2009-01-01
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A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
Boys on Film presents ten encounters from across the globe, where the dangerous allure of a risky attraction yields emotional results — proving that the age-old adage of taking the plunge is as relevant — and sexy — as ever before. The 10 short films are: My Uncle's Friend [O Amigo do Meu Tio] (2021); Budapest, Closed City [Budapest, zárt város] (2021); Eden (2020); Chaperone (2022); Break Me [Knus meg] (2018); By His Will [שעשני כרצונו] (2021); Red Ants Bite (2019); Jim (2022); Hornbeam (2022); Too Rough (2022).
These men are undergoing a crucial stage of self-discovery, but for better or worse - they will not go through it alone. A selection of 6 shorts about the complexities of gay and male sexuality. Includes: Along the Road [Längs vägen] (2011); Drives [Pulsiones] (2009); Frozen Princess [Princesa de hielo] (2017); Naked [Desnudos] (2013); Swimming Pool [Piscina] (2017); Visibles (2018).
Experimental short film that explores the rise and decline of the Soviet Union, from the revolutionary spark of 1917 to the challenges and sacrifices endured during World War II, until its dissolution in 1991.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
On February 6, 2023, an earthquake on the border of Turkey and Syria claims more than 55,000 lives. On this day, I am in an oncology center, 6 days since having my tumor removed, and in the afternoon my partner ends our relationships. Blending memory and theory, this autofiction documentary unfolds the relationships between love(s) and catastrophes.
A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.
A compilation of animated shorts restored by Thomas Stathes. A snapshot of the state of animated filmmaking 100 years ago. Includes several 1923 films.
Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.
A housekeeper received a film made by her daughter. It's a film that combines found footages of Thailand during the Cold War with the present days images of Bangkok. Through these images she tells a story of the house owner and her own story of coming to the capital.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
GIRI CHIT tells a tale of the subtle trace of irreconcilable worlds. A worker driving a mobile sweeper in hypnotic circles across an already immaculate surface. The high drama of cosplay aficionados clamoring to be seen. A cast of thousands toiling hundreds of feet above the street. Giri translates as ‘duty’ in Japanese, but the concept is in fact far more complicated. Giri is a sort of interpersonal political capital that informs careers, family relations, and much more. Its presence and flow is palpable in Japan, where this film was shot. A “giri chit” then may be a hypothetical voucher for this intangible flow (with a tip of the cap to Thomas Pynchon’s “Vineland”). Selected Screenings and Awards: DaVinci Film Festival (Best Experimental Film), Chicago Underground Film Festival, Athens International Film and Video Festival, Dallas Videofest, ICDOCS Film Festival, NewFilmmakers at Anthology Film Archives, Oxford Film Festival, Director’s Lounge Berlin
Boys On Film comes of age with uplifting and powerful tales recounting the lives of everyday heroes striving for their own identities and fighting for the right for us all to be ourselves. Volume 18: Heroes includes ten complete films: Dean Loxton's "Dániel" starring Csémy Balázs, Hilda Péter, and Henry Garrett… Niels Bourgonje's "Buddy" starring Daniel Cornelissen and Tobias Nierop… Tamara Shogaolu's animated "Half A Life"… Victor Lindgren's "Undress Me" starring Jana Bringlöv Ekspong and Björn Elgerd… Sam Ashby's "The Colour Of His Hair" starring Sean Hart and Josh O'Connor… Hope Dickson Leach's "Silly Girl" starring Ciara Baxendale, Mollie Lambert, and Jason Barker… Søren Green's "An Evening" starring Jacob Ottensten and Ulrik Windfeldt-Schmidt… Alejandro Medina's documentary "AIDS: Doctors And Nurses Tell Their Stories"… Kai Stänicke's "It's Consuming Me" with Volkmar Leif Gilbert… and Mikael Bundsen's "Mother Knows Best" starring Alexander Gustavsson and Hanna Ullerstam.
A solo audiovisual performance. Eighth entry into deeply beguiling series of works responding to the Alps acted as the closing night event of Alchemy Film Festival. The images are studies of the Alps degraded and distorted live at the front of the auditorium; the picture pixelated, streams of colour engulfed the screen like a crashed desktop, and as hawks hovered over the mountains they left staggered trails of glitches across the screen like computerised vapour trails. The audio was also created live using short atonal precomposed tracks. The aim was to create a digital alchemy, an abstracted journey into the mountains, a wild wonder inside and out.
A film of and through the trees. Leaves catch, consume and resist the light through the seasons.
A silent city symphony, projected from gorgeous black and white 16mm film. Materia vibrante lets the resonating frequencies of the urban environment create the inaudible hum that keeps the engines of society running, absent of the inhabitants running around like little ants toiling away.
A series of 12 short movies from the start of the twentieth century. These movies were the first adult movies, and, according to the film-maker Michel Reilhac, show that "the modern porn industry did not invent anything – everything had already been filmed by our great-grandparents."