On June 12, 2019, the Committee to Investigate Violence in Youth Care presented its final report. The conclusions were startling. Kim Feenstra set out to find out what progress has been made within the Youth Care system since then and ended up in a circle of grief and pain dominated by money, power and powerlessness. In her search, Kim Feenstra spoke to many people involved. The stories can be described as downright shocking. In many cases Youth Care appears to act as a revenue model that is exploiting parents and children. The complex system has only one entrance, but the exit is obstructed by all stakeholders who want to maintain their revenue model. The people who really matter, the parents and children, encounter a power block of inhuman proportions. A system dominated by money, power and powerlessness.
self — rechercheur
self — politie en bestuurslid VKC
self — personen- en familierecht jurist
self — credit manager / leidinggevende
self — rechter / hoogleraar familie- en jeugdrecht
self — gemeenteraadslid sociaal domein
self — onderzoeksjournalist
self — landelijk bestuurder jeugdzorg FNV
self — piloot Nederlandse luchtvaart
On June 12, 2019, the Committee to Investigate Violence in Youth Care presented its final report. The conclusions were startling. Kim Feenstra set out to find out what progress has been made within the Youth Care system since then and ended up in a circle of grief and pain dominated by money, power and powerlessness. In her search, Kim Feenstra spoke to many people involved. The stories can be described as downright shocking. In many cases Youth Care appears to act as a revenue model that is exploiting parents and children. The complex system has only one entrance, but the exit is obstructed by all stakeholders who want to maintain their revenue model. The people who really matter, the parents and children, encounter a power block of inhuman proportions. A system dominated by money, power and powerlessness.
2022-09-09
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Known for her intimate films, director Kim O’Bomsawin (Call Me Human) invites viewers into the lives of Indigenous youth in this absorbing new documentary. Shot over six years, the film brings us the moving stories, dreams, and experiences of three groups of children and teens from different Indigenous nations: Atikamekw, Eeyou Cree, and Innu. In following these young people through the formative years of their childhood and right through their high school years, we witness their daily lives, their ideas, and aspirations for themselves and their communities, as well as some of the challenges they face.
In this searing documentary, Indigenous people share heartbreaking stories that reveal the injustices inflicted by the Canadian child welfare system.
In this documentary, wealthy entrepreneur Bryan Johnson puts his body and fortune on the line to defy aging and extend his life beyond all known limits.
In a small commercial harbour in the south of France, two Moroccan sailors are watching over ferries that were abandoned by ship-owners. Young Syrians make a stopover to load their cattle, African traders prepare a convoy of second-hand vehicles. Men, machines, and animals transit through this space open onto the sea.
The moving story of Carlo Acutis, a young British-Italian amateur computer programmer who died in 2006, aged 15, as a result of leukemia. However, even though he is no longer here, to this day Carlo continues to be a great symbol of strength among young people. The documentary brings together a series of reports from people who entrusted themselves to the intercession of the boy, beatified by the Catholic Church in 2020, and had their lives transformed.
Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.
Father Edward J. Flanagan is a familiar name to many Americans, often for the Oscar-winning 1938 film starring Spencer Tracy about Flanagan’s groundbreaking child welfare organization. But the story extends far beyond that, to a man whose name and legacy are still well-known as far as Germany and Japan. Flanagan gained influence and admiration over the course of his life from Presidents, CEOs, celebrities and more, but none mattered more to him than that of the children for whom he tirelessly worked. A sobering reminder of this was during WWII, as Flanagan saw droves of former Boys Town citizens go off to war. In fact, so many former Boys Town boys named Flanagan as their next of kin that the American War Dads Association named him as America’s No. 1 War Dad.
For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.
A Foot in the Door tells the story of Kindergarten to College (K2C), the first universal children’s savings account program in the United States. Launched by the City and County of San Francisco, the program automatically provides a college savings account to children when they start kindergarten.
A documentary that explores what it means to be a young person in Quebec after the dissolution of the Quebec sovereignty movement.
Having suffered incest from her father from the age of eight to the age of twelve, at forty-five, Beatrice filmed, with two cameras, a long meeting with her mother to try, with the viewer, to understand their story.
During the 16th Workers' Festival in Dresden in 1976, a student group of Chilean emigrants paints a mural symbolically depicting the activity of the Unidad Popular during Salvador Allende's reign. Festival guests comment on this work. Music by Chilean music group Jaspampa, formed in Leipzig in 1972.
They were forced to assimilate into white society: children ripped away from their families, depriving them of their culture and erasing their identities. Can reconciliation help heal the scars from childhoods lost? "Dawnland" is the untold story of Indigenous child removal in the US through the nation's first-ever government-endorsed truth and reconciliation commission, which investigated the devastating impact of Maine’s child welfare practices on the Wabanaki people.
A girl from St. Petersburg walks around protest-ridden Moscow, talking to riot police and believing that sooner or later they will go over to the side of the demonstrators. An 18-year-old student of a St. Petersburg college introduces herself as Alice and tells about herself that from the age of four she lived in an orphanage and in foster families. In Moscow, Alisa, for whom this is the first rally in her life, walks along the police cordons and looks under the OMON helmet. "Under the mask you can't see, are you even human?"
Using drama, comedy, and music, this video addresses safer sex, AIDS hysteria, relationships, homophobia, the hazards of sharing needles. Young people are encouraged to examine their ideas, attitudes, and practices, and to make personal health choices based on accurate information. What's wrong with this picture? was written by young people for young people. It uses young people's language and experiences, proving particularly effective where other forms of AIDS education have failed.
A group of young architects, confined to a forest in Barcelona during the COVID crisis, explore the problems generated by the ambition of wanting to be completely self-sufficient.
Due to the measures taken by the government, students have fewer and fewer prospects for a meaningful future. Life is on pause and society is kept in fear. The confidence in a bright future is gone. Even after 18 months, there is still no light at the end of the tunnel. The many promises have not yet changed this situation. In this moving documentary, young people give an idea of the impact of the measures on their lives. Is there still hope or has the damage already been done?
Those who do not know the Sahara think there is only sand in the desert. But in the desert there are children who play and draw and make movies, and who would like to not have to think about the war. In the desert there's a European colony, an occupied country called Western Sahara, where there are thousands of Sahrawi refugees living a hard life in exile. "Little Sahara" tells their story, the story of a supportive, resilient people who try to thrive and grow in the Hamada, where everything has a hard time growing.
Social workers dispel myths about why children are removed from their biological parents, breaking down their overwhelming workload. Lawyers uncover the harsh reality of young children navigating the legal system. Advocacy organizations try to keep children safe and away from predators. An eclectic array of interviews from foster care alumni explore their connections (or lack thereof) with social workers, the fragile bond with each foster home, how trust can fall apart, and how those unable to adapt spent time in group homes. The film concludes with alumni success stories, working to remove the stigma of foster care.