wants to admit to a murder he has not committed, a prostitute turned hairdresser, a pimp who poses as a born-again Jew, a homosexual artist who was excommunicated by his parents. The journey becomes an obsession that threatens to kill him but Breznitz wouldn't stop until he reveals the shocking truth...

Froggy(en)

A teenage girl with a significant connection to nature is attacked by bullying classmates. A reckoning is unleashed to defend herself, and the creatures she cherishes.

Ultimo: Buongiorno vita - L’evento, live al Colosseo(it)

A concert by Ultimo.

Rage Against The Machine: Pinkpop Festival(en)

Pinkpop 1993 was held on May 31, 1993 in Landgraaf. It was the 24th edition of the Dutch music festival Pinkpop and the 6th in Landgraaf. There were around 64,300 spectators. During the performance of Thelonious Monster, singer Bob Forrest climbed through one of the songs through the loudspeaker towers to sit on the roof of the main stage as an inanimate person. He was then talked down and continued the performance. During the closing act of the festival, the performance of The Black Crowes , the power went out making it almost dark on the site for about ten minutes. The audience reacted laconically to this pause by loudly singing Monty Python's 'Always Look On The Bright Side Of Life'. The Black Crowes were forced to stop their performance but when the power failure was over they came back on stage to complete the performances.

Lost Hearts(en)

A young orphan, Stephen, is sent to go and live with his strange, much older cousin at his remote country house. Once there, Stephen experiences terrible dreams in which he sees a young girl and boy who are missing their hearts.

Ratahan Al Marid(ms)

Nina is suffering from emotional distress when she learns that her baby died at birth. She then heard the baby crying at her mother-in-law's house, and began to feel that her child was still alive.

Riders of the North(en)

In a trapper's cabin, Sergeant Stone finds a fellow Mountie murdered and is given the assignment of locating the killer.

Wakacje w Amsterdamie(pl)

The film tells the trials and tribulations of marriage Kosińskich, which breaks down as a result of his wife travel to work abroad in Amsterdam. The woman extends her stay in the Netherlands, and eventually divorces her husband Paul. In parting, their deprived son Michael looses both parents, and is forced to be present in court for divorce hearings and sent to child care services.

Ucronia(en)

A man wrestles with his personal demons and obsession with a writer's life.

Dagfinn Lyngbø: Stereo(en)

Dagfinn Lyngbø Stereo

La Malédiction de Toutankhamon : L'Énigme des morts suspectes(fr)

Daniel Timsit, l’Algérien(fr)

Cheikh El Hasnaoui, from the White House to the Blue Ocean(fr)

Cheikh El-Hasnaoui is an Algerian singer who left his country in 1937 without ever setting foot there again. Between 1939 and 1968 he composed most of his repertoire in France. For many years the Algerian cafes of Paris were the stages of his shows. With a handful of artists of his generation, he laid the foundations of modern Algerian song. A fervent defender of women's rights, he claims, as a pioneer, the fight for identity for a plural Algeria. At the end of the Sixties, he ended his artistic career. On July 6, 2002 he died in Saint-Pierre de la Réunion, where he is buried to this day. This 80-minute documentary follows in the footsteps of this extraordinary character. From Kabylia to Saint-Pierre de a Réunion via the Casbah of Algiers and the belly of Paris.

Arezki, l'indigène(fr)

In 1895, young journalist Albertine Auclair arrives in the Kabylie during a family visit. The beauty of the region seduces her but she soon learns of the struggles of the native Algerians. She hears in particular about Arezki El Bachir, who was recently sentenced to death by the colonial justice system, and decides to find out more about this extraordinary man.

Scream(en)

An experimental essay film about terrorism, media, violence and globalisation. Three infotainment news broadcasts - a rollercoaster, a hijacking, and an influencer - are soundtracked by pulsating experimental electronics that push the psychic residue of a post war-on-terror world out of the unconscious and onto the screen. Capitalism, imperialism, desire; all three are implicated in a nihilism that has seeped from the news into the social psyche.

Kamel Hamadi, Ger Yenzizen(ar)

Portrait of the Algerian singer and composer Kamal Hamadi (husband of the singer Noura). Performer, musician, conductor, lyricist, author and composer, he is considered today as the witness par excellence of Algerian artistic action of the 20th century. The film received the Golden Olivier for best documentary 2010 at the Tizi-Ouzou Amazigh Film Festival in Algeria.

Li Fet Met (Le passé est mort)(fr)

The SAS (Section Administrative Spécialisée) were created in 1956 by the French army during the Algerian war to pacify "the natives". During the day, the SAS were used as treatment centres and at night as torture centres, in order to crush the Algerian resistance. The SAS were inhabited by French soldiers and auxiliaries (harkis, goumiers) and their families. At independence in 1962, a few families of auxiliaries stayed on; the vacant buildings were occupied by families of martyrs awaiting the better days promised by the new Algeria. 46 years later, the SAS at Laperrine, in the Bouira region, still exists, a unique place inhabited by people who have taken refuge there. They have been joined by farmers fleeing the terrorism of the 90s. They all live as best they can in a place they did not choose, suffering the consequences of war.

René Vautier, le maquisard à la caméra(fr)

Palestro, Algérie : Histoires d'une embuscade(fr)

Hier, aujourd'hui et demain(ar)

Camilo: The Long Road to Disobedience(de)

The award-winning filmmaker Peter Lilienthal is dedicated to this extremely poignant documentary of U.S. military policy and the living conditions of former resistance fighters in Latin America.

Les Enfants de Novembre(ar)

In the streets of the Casbah of Algiers, an FLN fighter pursued by the colonial police hands over confidential documents to Mourad, an Algerian child shouting newspapers who must at all costs pass them on to the resistance. But the police are on their trail and will do anything to get them back.

Algérie du possible(fr)

By meeting his former comrades in combat, the film follows the journey of Yves Mathieu, anti-colonialist in Black Africa then lawyer for the FLN. When Algeria became independent, he drafted the Decrees of March on vacant property and self-management, promulgated in 1963 by Ahmed Ben Bella. Yves Mathieu's life is punctuated by his commitments in an Algeria that was then called "The Lighthouse of the Third World". The director, who is his daughter, returns to the conditions of his death in 1966.

Archie Shepp chez les Touaregs(ar)

Larmes De Sang(fr)

A documentary film about Algerian women

The Zerda and the Songs of Forgetting(fr)

“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.

Shutdown: The Rise and Fall of Direct Action to Stop the War(en)

In the winter of 2002-'03, as the US was building its case to attack Iraq, people around the world responded with a series fo the largest peace protests in history. Shutdown: The Rise and Fall of Direct Action to Stop the War, is an action-packed documentary chronicling how DASW successfully organized to shut down a major US city and how they failed to effectively maintain the organization to fight the war machine and end the occupation of Iraq. Created by organizers involved with DASW, Shutdown combines detailed information on organizing for a mass action, critical interviews on organizing pitfalls, and the wisdom of hindsight. It is a must-see film for those engaged in the continuous struggle toward social justice.

143 Sahara Street(fr)

Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.

Field Punishment No.1(en)

In 1916, the New Zealand Government secretly shipped 14 of the country's most outspoken conscientious objectors to the Western Front in an attempt to convert, silence, or quite possibly kill them. This is their story.

Noua(ar)

Directed by Abdelaziz Tolbi.

The Battle of Algiers(it)

Tracing the struggle of the Algerian Front de Liberation Nationale to gain freedom from French colonial rule as seen through the eyes of Ali from his start as a petty thief to his rise to prominence in the organisation and capture by the French in 1957. The film traces the rebels' struggle and the increasingly extreme measures taken by the French government to quell the revolt.