Cinderella is helped to the ball by her fairy godmother in The Royal Ballet's version of the classic fairy tale, using Sergei Prokofiev's music and Frederick Ashton's choreography in a comic ballet.
Cinderella
The Prince
Cinderella's Father
The Fairy Godmother
The Jester
Cinderella is helped to the ball by her fairy godmother in The Royal Ballet's version of the classic fairy tale, using Sergei Prokofiev's music and Frederick Ashton's choreography in a comic ballet.
1970-12-25
6
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A new mother struggles with parenthood, adjusting to life with an imprisoned husband, and her own mental health.
Various introductions corners, card games, quizes, 'Making Of', and concert 'Backstage Footage'.
There are approximately 6.5 billion moments that occur on Earth everyday... Some remembered. Some forgotten.
Her parents were humble peasants, and were fond of her when she was a baby, for they believed she would grow up to be a beautiful woman and make a good match. The trouble was that she didn't grow up. When she was nineteen she was no bigger than a child of six. Naturally they were overjoyed when an offer for their daughter's hand was made by another midget who lived in the same village. To their astonishment and anger, the girl refused to entertain it, declaring the husband she chose would have to be a man of whom she could be proud. Her home life was most unhappy after that, and the entire family rejoiced when a showman from the United States arrived and offered what seemed big money if she would join his "Congress of Freaks," which was quite an institution in America. And the girl went gladly.
UFC 101: Declaration was a mixed martial arts pay-per-view event held by the Ultimate Fighting Championship (UFC) on August 8, 2009 in Philadelphia, Pennsylvania. It was the first UFC event held in Philadelphia. The event featured the second title defense of Lightweight Champion BJ Penn against Kenny Florian, and a non-title Light Heavyweight bout for Middleweight Champion Anderson Silva against former Light Heavyweight Champion Forrest Griffin.
Dear Enemy tells the true story of the director’s grandfather who became friends with a German officer during the WWII German occupation of Albania while hiding a partisan, an Italian soldier and a Jewish watchmaker in his cellar.
A couple gets lost on the middle of their trip, their car gets stuck on the same spot of the road, and they are being helped by the same stranger each time.
A movie about the blue ghost and missing people on halloween
Homes are being burgled in Ystad and three neighbors form their own vigilante group. Soon Wallander is convinced the group has committed a double murder, although no bodies have been found.
A young woman lives sadly in a small garrison town with a soldier. Little by little, won over by boredom, sadness, total inaction, she develops a relationship with plants and starts talking to plants.
Physical comedy drives this vehicle for then-famous clown Poodles Hanneford, part of a legendary British circus family. Already pushing forty but impeccably nimble, he plays suitor to beauteous, heavily daddy-guarded Betty (Betty Walsh) and the duo try their hardest to elope. This is an essentially plotless series of gags but they're good ones, well above the producing Weiss Brothers' average at the time. While "Poodles" never quite parlayed his big-top celebrity into screen stardom, he occasionally appeared in movies as late as circus-themed Hollywood spectacular BILLY ROSE'S JUMBO. He passed away five years later in the Catskills, no doubt surrounded by a diehard old-school showbiz community to the end.
With his last breath Uu's friend entrusts him with the secret of how to go to the past. Uu is an engineer and doesn't believe in miracles, but the trick works. In the past there is a pleasant, eternal summer, long hair, girls and Jenkki chewing gum. In his real life, it is autumn, his friends are bitter, the girls are married and his father is seriously ill. At the end of the day, however, Uu has to decide in which time to live his life - in the summer of the past or in the autumn of the present.
The documentary Merikotkan paluu (Return of the white-tailed eagle), tells the tale of the past and the present of the white-tailed eagle. The second protagonist of the film is the human - the animal that can be blamed for the eagles’ distress but also credited for its rescue.
1988 will long be remembered as the year of celebrations - Australia turned 200, we won gold at the Seoul Olympics, 'Fergie' gave birth to a beautiful baby girl, and the World Expo in Brisbane exceeded all expectations. But for every moment of great joy, there was a moment of tragedy and despair. Floods across Australia left thousands homeless; the world's worst air show disaster in Germany claimed the lives of 47 people; and in May we lost Ben Lexcen the genius behind the winged keel. These and countless other events that captured our imaginations, together with the people who touched our lives, deserve to be remebered. With 1988, The Year on Video they will live forever
An old timbal performer in a puppet theater has a secret past.
Frederick Ashton's La Fille mal gardée (The Wayward Daughter) is one of the choreographer's most joyous and colourful creations. Inspired by his love for the Suffolk countryside, the ballet is set on a farm and tells a story of love between Lise, the daughter of Widow Simone, and Colas, a young farmer. It contains some of Ashton's most stunning choreography, most strikingly in the series of energetic pas de deux that express the youthful passion of the young lovers, performed here by Natalia Osipova and Steven McRae. The ballet is laced with exuberant good humour, and elements of national folk dance, from dancing chickens and a maypole dance to a Lancashire clog dance for Widow Simone, performed by Philip Mosley.
The classic Mariinsky (Kirov) production of the greatest of all ballets. Filmed in the imperial splendor of the Mariinsky Theatre, St Petersburg. Starring Ulyana Lopatkina, Danila Korsuntsev and the breathtaking Mariinsky corps de ballet. Conducted by the great Russian maestro Valery Gergiev.
The peasant girl Giselle discovers the true identity of her lover Albrecht – and that he is promised to another. This is one of The Royal Ballet’s most loved and admired productions, faithful to the spirit of the 1841 original yet always fresh at each revival. This performance features former Bolshoi star and now Royal Ballet Principal Natalia Osipova in a breath-taking interpretation of the title role.
Les Sylphides is a short, non-narrative ballet blanc to piano music by Frédéric Chopin, selected and orchestrated by Alexander Glazunov.
Ballet performance by The Royal Ballet, recorded at Covent Garden, London, United Kingdom, July 1984.
Inspired by the nationally popular video game series, the Tokyo-based ballet company Star Dancers Ballet's Ballet Dragon Quest was first produced in 1995. It was the first show that combined ballet with the video game. Ever since the ballet has been enthusiastically welcomed by not only ballet-lovers but also those who would otherwise never see a ballet, including Dragon Quest fans. It has been highly regarded as a unique and exceptional entertainment-ballet that successfully broadens the border of ballet. For the first time, this performance has been captured on video.
Matthew Bourne’s Swan Lake comes to cinemas with a fresh look for the 21st century and is ‘as bold and beautiful as ever’ (★★★★★ Telegraph). This thrilling, audacious and witty production is perhaps still best known for replacing the female corps-de-ballet with a menacing male ensemble, which shattered convention, turned tradition upside down and took the dance world by storm. Filmed Live at Sadler's Wells in January 2019.
Sergei Prokofiev's setting of the fairy tale "Cinderella" premiered at Moscow's Bolshoi Theater in 1945. In 1986, Rudolf Nureyev, then ballet director of the Paris Opera, choreographed the ballet anew and transposed the story into a private cinema, with sets reminiscent of Fritz Lang's "Metropolis." ARTE shows the Paris Opera performance from December 31, 2018.
Two playwrights and a former burlesque queen travel to Louisiana to research a musical they're planning on a local Southern hero.
This all-time ballet favourite, in which young Clara is swept into a fantasy adventure when one of her Christmas presents comes to life, is at its most enchanting in Peter Wright's glorious production.
During a Christmas Eve party and a young girl, Clara, being given a nutcracker doll by her godfather, Drosselmeyer. Later in the evening when Clara sleeps, she finds herself in the midst of the Nutcracker’s battle against the Mouse King and his army of mice. Coming to Clara’s aid, the Nutcracker is transformed into a Prince and journeys with her to an enchanted island where spectacular celebrations are held in their honor. Pre-recorded at the Mariinsky Theatre in St. Petersburg in December 2011, Wassili Vainonen’s version of the beloved holiday ballet is for the first time in 3-D in select theaters.
The first revival of Wayne McGregor’s critically acclaimed ballet triptych to music by Max Richter, inspired by the works of Virginia Woolf.
The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.
Ever since its triumphant premiere in 1960, Frederick Ashton's La Fille mal gardee has been treasured as one of his happiest creations - his artistic tribute to nature, and an expression of his feelings for his beloved Suffolk countryside. Marianela Nunez and Carlos Acosta perfectly portray the young lovers Lise and Colas, determined to thwart the plans of Widow Simone to marry off her wayward daughter to Alain, the simple son of wealthy Farmer Thomas. Osbert Lancaster's colourful, picture-book designs, along with Ferdinand Herold's tuneful score, arranged by John Lanchbery, provide the perfect setting for Ashton's blissfully bucolic ballet, complete with haywain, pony, maypole and ribbons, a cockrel and his chickens and, of course, the famous clog dance, here wonderfully led by William Tuckett as the irascible but lovable Widow Simone.
To speak of that ballet is very difficult because the theme is so popular as a fairy tale, adapted by Perrault from German folklore and then recuperated from the same folklore by the Grimm brothers, and what's more turned into an unforgettable film by Walt Disney. Angelin Preljocaj was thus trying to break a mould in which that character and her story had been cast seemingly for ever. And it is a success. Because first the setting, the stage direction are very interesting and rich. Rich are the costumes. Rich are the main ideas of the setting like the enormous magic mirror coming down from the sky, or like the deep underground mine turned into a vertical surface on which the seven dwarfs are dancing like dragon-flies on their strings.
The Hamburg Ballet was one of the first ballet companies internationally to return to its studios after the first lockdown. The ballet Ghost Light by John Neumeier deals with isolation and the feelings and fantasies an empty stage may evoke. Developed in fragments using small groups of dancers and under the constraints imposed by Covid-19, the choreography reflects situations, fears, relationships, memories, and emotions experienced during the pandemic.
Tita, who lives on a ranch in Mexico, falls in love with a boy, Pedro, who lives nearby; but when they want to get married, Tita's family prevents it, because she must remain single to take care of her mother.
An American ballerina arrives in Hungary to enroll in a ballet school and it soon becomes apparent that things are not what they seem.
The Nutcracker is Mikhail Baryshnikov's breathtaking and critcally acclaimed Emmy nominated production. The thisspectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both chowcased at the peak of the their careers, with members of the American Ballet Theatre.