Where the Land Ends
Similar Movies

Daughter of the Crater(fr)
A woman with a deep love of the land, Yolande Simard Perrault sees her life as having been shaped by a planetary upheaval in Charlevoix, Quebec, millions of years ago. As enduring as the Canadian Shield, she’s a woman of strength and spirit, a child of the crater left by the meteor’s impact. This documentary portrays a determined woman who’s the reflection of a land created on an immense scale. She was the creative and life partner of filmmaker Pierre Perrault, who gave up everything to be by her side. The film charts the influence of her unquenchable dreams and her contribution to the building of a people’s collective memory. In a stream of images and words, Simard Perrault recounts the splendours of the landscape and the people who shaped it. Generous and boundless, she embarks on a quest for identity that nurtures and perpetuates the oeuvre of the man who breathed new life into Quebec cinema.

Beluga Days(fr)
From the lower St. Lawrence, a picture of whale hunting that looks more like a round-up, with a corral, whale-boys and all. In 1534, when he stopped at the island he named l'Île-aux-Coudres, Jacques Cartier saw how the Indians captured the little white beluga whales by setting a fence of saplings into off-shore mud. In the film, the islanders show that the old method still works, thanks to the trusting 'sea-pigs,' the same old tide, and a little magic.

Léa devant la caméra(fr)
Revisiting her film set photos, director Léa Pool reflects on her prolific career. The filmmaker left Switzerland at the age of 25 to settle in Quebec and embark on a surprising career. She reinvents herself from film to film, exploring themes that deeply resonate with her: identity, exile, maternal absence, transitional spaces... In both documentary and fiction, she has directed 20 feature films that feature strong female characters and contemporary issues. Somewhere between a masterclass and an intimate conversation, this documentary invites Léa to share her cinematic journey in front of the camera.
Karihwanoron: Precious Things(en)
Yagorihwanirats, a Mohawk child from Kahnawake Mohawk Territory in Quebec, attends a unique and special school: Karihwanoron. It is a Mohawk immersion program that teaches Mohawk language, culture and philosophy. Yagorihwanirats is so excited to go to school that she never wants to miss a day – even if she is sick.

2012/Through the heart(fr)
What remains of the 2012 Quebec student protests? Little has changed in the decade that ensued. Rodrigue Jean and Arnaud Valade exhume images of the battles, recorded live and relayed through the mass media, that flared up as anger and indignation went head-to-head with the rhetoric of power. Against these divisive images, the filmmakers overlay a historical perspective of the state and its police in Montreal, Quebec and Canada, delving into the roots of sanctioned violence. Their compelling glance at the past is, of course, a cry that continues to echo in the present day. While the voices have been silenced, revolt still brews. All it takes is a spark...

The Great Invasion(fr)
The film looks at the impact of over-development in historic towns in Quebec’s picturesque Laurentian mountains. As big box stores and large retailers drive local merchants out of business, and foreign developers buy up huge tracts of land for resorts, local residents’ property taxes are skyrocketing. While the locals organize against expropriation by taxation, an internationally-known artist, René Derouin, adds his creative energy to protect the heritage of “Les pays d’en haut” from The Great Invasion.

Just Watch Me: Trudeau and the 70's Generation(en)
Canadian director Catherine Annau's debut work is a documentary about the legacy of Pierre Trudeau, the long-running Prime Minister of Canada, who governed during the 1970s. The film focuses particularly on Trudeau's goal of creating a thoroughly bilingual nation. Annau interviews eight people in their mid-30s on both sides of the linguistic divide. One tells of her life growing up in a community of hard-core Quebec separatists, while another, a yuppie from Toronto, recalls believing as a child that people in Montreal got drunk and had sex all day long. Annau has all of the interviewees discuss how Trudeau's policies affected their lives and their perceptions of the other side, in this issue that strikes to the heart of Canada's national identity.

Janette et filles(fr)
Janette Bertrand, 96, is at the time of the balance sheets. Where are the women, where is the fight for gender equality? An hour of History with a capital H and Love with a capital A, to not forget anything and, above all, never stop moving forward.

NDDJ (Notre-Dame-du-Jambon)(fr)
Karan and Rohan, two biracial brothers raised in a marginal environment, are finding ways to get stimulated on a normal summer day. They embark on a trip to buy candies to avoid boredom. This film plays with the sense of boundaries between what is real and what is fiction. It is a film about the love of two brothers and their singular reality in the countryside of Quebec.

Tshiuetin(fr)
Take a breathtaking train a ride through Nothern Quebec and Labrador on Canada’s first First Nations-owned railway. Come for the celebration of the power of independence, the crucial importance of aboriginal owned businesses and stay for the beauty of the northern landscape.

Jack Kerouac's Road: A Franco-American Odyssey(fr)
Part documentary, part drama, this film presents the life and work of Jack Kerouac, an American writer with Québec roots who became one of the most important spokesmen for his generation. Intercut with archival footage, photographs and interviews, this film takes apart the heroic myth and even returns to the childhood of the author whose life and work contributed greatly to the cultural, sexual and social revolution of the 1960s.

Who We Are(en)
Autism spectrum disorder (DSA) - It is not what they have, but what they are, who they are. They are Felix, Anthony, Marc and Brigitte. They are different.

Verglas 98(fr)

Nanook of the North(en)
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

How would you spend your last day on Earth?(en)
This project takes its shape from a conversation recorded between Rachelle and Toby, a real couple, living in Brooklyn.

Silver Rivers(fr)
In 2001, the government of Quebec announced a new program to issue permits for the construction of private hydroelectric dams at specific sites. Upset, the population took things into their own hands and decided to act. Citizens formed collectives to protect their waterways, among the most beautiful in the province. This documentary follows several artist and citizen groups who led a crusade to force the Québec government to abandon private hydro-electrical production. It is a thorough inquiry on the environmental impact and other repercussions of such projects.

September Five at Saint-Henri(fr)
This short film is a series of vignettes of life in Saint-Henri, a Montreal working-class district, on the first day of school. From dawn to midnight, we take in the neighbourhood’s pulse: a mother fussing over children, a father's enforced idleness, teenage boys clowning, young lovers dallying - the unposed quality of daily life.

Madwoman of God(fr)
This feature-length film tells the story of the passion between Marie de l’Incarnation, a mid-seventeenth-century nun and God, her "divine spouse." Fusing documentary and acting by Marie Tifo, whom we follow as she rehearses for this demanding role, the film paints an astonishing portrait of this mystic who abandoned her son and left France to build a convent in Canada, where she became the first female writer in New France.
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